'The Wall Will Be No More'
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'The Wall Will Be No More'

How Freddie Mercury and Troye Sivan challenge the notion of heteronormativity

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'The Wall Will Be No More'
From uh.edu
On August 7, 2013, Troye Sivan made it public knowledge he was in fact gay. However, it was 3 years earlier that he came out to his parents and his immediate family about his homosexuality. The reveal of his sexuality came after being in the public eye for about 7 years. In that time, Sivan has starred in movies and plays and now, in the past three years, he has taken a full fledged path towards musical superstardom. He is an idol amongst the youth culture today and his coming out has become an impetus for many youngsters not to be afraid to come out. Now, homosexuality shouldn't be an issue to anyone but, in the case of music, homosexuality can alter connotations of certain music pieces depending on the artist. If Sivan never came out, many of his songs would be interpreted as a normal love story between boy and girl. But because of the new revelation of Sivan's homosexuality, it opens up a new chapter of interpretation of his songs.

The entire concept of differing connotations of songs due to the artist's sexuality may seem familiar. In fact, it is indeed familiar as it was a way of interpreting the famous frontman of Queen, Freddie Mercury. Mercury is a rock'n'roll icon. He is idolized not only for his four-octave vocal range but he is admired for his flamboyant charisma that attracted millions of fans. However, what was more interesting was his evolution into the short haired, mustached macho man that became the legendary face of Queen. All throughout his career were the inklings and hints of his homosexuality but it was never outright mentioned by Mercury himself as his being gay took on the role of an open secret in the music industry. It is the revelation of Mercury's homosexuality that is the topic of Rishi Malhotra's paper, which looks at the lyrics of Queen's songs in comparison to the flamboyant persona that is Freddie Mercury. I will bring up the same point brought up earlier with Troye Sivan: if homosexuality was never a factor, then interpretations of Queen's songs wouldn't be as straight forward. There wouldn't be another wrinkle in the meaning behind the lyrics. This goes for Troye Sivan's music as well. Heteronormativity is the standard that has been broken in the past by Freddie Mercury and broken now by Troye Sivan.


Freddie Mercury singing at Wembley Stadium

First of all, heteronormativity is defined in Michael Warner's book Social Text as the notion that gender and sexuality are divided into hierarchically organized categories. To put it succinctly, man has its accepted places in society and woman does so too. However, the notion leaves behind the presence of homosexuals, rendering them invisible. With the growing presence of the LGBT community, it is interesting to analyze their breaking of supposed social norms. Because of that presence it forces us as a society to rethink what these norms are and whether or not they are rigid in this changing world

In Malhotra's paper covering the role of heteronormativity in Queen's music, he goes over the homosexual undertones that pervaded the song's lyrics. In the tune, Mercury sings "I want to break free/I want to break free from your lies/You're so self-satisfied, I don't need you," and in the accompanying video, he comments on these very same lyrics as he sang them in his 70s androgynous persona. As the 70's iteration of Freddie Mercury, it was the accepted version of the persona that fans came to love. Later, he sings "I've fallen in love/I've fallen in love for the first time/And this time I know it's for real" and in the accompanying music video, Mercury is dressed as the mustached macho man that was his persona at the time. Malhotra states "[had] there been no accompanying music video or visual imagery, heteronormativity would dominate," but with the homosexual visualizations and connotations, it becomes clearer to the viewer and the listener that Freddie Mercury is proud to be gay and is not afraid. This iteration of his persona was a drastic change. It was no longer the lead singer of a huge rock band. It was Freddie Mercury shedding his shell. Sure, he did not fit the mold of what he created, but through the drastic evolution in his style, he came out and showed that this is who he is and no norm was going to fit him.

Let's transition to heteronormativity challenged by Troye Sivan's music, lyrics, and videos. One of Troye's first songs was "Make You Love Me" published in 2012. This song talks about an unrequited love, as Sivan sings "Well, I can't make you love me but I'll try/ Until my dying breath, oh you know I'll try/ I can't make you feel it if it's not there."If this is your first time listening to this song, the first notion to come to mind is that "Make You Love Me" is about trying to get your love interest to fall for you. A normal interpretation indeed, but considering that Troye Sivan had already come out as being gay, although in private, the whole interpretation takes a turn. Those lyrics can now be looked at as a call for accepting someone as being gay. Maybe they don't fully understand the concept of homosexuality, but Troye won't give up at trying to make them understand that being gay is acceptable. Fast forward 3 years and Troye Sivan released a full-length, which he confesses to Larry King that a lot of songs on the album are about boys. In "WILD", the lines of Sivan's sexuality are not blurred at all. The song covers the desire of a forbidden love that drives Sivan to love even more and more. He sings "You make my heart shake/Bend and break/But I can't turn away/And it’s driving me wild". Sivan has admitted that this about a puppy love between two boys and the accompanying music video show exactly that: a growing relationship between two youngsters, who seal their love with a kiss. The concept of heteronormativity suggests that romance exists between a man and a woman. However, that notion is challenged by the boldness in the lyrics and the videos of Troye Sivan. In a growing LGBT community that Sivan is proud to be a part of, social norms are meant to be broken with their presence and, much like Freddie Mercury before him, he is helping the cause.


Troye Sivan singing a tune from Blue Neighborhood

In Malhotra's paper, he states that "heteronormativity is a powerful influence in understanding rock and pop culture". It is not just there where we need to understand it. It is also in our current culture. Heteronormativity is being challenged greatly by the growing numbers in the LGBT community that it is foolish to assume that men are meant to fill certain roles and women are meant to fill certain roles as well. Growing up in a religious family, I was taught this way, but seeing how the world has changed around me, it would be foolish not to change with it. There's a growing revolution in the way LGBT are being looked at. Many are still resistant to the idea. Look at North Carolina and the hassle it's getting for its restroom ordeal. Look at Houston, my home city. I was in favor for the HERO (Houston's Equal Rights Ordinance) ordinance, but it was unanimously defeated at the balance. Why? Are people really unwilling to accept change, especially in people's sexuality? How exactly is being lesbian, gay, bisexual, or transexual harmful for to other people so much that we can't give them freedom in the private area known as the restroom? In a local sense, it frustrates me so much, but I'm very glad that Troye Sivan and other music stars are so open in their support for the LGBT community. There's have no fear expressing who they are and for me, that is an admirable trait that I can get behind. In Freddy Mercury's time, gays weren't accepted at all. It was different. It didn't fit anything that was already assumed at the time, but that didn't change Mercury. He keeps on doing his thing. The gay young man in Troye Sivan was comfortable enough to accept what he is and despite initial fears, he was accepted amongst his peers and his fans. What does this mean? It's a sign that strict gender roles and assumptions are crumbling. Freddie Mercury took down bricks from the wall of heteronormativity and Troye Sivan is doing the same and while it might take time considering the resistance being put up against the LGBT community, that wall will soon be no more.
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This article has not been reviewed by Odyssey HQ and solely reflects the ideas and opinions of the creator.
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