The antithesis of art is subjective, it is what makes the experience fascinating. One person could see, hear, or observe the same material as another, yet have the exact opposite reaction. This is a quality that has always drawn me to film and the discussion surrounding it, with each point of view being a new slice of information.

Already working up a reputation as the year’s most divisive film is “The Neon Demon,” which is the latest from art house auteur Nicolas Winding Refn. For those unaware to his work, Refn has grown a loyal fan base for his visually stylish, yet emotionally restrained films. Along the way however, he has also picked up serious detractors, with some of his films even being booed at film festivals. His latest follows the cut-throat world of modeling, in which newcomer Jesse faces many beauty-obsessed admirers looking to garner her looks.

Living up to its reputation, “The Neon Demon” is sure to divide, shock, and intrigue audiences throughout, as it's sure to garner a bevy of mixed reactions from audiences (further displayed by its 48 percent Rotten Tomatoes score). Pushing the boundaries of originality, Refn and company have crafted a work that engages with a stylish flair and thoughtful sentiment, making it one of my personal favorites of the year so far.

No matter whether a viewer enjoys the film or not, they can not deny the visual beauty of the entire production. Refn, who is surprisingly color blind, can construct beautifully visceral shots better than most. Each shot is meticulously lit and framed, with there being moments in particular that left me in awe of the craftsmanship. Paired perfectly with Cliff Martinez’s synth-score, the film casts and immersing spell on its audience.

What is more divisive about Refn’s work is his approach to his material. His narratives are often time aimless, the characters are very much closed in, and the overall experience is very surreal. Some admire the originality, others criticize the over abundance of style. “The Neon Demon” is very much an example of style over substance, but that is not necessarily a complaint. Refn gleefully over-indulges at times here, with the style matching the vapid characters to perfection.

The experience of watching the film is a fascinating one, with Refn continuously toying with his audience and their expectations. After a slowly-paced first half that mostly sets up the characters and their unique world, the final half explodes in a shocking and ridiculous fashion that is equal parts entertaining and inventive. The narrative represents a scathing commentary on culture’s obsession with beauty as well the self-obsessed nature of individuals, that while laid on a little too thick, is engrossing nonetheless.

At the same time I praise the craftsmanship and originality of the film, you can google about 10 other reviews that detest all the qualities I enjoyed about the film. That divisive of a film can often times lead to hateful debates and name-calling. Instead of depreciating people that differ, we should all embrace the openness of the art form and the wide-ranging reactions drawn from it.

“The Neon Demon” is a wholly unique and original beast, one that has stuck in my mind since its conclusion. From the first frame onward, Refn crafts a tonal tango that is equal parts mesmerizing and impressive. While it will divide audiences, it's a film that is sure to leave a memorable impression on each viewer, which is a quality to truly embrace.

Rating: 8.5/10