How 'Rogue One' Fits Into The Machete Order

How 'Rogue One' Fits Into The Machete Order

The newest Star Wars film may cut up the franchise more than it already has been.
653
views

If you're a "Star Wars" fan, you probably have at least some opinion on what order is the best to watch all of the movies in. Some prefer to watch in chronological order, starting with the prequels and moving forward, while some think watching in order of production makes more sense. Neither of these orders are ideal, since one requires starting with the prequels and introducing "Star Wars" with what most agree are the worst movies of the series, and the other requires coming up on "The Force Awakens" on the depressing note "Revenge of the Sith" leaves behind. So, in an effort to figure out how to make the prequels fit into the series in a tasteful way, "Star Wars" fans created the Machete Order, or watching the movies in the best order to emphasize Luke's storyline: 4, 5, (1), 2, 3, 6, 7, presumably followed by 8 and 9, once they are released (Episode 1 is optional, as it is both bad and doesn't include details necessary to understanding Luke's story, unlike Episode 2, which, unfortunately, is necessary). This order lets "The Empire Strikes Back" end on a cliffhanger and uses the prequels as a flashback that emphasizes the parallels between Anakin's fall to the dark side and the path Luke is on in the present, making Luke's first appearance in "Revenge of the Sith," face hidden by black robes as he uses the force to choke Jabba's guards, far more poignant. The order allows the prequels to add to the story rather than bog it down and has become a fan-favorite, especially as a way of introducing someone to "Star Wars" who has never seen the films before.

Before "Rogue One" came out, most fans assumed it wouldn't be included in the Machete Order, since it's a stand-alone film and wouldn't be necessary to Luke's storyline in the same way Episode 1 isn't. When the movie was released last week, though, those fans began to realize that the movie was worth including when rewatching the series, unlike Episode 1, meaning "Rogue One" has to be worked into the watch order somehow. Since the movie doesn't have an effect on Luke's character arc, the film either has to be placed at the end of the standard episodes or the idea of organizing the films based on their relation to Luke must be abandoned so that the film can be placed into the watch order in the way that makes the most narrative sense.

The most obvious way to incorporate it would be to place it before Episode 4, since the events of "Rogue One" lead straight up to the very beginning of "A New Hope" and fills in gaps and holes in the film. "Rogue One" serves as an exciting and enjoyable start to the series, which is essential when beginning any watch order, especially for the first time. However, though this may work for those who have already seen "Star Wars," it may not be the best introduction to the entire franchise for a newcomer. Yes, it does work as a film on its own and function well as an introduction to the two sides of the war, the Empire and the Rebel Alliance, but it's a rather clumsy introduction to aspects of "Star Wars" that will become important later on, like the Force and the Jedi. It also feels so completely different from the rest of the "Star Wars" films that I assume it would be a little strange to be introduced to the series through "Rogue One" only to have the rest of the films be so separate. "Rogue One" may be the best place to start as someone who has already seen the films and can function as an introduction to the series in some cases, it may not be the best choice.

The best alternative to this may be to watch "Rogue One" after Episode 3 and before Episode 6. This way, the film allows the audience to see the creation of Darth Vader and then get to see him in his prime after "Revenge of the Sith," and also acts as a crossover and reintroduction to the original trilogy from the prequels, since it takes place between them. It does distract from the main storyline a bit and may take away from the impact of seeing Luke in the same dark robes in "Return of the Jedi" as his father in the end of "Revenge of the Sith" since there is an entire film placed between them, but if "Rogue One" isn't placed at the beginning or end of the series, this is the best solution I can think of. Once "Rogue One" comes out on DVD and can be tossed around the order once its made available, the best way to watch the films will hopefully become clearer. Until then, and most likely even after, the best way to join "Rogue One" with the Machete Order may remain up for debate.

Cover Image Credit: Lucasfilm

Popular Right Now

80 Nicki Minaj Lyrics Perfect For Instagram Captions

"Yo, you seen my last pic, go double-tap that for me."
320825
views

Nicki Minaj lets the world know about her amazing Instagram skills in Beyonce's "Flawless," when she raps "Instagram another flawless pic." Do you have a #Flawless Instagram picture but need a clever caption to go with it? The Queen of Rap has plenty of Insta-worthy song lyrics.

*(Some lyrics have been edited to keep this article "PG". Feel free to look up the real Nicki Minaj lyrics if you hate the radio edit.)


When you want to diss a hater:

    1. "You couldn't get a fan if it was hangin' from the ceilin."
    2. "I'm throwing shade like it's sunny."
    3. "I'm in my own lane, you ain't in my category."
    4. "These (girls) couldn’t test me even if their name was Pop Quiz."
    5. "Yo, people will love you and support you when it's beneficial. I'ma forgive, I won't forget, but I'ma dead the issue."
    6. "Not that I don't got good vision, but I don't see competition."
    7. "I’m Angelina, you Jennifer. Come on (girl), you see where Brad at."
    8. "I look like "yes" and you look like "no"."
    9. "But if you're ugly it's a no text zone."
    10. "If you are my rival, then that means you're suicidal."
    11. "Shout out to my haters, Sorry that you couldn't faze me."
    12. "Trash talk to 'em then I put 'em in a Hefty."
    13. "Like I mean I don't even know why you girls bother at this point. Like give up, it's me, I win, you lose."
    14. "All these haters mad because I'm so established."
    15. "Competition? why yes I would love some."

















When you want to tell people how awesome you are:

    16. "If I'm fake I ain't notice, cause my money ain't."
    17. "You can hate me, but why knock my hustle? I'ma be the queen, no matter how they shuffle."
    18. "Let me make this clear, I’m not difficult, I’m just ’bout my business."
    19. "I'm feelin' myself."
    20. "Excuse me honey, but nobody's in my lane."
    21. "Put me on a dollar cause I'm who they trust in."
    22. "I don’t say “Hi”, I say “Keys to the Benz.”"
    23. "I've been hot since flip phones" "Running this game for 5 years. Guess that's why my feet hurt."
    24. "Hotter than a middle eastern climate."
    25. "My money’s so tall that my Barbies gotta climb it."
    26. "No, I'm not lucky, I'm blessed, yes."
    27."I ain't gotta compete with a single soul."
    28. "'X' in the box, cause ain't nobody checking me."
    29."Excuse me, I'm sorry, I'm really such a lady."
    30. "Honestly I gotta stay as fly as I can be."














When you're hanging with your clique:

    31. "Cherish these nights, cherish these people. Life is a movie, but there will never be a sequel."
    32. "I’m with some hood girls lookin’ back at it."
    33. "We dope girls, we flawless. We the poster girls for all this."
    34. "Pretty gang, always keep them (boys) on geek."
    35. "The night is still young, and so are we!"
    36. "If you ain’t on the team, you playin’ for team D, ’Cause we A-listers, we paid sisters."
    37. "Pretty (girls) only could get in my posse."
    38. "Cause we the mean girls, y-yes we so fetch."
    39. "We fresh to death, down to the shoes."
    40. "Ain't at no wedding but all my girls cake tops."
    41. "Got a whole bunch of pretty gang in my clique."
    42. "Clap for the heavyweight champ, me, But I couldn't do it all alone, WE."
    43. "Put your drinks up, It's a celebration every time we link up."
    44. "I'm with some flawless (girls) because they be mobbin' pretty."


















When you're hanging with your significant other:

    45. "He tryna kick it like a ninja."
    46. "He could tell that I was wifey material."
    47. "Ayo, I just wanna be your first go to."
    48. "You got spark, you, you got spunk. You, you got something all the girls want."
    49. Find me in the dark, I'll be in the stars, Find me in your heart, I'm in need of your love."
    50. "They holler at me, but it's you, you."
    51. "I'm not living right, I’m not living if you’re not by my side."
    52. "I just wanna be somebody that can add to, your wife, be a friend, be a teacher and a fan, too."
    53. "I just wanna be your favorite."
    54. "He was the realest, I was the baddest, we was the illest."
    55. "I know you can save me and make me feel alive."
    56. "Yes I'll be your girl, forever your lady, You ain't ever gotta worry, I'm down for you baby."
    57. "Baby you my everything, You all I ever wanted."

















When you're single and loving it:

    58. "You could be the king, but watch the queen conquer!"
    59. "Thats why I'm crowned queen, and I ain't looking for the prom king."
    60. "I like independent, like July 4th."
    61. "I ain't never need a man, to take care of me."
    62. "He be like, "Yo, you so legendary", But he can tell just by my face he ain't getting any."
    63. "I am not Jasmine, I am Aladdin."
    64. "I don't even brake when I'm backing up, I'll swerve on a (boy) if he acting up."
    65. "So many boys in here where do I begin?"











When you're just living life:

    66. "I never worry, life is a journey. I just wanna enjoy the ride."
    67. "Tonight is the night that I'ma get twisted."
    68. "I’mma keep it movin', be classy and graceful."
    69. "So make sure the stars is what you aim for, make mistakes though."
    70. "And we gon' hangover the next day. But we will remember this day."
    71. "My only motto in my life is don't lose."
    72. "Take me, or leave me, I'll never be perfect. Believe me, I'm worth it."
    73. "I believe that life is a prize, but to live doesn't mean you're alive."
    74. "I wish that I could have this moment for life."
    75. "If I scream, if I cry, It's only 'cause I feel alive."
    76. "I can't believe it, it's so amazing. This club is heating, this party's blazing.""
    77. "It's so amazing, I figured out this world is ours for the taking."
    78. "I am not a girl that can ever be defined."
    79. "I got next, I'm gonna shine."
    80. "This is my moment I just feel so alive."















Cover Image Credit: Nicki Minaj

Related Content

Connect with a generation
of new voices.

We are students, thinkers, influencers, and communities sharing our ideas with the world. Join our platform to create and discover content that actually matters to you.

Learn more Start Creating

'Treme': Defying Hurricane Katrina's Disaster Narrative

As an outsider to New Orleans, it was a privilege to step into the world of these New Orleans residents after Katrina

6
views

"Ten years after Hurricane Katrina, outsiders will have two versions of the Katrina experience. One version will be the images they recall from news coverage of the aftermath. The other will be the intimate portrayal of the determination of New Orleans residents to rebuild and recover their lives." - the blurb of "HBO's Treme and Post-Katrina Catharsis: The Mediated Rebirth of New Orleans"

I remember late in 2005, turning the channel to CNN and seeing image after image of Hurricane Katrina's devastation on New Orleans. I remember seeing the levees break, the houses flood, the crowding of the Superdome, and I remember the first thing 8-year-old me thought at the time was "thank God I'm not there. Thank God it's not me." All I knew was the disaster and the devastation, and when news channels like CNN stopped covering New Orleans after the storm, that's all I knew

"The Wire," "Treme's" predecessor, was the best show of all time because it taught me empathy and compassion. "Treme" is a great show, too, because it defied that disaster narrative and showed me the grit of some New Orleans residents. "Treme" is still the slowest show I have ever watched. To stick with it through the end could sometimes feel like watching a Ken Burns history documentary, but that is the nature of the show: it required a whole lot of patience.

Newsday's Verne Gay's review of the show titled it "'Treme' final season premiere review: Still good, still not for everyone," and that headline rings true as an umbrella for the show. No one I have talked to has heard of the show, not one person has referenced it in conversation - in fact, I only started watching it because David Simon, the creator of "The Wire," was its writer.

Nevertheless, I finished "Treme" with mixed feelings. I think I will need to watch it again, when I'm older and more fully able to appreciate the show, and maybe after I actually visit New Orleans. According to Akiva Gottlieb of The Nation, "David Simon [in "The Wire"]...has unforgettably cataloged all the reasons to quit; now he wants to know why the struggle could be worthwhile." While it is a great review that is worth reading, to keep "Treme" in the shadow of its predecessor to stop from reducing the show. It's difficult when the likes of Wendell Pierce and Clarke Peters, prominent main characters in "The Wire," were also main characters in "Treme," but for its own sake, "Treme" should be interpreted as its own show with its own unique structure.

One thing that struck out to me about "Treme," that will most likely always strike out to me, is the resilience of its characters. We follow the same group of people throughout four seasons, people from all walks of life in New Orleans after Hurricane Katrina. Initially, I thought Simon was going to depict LaDonna Williams, the owner of a local bar, or Antoine Batiste, a local trombonist, as victims of the disaster, and use the show as a just that: a disaster narrative, with an indictment on the institutions that failed the victims of Katrina (much like "The Wire").

But it wasn't. These characters had a tremendous amount of grit, will, and a refusal to give up despite the circumstances of Katrina's aftermath. Look no further than Albert Lambreaux, leader of a Mardi Gras Indian tribe named Guardians of the Flame, whose motto, "won't bow, don't know how," defines his character throughout the series. In one instance, "Big Chief" Lambreaux flat out denies chemotherapy for lymphoma to suit up for the next Mardi Gras. The types of people on the show range from DJs, developers, civil rights attorneys, police lieutenants, and violinists, but all of the mare united by this grit. Above all, all of them are united by their loyalty to New Orleans, not despite its dysfunction after Katrina, but perhaps because of it. Their names are Davis McAlary, Nelson Hidalgo, Toni Bernette, Terry Colson, and Annie Talarico, respectively.

Near the end of the series, Terry, the police lieutenant is visiting his estranged ex-wife and sons, and has a conversation at the dinner table where he asks why do people have to be defined by their profession. He isn't Terry the cop: he is just a guy named Terry. And each character is not defined by their profession or their circumstances after the storm. They are defined by their names, personas, and how they reacted in the face of adversity, and each character had unique ways of doing that.

In fact, one character even resembles perceptions of David Simon himself: Davis McAlary. Pardon the language, but McAlary, for a good portion of the series, is an annoying piece of shit: a rich, privileged white man who attempts to publicize and use New Orleans's suffering to promote his own career as a musician and DJ. But despite his vanity, McAlary is redeeming in the way he treats the people around him and the people he works with respect - and he is no longer DJ Davis, but instead just Davis, a person I feel is a friend.

And what struck out to me was how much I liked not only Davis, LaDonna, and Terry by the end, but how much I liked every character and how they carried on. For me, it was a privilege to share the journeys of Antoine and Sonny as they changed their lives over the course of several years. It was a privilege to step into Janette's various kitchens and see the life of a woman striving to build her own restaurant. It was a privilege to step into Toni's attempt to bring justice to the NOPD. It was a privilege to step into the world of Delmond as he tried to balance the terminal cancer of his father and his career as a prominent trumpeter.

As an outsider to New Orleans, it was a privilege to step into the world of these New Orleans residents after Katrina, and experience this first hand:

"Treme offers outsiders an inside look into why New Orleanians refused to abandon a place that many questioned should not be rebuilt after the levees failed."

Cover Image Credit:

https://commons.wikimedia.org/wiki/File:Treme_(5125861363).jpg

Related Content

Facebook Comments