What The Maze Runner Movie Missed

What The Maze Runner Movie Missed

Important Differences Between The Book And The Movie

Before starting, it must be clear that I am not writing about the most recent of the "Maze Runner" movies. "The Scorch Trials" (the second book in the series and the second movie) was released more recently to this date, and I just want to be clear that I'm writing about the first movie in the series, "The Maze Runner."

I recently had to take a flight across the country and thought reading a book would be the best way to pass the time. My brother had recommended the book series to me almost a year ago and the guy sitting next to me in the airport terminal happened to be reading one of the books in the series, "The Scorch Trials." After noticing this coincidence, I decided that was a sign to go ahead and download "The Maze Runner" to my Kindle account and the rest was history. I've since read the first two books in the series, and I'm undoubtedly hooked. My plan is to finish the series within the next couple of weeks, but while sitting in my apartment alone, I decided it would be a good time to check out the first movie of the series that came out in 2014. While I watched it, I couldn't help but notice how much the movie script writers/directors missed from the book, and I felt hurt by the progression of the movie. That's what this post is for...

1. Thomas knew his name from the start.

Right after he came out the box, he already knew of his name. However, he really didn't remember much else about his past life (whatever that was to him at the time.) In the movie, however, Thomas doesn't even remember his name coming out of the box. In fact, he remembers absolutely nothing.

In the book, not only does Thomas remember his name, he remembers more about his past life. For instance, almost from the start, Thomas thinks he has something to do with the whole Maze setting. He feels as though part of it is because of him. We first catch wind of this when Ben attacks him in the movie and states something along the line of, "This is because of you!" This leads me to my next point.

2. The "changing."

This is an important concept in the book, mainly because of what happens when someone goes through the "changing." For those who may not have read the book, but have seen the movie, I will explain further. When someone is stung by a Griever, they are rehabilitated back in the Glade. Then, they begin to remember more about what the Maze is all about, and each person who goes through it has seen Thomas in their memory. The movie does not explain much about the "changing," and I feel as though this confused viewers as to why Ben was banished so suddenly. There was more thought put into it by members of the Glade, particularly Newt and Alby, and once they realized that he was past rehabilitation and a danger to the group, they banished him.

3. Alby doesn't like Thomas in the beginning of the book.

During the start of the movie, Alby takes on the role of Thomas' friend quite quickly. He takes him out of the prison, shows him around the Glade and introduces him to people. He is understanding, and helpful to Thomas. This is NOT the case in the book. Alby doesn't trust Thomas in the book and is everything but helpful to him. Abby doesn't come around to Thomas (SPOILER ALERT) until he saves him from the Grievers in Thomas' first venture into the Maze.

4. Thomas and Theresa can't speak through their minds.

In the book, Thomas and Theresa are able to telepathically speak through their minds, which allows them to recollect memories from their previous life. This is a HUGE part of the book and I feel as though the movie really missed on this because this ability between Thomas and Theresa really gives the reader a solid understanding of how important their relationship is.

5. Gally.

Even more so than Alby, Gally is way more difficult with Thomas. James Dasher, the author of the books, makes it clear right off the bat that Gally was Thomas' number one enemy in the Glade. In the movie, however, Gally shows Thomas respect when he first remembers his name and locks arms with him, offering a genuine smile. This really threw me off as I watched the movie and I felt as though they didn't portray Gally as enough of a bad guy.

6. The device found in the Griever.

In the book, it is assumed that the Grievers must have come from the creators of the Maze. In the movie, though, Minho finds a device in the Griever that triggers the boys' thought that the Creators must have created the Grievers. The device later helps them find a hidden part of the Maze, which later helps the boys find a way out of the Maze.

7. The Grievers.

The Grievers are without a doubt a huge issue with the Maze in the book. However, I felt as though they were described and portrayed so differently in the book and the movie, respectively. In the book, the Grievers seemed to be slow, not very agile, slimebalms that can roll. However, this couldn't be any more different in the movie. They are made out to be agile, big, wall-friendly creatures - true killing machines. The book describes that they are not more than six feet tall which is so different from the movie because they tower over the Gladers.

These are some of the biggest differences that I noticed in the movie that really changed how I pictured some important parts of the book. However, I don't want to take anything away from the movie because it was entertaining and I thought that there were certain things that they nailed. I thought they created a perfect image of the Glade itself, and I thought they casted almost perfectly, too. I know it sounds cliche, but please, READ THE BOOK BEFORE YOU WATCH THE MOVIE!

Cover Image Credit: in.mybookshow.com

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If You're Into Psycho Murder Shit, You Must Watch These 7 Shows

A list, in no particular order, to get you started on the good murder show binge.

There's nothing like the suspense and excitement of looking into the mind of a serial killer or the onlooking of the process of solving a case. If you're into all the profiling, steps it takes to catch a killer, courtroom scenes or how these small group of individuals' brains work then this list of shows/movies is made especially for you so you don't have to dig through Netflix to bypass all the cheesy ones to get to the good stuff.

1. "Criminal Minds."

A CLASSIC in the crime tv shows that'll be sure to please. From great characterization with Hotch, Reid, Morgan, Garcia, and others in the gang solve the FBI's most difficult cases all over the United States. There's even an episode about a college abduction here in Tallahassee so watch if you want to know more!!!

2. "Mind Hunter."

If you're more into the creation of the study of psychopathy or how profilers came into the game, the new Netflix Original, "Mind Hunter," dives into how by understanding the psychopath and mapping their tendencies does finding them and helping them before they do too much harm came about. Also, this show displays some of the most infamous killers such as Ed Kemper (the Co-Ed Killer) as they pave the way into the movement of understanding the mind.

3. "Silence of the Lambs."

One of my all-time favorite movies with Jodie Foster and Anthony Hopkins' stellar performance in this chilling, suspense movie where this newbie FBI agent is sent to get information from an incarcerated serial killer much like in the plot line of Mind Hunter from Netflix. Just stay away from the sequels of Hannibal "the Cannibal" Lector because there are all just trash after the first one.

4. "Hannibal."

Still hungry for more of Hannibal "the Cannibal" Lector then this relatively new show is for you as it ventures into Hannibal's life as a psychiatrist before his capture and his love for cooking and eating his victims. Cinematically shot as an Amazon show, us lucky college students who get discounted amazon prime, are eligible to watch all seasons via that membership!

5. "The End of the F***king World."

This brand new Netflix original is absolutely sensational and earns its way on this list of must-watch murder shit. Exploring the idea that this self-diagnosed psychopath has eagerly made the decision to kill this angsty girl who feels like she is completely misunderstood except for by James, the self-aware psychopath. It's their journey about how he pretends to be in love with her to kill her until he begins to start to feel something for her and starts to hesitate. Watch to find out if he kills her or falls in love!!!! Don't get me wrong, this may sound lovey-dovey and having more to do with love and less with murder only to turn you on your heels but I guess you'll just have to watch to find out for yourself.

6. "How to Get Away With Murder."

Personally wanting to be a lawyer, this is a must-see! Viola Davis as Annalise Keating is a force to be reckoned with as she takes a small group of students to personally intern with her but they get more than what they ask for. To see the drama of working for Annalise Keating (Viola Davis) in a series of flashbacks and flashforwards of the end throughout the season, check it out on hulu while some will also be on Netflix! Will Wes, Laurel, Connor, Michaela, and Asher pass her class and become successful lawyers?

7. "Dexter"

Get up close and personal with this murder series where Dexter takes you into his own personal life of how he became, how he is, and how he maintains his serial killer status and the control of his urges that he calls his "dark passenger". Did I mention he is also part of the Miami Dade Police force working as a blood analyst? Dexter quenches his blood thirst through his vigilante killings of people who evade justice over lack of evidence, a good lawyer, or anything else that even though they are guilty they are still set free or unconvicted.

Consider these suggestions and although there are a lot more to go through, these are a good place to start your psycho-killer love affair! Happy binging!

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On Greatness And Popularity

A discussion on artistic ability.

It is evident, most of the times, the word “great” has been overused and some of the times, it has even been misused. People say, great sportsmen, great writers, great thinkers and great leaders to refer to the people who they thought were very special with their ability and deeds. “Greatness” is a highly relative term and there is not a single parameter based on which a good sportsman, writer or a leader can be deemed “great.”

It was not just the number of novels Dickens or Hemingway wrote that made them great writers, but it was the quality of their prose that distinguished them above other good writers of their time. It was not just the number of runs Brian Lara collected in his illustrious career that made him great, but it was also the way in which he got those runs. Authors like Chetan Bhagat and Dan Brown are popular, but many critics deny calling them “great.” Greatness can’t be bestowed upon someone solely based on their popularity.

One of the traits of great artists is they surpass the test of time. The artist who consistently produces works of great quality over and again in a manner unprecedented by others can be deemed “great” or a “legend.” Such artists often change the way in which art was done. They are groundbreaking and revolutionary in their own instincts. Walt Whitman is considered a great poet because he changed the way poetry was perceived in the United States.

It is not that difficult to be popular. One can gain popularity even throng wrong manners or filthy acts. But, it takes artists, writers, sportsmen and all people involved in creative works years of devotion and courage to be deemed “great” in their respective fields. Not every writer is destined to write like Hemingway, Dickens, Marquez or Shakespeare. Only Hemingway can write like Hemingway. Only Dickens can write like Dickens. Not all people in the world can be popular. Not all the popular people can be considered “genius” in their field. Not all the genius people can be considered “greats” in their field.

A specific borderline separating the greats and the goods in a field of human existence doesn’t exist and it is an arduous task to justify someone’s greatness. It is a lot easier to justify who is not great rather than finding out who is.

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