Redemption: "Airport"

Redemption: "Airport"

Re-reviewing the 1970 "classic"
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Just one look at Tura Satana's bustier-than-life go-go dancer Varla relegates the 1965 film Faster, Pussycat! Kill! Kill! to the lowly status of a sexploitation movie; from the start, it is unable to regard the entire package as anything but a novelty. In spite of, or perhaps because of its notorious critical failure, it has often been reexamined by critics and, over time, has garnered high praise from feminists and film critics alike.

Life's funny like that sometimes.

Like the works of Edgar Allan Poe or Vincent Van Gogh, a movie is sometimes unfairly labeled as "bad," and shunted aside for the next week's new release. It gets filed away as a dud and for every Faster, Pussycat!, there are dozens of rhinestones-in-the-rough which are forgotten about. It is my hope to dust off these cinematic-crapfests and try to salvage them in my own fledgling series I've so cleverly named "Redemption".

This week's film is arguably iconic, a movie which not only made a killing at the box office but gave birth to an entire genre: 1970's Airport. With an all-star ensemble cast and a dozen meandering, paper thin plot lines (which finally, mercifully come together nearly halfway through the movie), it still retains a kind of modernity to it. Replace Jacqueline Bisset with Katherine Heigl, Dean Martin with Bradley Cooper, and Helen Hayes with Sally Field and you would have an instant summer blockbuster.

The first half of the movie is relentlessly long, chiefly due to the eye-popping amount of exposition required for the mile-long list of leading characters (don't even ask about the secondary leads and supporting cast). Though the movie panders relentlessly to the audience, this is the movie that elevated the lowly disaster film to a hallowed, kitschy art form, and I was entirely too engrossed to be offended by Airport's assumption that I am wholly unable to infer meaning. Detractors may call it a two hour long series of predictability, but nobody can say it isn't entertaining, and, unlike the modern incarnations of these ensemble movies (Valentine's Day, New Year's Eve, et cetera), the large cast does not detract from the film.


The true standout of this melodramatic plane wreck, however, is the Academy Award-winner (Best Actress - 1931) Helen Hayes who delivers the most endearing, authentic performance as a "crafty little old bitty" who finds joy in subverting authority by sneaking aboard flights. Hayes is a refreshing break from the parade of excessive histrionics, and plays her role with a wide-eyed, comically insincere innocence which landed her an Oscar for Best Supporting Actress. Van Heflin and Maureen Stapleton as the terrorist and his suffering wife are two other gleaming points of the movie (Heflin chooses to wring every last outlandish expression from his one-dimensional antagonist and Stapleton's solemnity is, dare I say, moving), but it is Hayes who ultimately steals the over-inflated show.

Final Verdict: Though this movie is by no means a cinematic masterpiece, its moderate thrills (for 1970) and standout performances by hallowed veterans of the stage and screen more than keep this soap-opera-in-the-sky afloat. It's more than worth a watch (even if just for a laugh at how lax security regulations were in a pre-9/11 society [a twitching man with bulging eyes clutching a suitcase to his chest only draws suspicion after he boards the plane, and even then it is met with skepticism]), though maybe not one with a critical eye, and stands head, shoulders, wings, and cockpit over several of the piss-poor disaster films which succeeded it.

Stray observation: Dean "Slurs every word he isn't singing" Martin doesn't strike me as the most competent pilot.

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Why High School Musicals Should Be As Respected As Sports Programs Are

The arts are important, too.
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When I was in middle school and high school, I felt like I lived for the musicals that my school orchestrated.

For those of you who don't know, a musical is an onstage performance wherein actors take on roles that involve singing, and often dancing, to progress the plot of the story. While it may sound a little bit nerdy to get up in front of an audience to perform in this manner, this is something you cannot knock until you try it.

For some reason, though, many public schools have de-funded arts programs that would allow these musicals to occur, while increasing the funding for sports teams. There are a few things that are being forgotten when sports are valued more than musical programs in high schools.

Much like athletic hobbies, an actor must try-out, or audition, to participate in a musical. Those best suited for each role will be cast, and those who would not fit well are not given a part. While this may sound similar to trying out for say, basketball, it is an apples to oranges comparison.

At a basketball try-out, those who have the most experience doing a lay-up or shooting a foul shot will be more likely to succeed, no questions asked. However, for an audition, it is common to have to learn a piece of choreography upon walking in, and a potential cast member will be required to sing a selected piece with only a few days of preparation.

There are many more variables involved with an audition that makes it that much more nerve-racking.

The cast of a school musical will often rehearse for several months to perfect their roles, with only several nights of performance at the end. Many sports practice for three or four days between each of their respective competitions. While this may seem to make sports more grueling, this is not always the case.

Musicals have very little pay-off for a large amount of effort, while athletic activities have more frequent displays of their efforts.

Athletes are not encouraged to but are allowed to make mistakes. This is simply not allowed for someone in a musical, because certain lines or entrances may be integral to the plot.

Sometimes, because of all the quick changes and the sweat from big dance numbers, the stage makeup just starts to smear. Despite this, an actor must smile through it all. This is the part of musicals that no sport has: introspection.

An actor must think about how he or she would respond in a given situation, be it saddening, maddening, frightening, or delightful. There is no sport that requires the knowledge of human emotion, and there is especially no sport that requires an athlete to mimic such emotion. This type of emotional exercise helps with communications and relationships.

Sports are great, don't get me wrong. I loved playing volleyball, basketball, track, and swimming, but there were no experiences quite like those from a musical. Sports challenge the body with slight amounts of tactic, while musicals require much physical and mental endurance.

The next time you hear someone say that it's “just a musical," just remember that musicals deserve as much respect as sports, since they are just as, if not more demanding.

Cover Image Credit: Cincinnati Arts

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10 Shows To Watch If You're Sick Of 'The Office'

You can only watch it so many times...

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"The Office" is a great show, and is super easy to binge watch over and over again! But if you're like me and you're looking for something new to binge, why not give some of these a try? These comedies (or unintentional comedies) are a great way to branch out and watch something new.

1. "New Girl"

A show about a group of friends living in an apartment in a big city? Sound familiar? But seriously, this show is original and fresh, and Nick Miller is an icon.

2. "Crazy Ex-Girlfriend"

Ya'll have been sleeping on this show. It's a musical comedy about a girl that follows her ex boyfriend across the country. I thought it sounded horrible so I put it off for WAY too long, but then I realized how incredible the cast, music, writing, and just EVERYTHING. It really brings important issues to light, and I can't say too much without spoiling it. Rachel Bloom (the creator of the show) is a woman ahead of her time.

3. "Jane the Virgin"

I know... another CW show. But both are so incredible! Jane The Virgin is a tongue-in-cheek comedy and parody of telenovelas. It has so many twists and turns, but somehow you find yourself laughing with the family.

4. "Brooklyn Nine-Nine"

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Brooklyn Nine-Nine has been in popular news lately since its cancellation by Fox and sequential pickup by NBC. It's an amazing show about cops in, you guessed it, Brooklyn. Created by the amazing Michael Schur, it's a safe bet that if you loved "The Office" you'll also love his series "Brooklyn Nine-Nine".

5. "The Good Place"

Another series created by the talented Micael Schur, it's safe to say you've probably already heard about this fantasy-comedy series. With a wonderful cast and writing that will keep you on your toes, the show is another safe bet.

6. "Fresh Off The Boat"

Seriously, I don't know why more people don't watch this show. "Fresh Off The Boat" focuses on an Asian family living in Orlando in the mid 90s. Randall Parks plays a character who is the polar opposite of his character in "The Interview" (Yeah, remember that horrifying movie?) and Constance Wu is wonderful as always.

7. "Full House"

Why not go back to the basics? If you're looking for a nostalgic comedy, go back all the way to the early days of Full House. If you're a '98-'00 baby like me, you probably grew up watching the Tanner family on Nick at Night. The entire series is available on Hulu, so if all else fails just watch Uncle Jesse and Rebecca fall in love again or Michelle fall off a horse and somehow lose her memory.

8. "Secret Life of the American Teenager"

Okay, this show is not a comedy, but I have never laughed so hard in my life. It's off Netflix but it's still on Hulu, so you can watch this masterpiece there. Watch the terrible acting and nonsense plot twists drive this show into the ground. Somehow everyone in this school dates each other? And also has a baby? You just have to watch. It might be my favorite show of all time.

9. "Scrubs"

Another old show that is worth watching. If you ignore the last season, Scrubs is a worthwhile medical comedy about doctors in both their personal and medical life. JD and Turk's relationship is one to be jealous of, and one hilarious to watch. Emotional at times, this medical drama is superior to any medical drama that's out now.

10. "Superstore"

I was resistant to watch this one at first, because it looked cheesy. But once I started watching I loved it! The show is a workplace comedy, one you're sure to love if you can relate to working in retail. If you liked the Office, you'll like Superstore!

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