The Piece Of Foreshadowing In 'Hamilton' That Everyone Misses

The Piece Of Foreshadowing In 'Hamilton' That Everyone Misses

A look at the Bullet's swift transformation into a omen of death.

From its lyric to its musical motifs, to its staging, saying Broadway's "Hamilton" loves its foreshadowing would be an understatement. The ensemble's role in hinting at the future is no secret, since most of the foreshadowing is audible on the cast album. They begin the show as most ensembles do: as dancers, unseen voices, and background/one-off characters, but quickly begin to morph out of those common molds within the first ten songs. By the middle of the first act, they have become a manifestation of thought, mainly Hamilton's (the repetition of "My Shot" at the end of "Right Hand Man" sticks out in particular) and Burr's ("Wait For It"), and as Act I closes, they morph into a full-on Greek Chorus, knowing Hamilton's future and warning him of what is to come. "Say No To This" is a prime example of this, with the ensemble urging Hamilton to "go," to say "no" to his affair with Maria Reynolds, and from the end of "Non-Stop" to the end of "Hurricane," it seems Hamilton can't allude to his death, intentionally or not, without the ensemble telling him to "wait," that his time is coming.

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The ensemble's most effective and intriguing piece of foreshadowing, though, is not on the cast album and is one that I have noticed is often overlooked until it is too late by every person I've talked to who has seen the show. The Bullet, an ensemble member with nothing to separate her from the rest but a poof of curls at the top of her head, morphs not only into a Greek Chorus member, but into a signal of death approaching until she eventually (historical spoiler alert:) approaches Hamilton at the end of the show as an embodiment of the shot that killed him.

At the start, the Bullet is indistinguishable from her fellow ensemble members. Most of the ensemble steps into the spotlight a couple times, though, as everything from named historical figures like Samuel Seabury and James Reynolds to small speaking roles, and the Bullet is no different. After "You'll Be Back," she steps forward for the first time as a spy receiving a letter, only to have her neck snapped by a redcoat and become the first death of the revolution. However, unlike the rest of the ensemble, who return to the anonymous chorus until their next role, the Bullet never seems to leave that first moment behind. Her next appearance as a singular character is in "Stay Alive," when she becomes the actual Bullet for the first time as she passes Hamilton by at the sound of the gunshot at the top of the song, and from that moment on, every second she is allowed the audience's full or even partial attention, she becomes a harbinger of death.

Though her connection to death is most apparent in Act II, she is absolutely present and aware of his role as the Bullet from the beginning. When asked about playing the Bullet in an interview with "The Great Discontent," Ariana DeBose, the original Bullet, said, "I always know I’m aiming for him—even if the rest of the ensemble members don’t. So even if I’m just a lady in a ball gown at a party, there’s still a part of my character that knows that that moment is going to come.” Even when the spotlight is not on her, every moment the Bullet is onstage has significance. Whether it's in "My Shot," when the ensemble unfreezes one by one as Hamilton moves toward them during his first recitation of the "I imagine death so much it feels more like a memory" monologue and the Bullet is the last one to move, her hand still outstretched toward Hamilton as he steps in front of her, or it's in "Ten Duel Commandments," when the ensemble lines up between Hamilton and Burr, singing, "Pick a place to die where it's high and dry," and the Bullet places herself directly at Hamilton's side, the connection between them is already being formed. Knowing that the Bullet is fully aware of the final meeting she and Hamilton are hurtling toward makes the short moment in "Ten Duel Commandments" when Hamilton looks at her lining up beside him, the only time he ever seems to truly see her before his final moments, and the pair stand side by side for numbers six and seven of the Commandments, moving through the choreography in sync, feel hugely significant in a way it never would otherwise.

Several songs later, during "Yorktown," she kills a redcoat with Laurens in South Carolina. They celebrate for a brief moment before she returns to the ensemble, and the show moves on. It until three songs later that the audience and Hamilton learn that Laurens was shot and killed in South Carolina not long after the fighting ended. It is a short and easily dismissed interaction, but this is the first moment that her actions are entwined in someone's death. This quick look the Bullet and Laurens share in "Yorktown" begins to feel like Laurens sealing his fate with a handshake in retrospect.

This quick tie the Bullet forms with a person as they are about to die becomes extremely important in the second act, when she really steps into her role as the Bullet. Her spoken lines, though few, are particularly significant, as every one of them eventually leads to someone getting shot – namely, Philip and Hamilton. In "Blow Us All Away," she tells Philip exactly where to find George Eaker, the man who will kill him, singing, "I saw him just up Broadway, couple of blocks. He was going to see a play.” Philip follows her directions and challenges him to the duel that will kill him. Her only other spoken line is as one of Burr's supporters in "The Election of 1800," when she says, “I can’t believe we’re here with him” and flashes Burr a large, hopeful smile. Burr leaves the exchange with a fist pump, believing he has the election in the bag, only to have that hope ripped away when Hamilton's support of Jefferson leads to him losing the presidency and challenging Hamilton to the duel the whole show has been foreshadowing. At the start of "Your Obedient Servant," when Burr actually challenges Hamilton, the Bullet actually pulls Burr's desk onto the stage and hands him his quill so that he can begin his fateful letters, edging his toward the battlefield. Every action she takes ensures that Hamilton meets her one last time.

Once she has successfully gotten the pair to pull their guns on each other's, she appears for a final time as the actual bullet, slowly approaching Hamilton throughout the entirety of his final monologue and coming dangerously close to him as he moves, scatter-brained, across the stage. Halfway through, he steps right in her path, turns back and stumbles out of the way, and as he frantically repeats, "Rise up, rise up, rise up," she lunges for him, only to be pulled back by another ensemble member as Eliza steps in her path. Once Hamilton has been shot, she joins the ensemble once again, satisfied that the path she's been on since the beginning has come to an end.

I have only seen "Hamilton" once, unfortunately, and only noticed the Bullet's significance throughout the show by chance when I found my eye drawn to her because I liked her hair. The few things I did notice are most definitely not all of the foreshadowing that the Bullet presents, so if you get the chance to see "Hamilton," make sure to keep her in the corner of your eye. It is not immediately clear which ensemble member will become the Bullet now that Ariana DeBose has left the Richard Rogers, but once you witness the first death of the revolution, you'll know.

Cover Image Credit: David Korins

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5 Best Comedy TV Shows of 2017 That You Shouldn’t Miss

Spectrum Cable Channels come packed with entertainment options so that you don’t have to miss out on any of the entertainment genre Comedy.

Do you know that Comedy is one of the most-watched entertainment genre in the United States? Yes, it is, and rightfully so! Pertaining to the rushed nature of our contemporary lifestyles, and the obligation to outperform in all the challenges and endeavors that we face each day (be they work-related or otherwise), we need a proper and a regular dose of quality entertainment to invigorate our sore and tired nerves. Entertainment is as essentially needed as sleep, when it comes to refreshing and revitalizing ourselves to face another challenging day. 

And the very idea of watching a tragic or horror movie or show (in the very name of entertainment), would rather drain our brains more, leaving us feeling all gloomy and depressed or terrified (many won’t be able to even sleep well after watching a horror movie). So, yes, Comedy is the safest option when you aim on entertaining yourself. You actually feel gleeful and light-hearted after watching a comedy show and this is exactly the sole purpose of entertainment.

Hence, we have hand-picked 5 most entertainment-rich and fun-packed Comedy TV shows, for you to watch and have the much-craved entertainment dose. But most importantly pick the right Cable TV Service Provider, to enjoy a robust channel line-up that provides you with all the entertainment options of your choice. Spectrum Cable packages include HBO®, CBS®, NBC® that broadcast some of the best Comedy Shows.

  1. Big Little Lies

Reese Witherspoon, Nicole Kidman and Shailene Woodley star as the three Monterey mothers in ‘Big Little Lies’, that is aired on HBO®. Based on the best seller by Liane Moriarty, with the same title, the plot weaves a sinisterly comedic tale that involves murder as well as mischief, in the serene Monterey town on beachfront. It is an intelligent satire on how the communities are driven by gossip and rumors inside, that superficially seem to comprise of doting moms, very successful husbands, gorgeous children, and mesmerizing homes. 

The storyline exposes the broken and fractured relationships in apparently ‘ideal community’, especially between spouses, children and parents, and even neighbors and friends. Madeline, Celeste and Jane are the three protagonist mothers, and we get to know things through their eyes. We get to explore society's myths about perfection and romanticizing marriage, parenting and friendship, in a humorous way, which is why it is a massive hit in not only audience, but critics as well. 

2. Glow

Starring Alison Brie, Marc Maron, and Betty Gilpin, the plot of this comedy series, revolves around the professional and personal lives of this group of women, who work for a wrestling organization based in Los Angeles (in an 80s setting). The action begins when an out-of-work performer/actress, finds an unanticipated chance at fame and stardom, by entering the glamorous and glittery world of women's wrestling, where she has to work alongside a total of 12 other girls, who were just like her, Hollywood misfits. Sam Sylvia (Marc Maron), an unsuccessful director of B movies’, tries to train these women to fame. 

It is aired on Netflix®, and is one of the best Netflix® shows to date. Best as a weekend-watch, the episodes are only 30 minutes of length, packed with humor, drama and hilarious performances. 

Some of the best episodes are Money's in the Chase, Live Studio Audience, and The Wrath of Kuntar.

3. Master of None

Aziz Ansari and Eric Wareheim are in Italy, in the second season of this Netflix® show. 

The Writer and creator Aziz Ansari, has based this series on his real-life experiences. Dev (Ansari) plays as a protagonist. He is a New York-based performer/actor, who is in the middle of this struggle of identifying and recognizing about what he actually wants, both in professional and personal life. The series unfolds snippets of Dev's early youth, whilst exploring aspects of his current life, that includes modern etiquette (and that is regarding social media and texting), since he is still young and single. Ansari's actual dad performed the role of his father in the series as well. 

In the second season, the script as well as the performances, both became more natural. And the love story in the second season is perhaps the most fascinating in any TV show.

The best episodes were, First Date and New York, I Love You.

4. The Good Place

Starring Kristen Bell and Ted Danson, The Good Place is one of the quirkiest comedy TV series, but also one of the most eagerly-watched one. 

Aired on NBC®, the plot revolves around Eleanor Shellstrop (Bell), who surprisingly found herself in the next world/afterlife, and she's both flabbergasted and relieved, that she has finally made it to The Good Place. But it is not long, when Eleanor realizes that she's there, mistakenly. She then consistently hides and ensures not coming in sight of the architect (of this Good Place) Michael and his all-aware and all-eyes assistant Janet. Her ‘apparently perfect’ neighbors Jianyu and Tahani, and her soul mate Chidi, help her recognize and realize the fact that it is never too late. So, with the help of these new friends, and a few foes, Eleanor makes a resolution to leave her old ways of life, and hopes to move forward with discovering and embracing a new one in this afterlife.

Also available on Hulu®, some of the best episodes were: Michael's Gambit, Mindy St. Clair and The Eternal Shriek.

5. Crazy Ex-Girlfriend

Aired on The CW and also available on Netflix®, it is one of the craziest comedy TV show of all times. It stars Rachel Bloom (also the executive producer), Donna Lynne Champlin, and Vincent Rodriguez III. The plot unveils when the extraordinary successful and ambitious, Rebecca Bunch apparently has it all, from a chic and expensive Manhattan apartment, to a partnership at a renowned, prestigious law company. Still she has a feeling that something is always missing, till she had a coincidental meeting with her former love interest. That made Rebecca spontaneously decide to give up her well-established life in New York altogether and relocate to a California suburb. In the hopes that she will make a perfect home, as she decides to embark on a pursuit for love, true happiness and adventure. 

The season two looks even more promising when it comes to the quintessential craziness of it, with a lot of love triangles. Best episodes were: Can Josh Take a Leap of Faith? and All Signs Point to Josh... Or Is It Josh’s Friend?

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Your Official 2018 Awards Season Movie Watchlist

A collection of fantastic films you probably haven't seen but really, really should.

With this year's Golden Globes now passed, 2018's awards season is finally kicking into high gear. If the eventful 75th Annual Golden Globes didn't satisfy your need for moving speeches or awkward encounters between celebrities, hopefully the upcoming Academy Awards will make up for it. For now, we'll have to wait until Oscar nominations are announced the last week of January.

If you're like most people, those esteemed Oscar-nominated (and eventually Oscar-winning) movies are usually ones you've never heard of before. With so many obscure films being thrust into the limelight, it can be hard for the average person to know which are worth watching, or which might be painfully slow and pretentious. This proves especially disappointing when you can't confidently cheer for your favorite film in a category of movies you never got the chance to see.

Thankfully, I've compiled a list of a 2018 Awards Season watchlist (in no particular order) to make your Oscar anticipation a slight bit easier. Here are the films from 2017 that will (almost) certainly make up the majority of Oscar categories:

2018 Oscar Contenders

"Wind River"

Genre: Crime, Mystery, Western

Rating: R

"Wind River" presents an intense crime drama that starts off slow and gradually builds up to a satisfying and climactic conclusion. The film features Jeremy Renner and Elizabeth Olson (a pairing you might recognize as Hawkeye and Scarlet Witch), both of which give amazing performances and share a lot of fun chemistry.


"Call Me By Your Name"

Genre: Romance, Coming of Age

Rating: R

Explanation:

"Call Me By Your Name" is a coming-of-age tale set in Italy and centered around a 17-year-old boy who forms a relationship with a student working for his father. Its story covers the length of one summer as the two bond and discover more about themselves. It's been praised for its great performances, beautiful love story, and impressive cinematography.



"Get Out"

Genre: Horror, Thriller

Rating: R

Explanation:

You might be caught off guard seeing a horror movie getting considered a major Oscar contender, but "Get Out" completely deserves to be on this list. Jordan Peele's directorial debut proved not only an effectively terrifying horror flick but an astounding statement on the presence of racism in a modern setting. The film is rewarding because of the surprises involved, so I'll spare you the details so you can go check them out yourself.


"The Post"

Genre: Drama

Rating: PG-13

Explanation:

Hm, a Steven Spielberg film starring Tom Hanks and Meryl Streep? If there were a formula for making an award-winning movie, that'd definitely be it. Both actors showcase their dramatic acting talents in this historical thriller about journalists working to expose a deep-seated cover-up lasting three decades. The film sports an incredible ensemble cast and develops themes that reflect issues of the modern world.

"Lady Bird"

Genre: Drama, Comedy

Rating: R

Explanation:

Greta Gerwig's latest film "Lady Bird" has been a critical darling since it came out in November. Up until recently, it had maintained a solid 100% Rotten Tomatoes score, with critics praising lead Saoirse Ronan for her stellar performance. Now it sits at a disappointing 99% but has found even more success elsewhere, even winning Ronan the Golden Globe for Best Actress. The film centers around a complex mother-daughter relationship as they bond and grow to understand one another.


"Three Billboards Outside Ebbing, Missouri"

Genre: Crime, Drama

Rating: R

Explanation:

"Three Billboards Outside Ebbing, Missouri" has been floating around a lot of 'Top 10' lists when it comes to 2017 films, so it's no surprise it dominated at the Golden Globes. The film won Globes for Best Actress, Best Motion Picture Drama, Best Supporting Actor, and Best Screenplay.


"The Shape of Water"

Genre: Fantasy, Romance

Rating: R

Explanation:

This movie is absolutely insane, and I think that's why it feels so fresh. Guillermo Del Toro's "The Shape of Water" is a fairy tale love story between a mute custodian and a government-hidden fish-man creature. Pretty much every time I've explained this movie to someone I've had to immediately follow it up with "It's good, I promise!" because of the face I get. The movie won Del Toro his first Golden Globe for Best Director and is sure to get some major recognition at the Oscars, so be sure to check it out if you get the chance!



"The Disaster Artist"

Genre: Comedy, Drama

Rating: R

Explanation:

For years, Tommy Wiseau's absurd film "The Room" has been regarded as one of the worst movies all time, so much so that it has gradually developed a cult following of fans who ironically enjoy it as an unintentional comedy. James Franco's "The Disaster Artist" follows Wiseau's story as he puts together a hilariously bad film and comes to appreciate the notability it brings him, even though it came in an unexpected way.

"Darkest Hour"

Genre: Drama

Rating: PG-13

Explanation:

"Darkest Hour" has been commended for a number of reasons, the most prominent being Gary Oldman's insane transformation into Winston Churchill, an achievement not only in make-up and costuming but also through Oldman's stellar performance. The film follows Churchill as he navigates a diplomatic dilemma in his first days as Prince Minister during World War II.


"I, Tonya"

Genre: Drama, Sports

Rating: R

Explanation:

"I, Tonya" is a darkly comedic rendition of the well-known story of professional figure skater Tonya Harding as she rises in the ranks of her sport until her career is threatened when her ex-husband intervenes. Many are praising Margot Robbie's performance as the titular main lead, and the supporting actors also work brilliantly to enhance the story's emotional appeal.


"The Florida Project"

Genre: Drama, Comedy

Rating: R

Explanation:

From Sean Baker, the director who previously made an acclaimed indie flick shot from an iPhone ("Tangerine" in 2015), comes a character-driven drama about an impoverished mother and her six-year-old child, told from the child's unique perspective. It's devastating and is sure to tug at your heart-strings, so make sure you're up for a good emotional cleansing before diving in.



Since so many of the award-winning films are low-budget indie projects, they typically don't open widely in the same manner that blockbusters do. They often only open in certain areas at certain times or get shown on a limited number of screens, so it's inevitable that the majority of them are going to get overlooked by general moviegoers.

This, of course, is a shame considering that these are almost always the films that push the limits of the medium as a means of artistic expression. These are the films that make bold statements about the world we live in and aim to inspire strong emotions, whether that be fear, joy, or motivation. So don't pass up on watching these types of movies, because catching just one could alter how you view the world.

Cover Image Credit: Unsplash

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