This is a letter to a girl who tried. This is a letter to the girl who cares more about everyone else in her life rather than putting herself first. This is to the girl who will stay up all night tonight because she doesn't feel like she is ever or will ever be good enough. This is a letter to the girl who cries way more than she should because she remembers the ways he made her feel. This is to the girls who think that it's too hard for anyone to love them and having the thought of it all being your fault that you can't find someone who sees the effort you put in and doubles it because he loves you that much. This is for the girls who don't see that, no matter what the man she should be with should make her the happiest girl in the world, regardless of how "crazy" and "annoying" you are and how you always need a little reassurance because you're hearts been broken into tiny little pieces one too many times and you just need some love and a hug. Here's to the girl who feels like every time she gives love a chance it ends the same way and she doesn't feel like trying anymore. Here's to feeling empty, done and ready to give up completely because nothing you do is enough. Darling, you will find the right one someday but right now it's time to put yourself first. Make everything about you. Be selfish, something you don't know how to do but i promise it will bring great happiness. You will find yourself again and be even better than before. Now that you've felt the pain and seen what one person can do to you, you will be strong and be able to see the things you will look for in the man you will marry. Look for the guy that puts you first and wants nothing more than to see that beautiful smile, and your eyes light up when you find out good news about something you've been waiting to hear. Someone who will never let you "go to bed" feeling any sort of way other than true happiness (because let's be honest when we say were going to bed we really mean we just want you to say something sweet and we will stay up all night talking to you). We give our all and we deserve nothing less from those that are so lucky to be blessed by having us in their lives. So here's to you, you deserve the world and much more.
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The Illusion of Creativity
AI-generated music is often marketed as “artistic” or “educational.” But what does it really teach?
- That style can be replicated without understanding.
- That emotion can be simulated without feeling.
- That effort can be bypassed with a prompt.
For young creators, this sets a dangerous precedent. Why learn to play guitar when an algorithm can do it faster? Why study harmony when AI can generate chord progressions in seconds? The risk isn’t just laziness — it’s the loss of depth, discipline, and the tactile joy of creation.
I have listened to several AI-generated music covers. My initial reaction was one of considerable impressiveness, particularly regarding the reimagining of classic pop hits in diverse genres with novel arrangements. Here is one good example a-ha — Take On Me
However, after engaging with several such Ai generated song covers, a sense of emotional detachment emerged, attributable to the perceived absence of human artistry and genuine sentiment, resulting in a technically flawless yet ultimately soulless auditory experience.
Copyright in Crisis
What does the copyright law say about AI generated music, especially in field of music covers. Who is liable for copyright in this case, AI developers, people who used AI to generate music or people who published it on music platforms?
Recent lawsuits show that the music industry is pushing back hard:
- Universal, Sony, and Warner sued AI music platforms Suno and Udio in 2024 for allegedly training their models on copyrighted songs without permission Ars Technica The Lyon Firm.
- They’re seeking up to $150,000 per infringed song, arguing that the AI outputs resemble famous tracks and voices (e.g., Mariah Carey, Michael Jackson).
- These lawsuits target the developers of the AI tools — but they raise broader questions:The legal gray area is training data. Courts haven’t yet ruled definitively on whether using copyrighted songs to train AI counts as infringement or fair use Sites at USC.
But who’s liable?
Role | Legal Risk | Why |
AI Developers | ✅ High | For training on copyrighted material without licenses. |
Users | ⚠️ Moderate | If they intentionally recreate protected works. |
Publishers/Platforms | ✅ High | For distributing infringing content. |
The grey area lies in training data. Courts haven’t yet ruled definitively on whether using copyrighted songs to train AI counts as infringement or fair use. Meanwhile, AI-generated works themselves aren’t eligible for copyright unless a human provides substantial creative input — leaving them in legal limbo.
The Educational Mirage
Some argue that AI music helps people learn genres, production styles, or vocal techniques. But this “education” often lacks context. It’s like learning to paint by watching a printer — technically impressive, but creatively hollow.
True musical education involves:
- Struggle and iteration: Learning through mistakes.
- Emotional connection: Expressing what words can’t.
- Cultural lineage: Understanding the roots of sound.
AI shortcuts bypass all of this. And in doing so, they risk flattening the rich terrain of human creativity into a sterile landscape of algorithmic mimicry.
Why This Fight Matters
This isn’t just about music. It’s about the future of art, storytelling, and human expression. If we allow machines to dominate creative spaces, we risk turning culture into content — optimized, monetized, and devoid of soul.
We must ask: Do we want a world where art is made by machines, or one where machines help humans make better art?
5 Key Takeaways
- AI-generated music blurs the line between innovation and erosion in the creative arts
- AI-generated music raises questions about copyright, culture, education, and artistic expression
- AI-generated music can replicate style without understanding, simulate emotion without feeling, and bypass effort with a prompt
- AI-generated music sets a dangerous precedent for young creators by potentially leading to a loss of depth, discipline, and joy of creation
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