The New Wave of diversity in American theatre

The New Wave of diversity in American theatre

Here they are boys, here they are worlds..here's diversity!

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As seen on the 72nd annual Tony's Awards, presented this past Sunday, the topic of diversity was extremely. Anyone who tuned in witnessed the practically perfect sweep by Itamar Moses' adaptation of the 2007 Eran Kolirin movie , The Band's Visit, a tale of an Egyptian band stuck in a small town in the Israeli Negev Desert. The evening of the Tony Awards, two award winners, Lindsey Mendez (Carrie Pepperidge in Roger and Hammerstein's Carousel) and Ari'el Stachel (Haled in The Band's Visit) both commented on personal acceptance of personal acceptance of their diversity with Mendez stating, "When I moved to New York, I was told to change my last name from Mendez to Matthews or I wouldn't work. And I just want to say how proud I am to be a part of a community that celebrates diversity and individuality." This statement reigns superbly true. Theatre is the community of inclusivity and most people may attest to that, but it wasn't until a recent trip to New York until I realized how far we have come and how far we have to go.

This past March I flew to New York City with my Model United Nations Delegation to compete at the National Model United Nations Conference. Given a free trip to NYC, it was obvious that I would spend any free time I was given on theatre as well as navigating my less familiar teammates around the city (willingly, lots of love for Goatia). Since my time was short, I was only able to see two shows—Rogers and Hammerstein's Carousel and Lindsey Ferrentino's Amy and the Orphans.

Only a 6 minute walk from the Imperial Theatre (home to Carousel), one would find the Roundabout Theatre Company's Laura Pels Theatre which was home to Amy and the Orphans

Headlined by Actress Jamie Brewer (American Horror Story, Switched at Birth, and Southland) during the Tuesday- Sunday Primetime Performances and Edward Barbanell (The Ringer, Workaholics, and Dumb and Dumber to)

This was it, the moment where I can say I was truly in awe from a theatrical experience, a sensation that I haven't felt in a long time, if ever. For the first time in my life, I witness not only a down syndrome character represented in a play, but a down syndrome actor. Amy and the Orphans is the true story of play write Lindsey Ferrentino's aunt Amy who was sent away as a child to a live in state institute because of her grandparents inability to raise a child with down syndrome, with the only real interactions with her family being their sparse visits and trips to the movies—movie quotes playing a huge part in Amy's speech. As the show progresses, Amy's siblings realize the distance between them and her and that leads to an eager fight to regain ties with their estranged sister.

I sat in awe, and frankly, covered in tears. To see an underrepresented community finally gaining light felt as if a door had been open to a facet of the arts that people have never seen before. One thought couldn't leave my head was, "it's not about if they can do it, it's about when they will do it." This is something I have always known to be true with the Down Syndrome community, things will be accomplished, but time needs to be taken and opportunities need to be given. Without mentioning names, I want to shout-out a very important friend in my life who has Down Syndrome but hasn't let any obstacle interfere with living her perfect life. Not only can she dance a circle around anyone, but her wit could outdo even the greatest of comedians. Like I said, it's not about if, it's about when.


Jeter Weiss


Finally, I leave you with the moral of the story: people are people, and if one falls under that "People/Person" classification, there isn't anything stopping them from greatness. Amy was one of many to face cruel circumstances like her upbringing, but she serves as an inspiration to fight for those who can. Amy, who finds most of her words come in form of movie quotes leaves us with the following:

"I'm a human being, damnit.
MY LIFE HAS VALUE.
You don't understand.
I coulda been a contender.
I coulda been somebody. I coulda been somebody. I coulda been somebody. I coulda been somebody."
-Amy and the Orphans
Cover Image Credit:

Photo by Mohammad Jangda

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50 Quotes from the Best Vines

If you're picturing the vines in your head, you're doing it right
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In 2017 we had to say goodbye to one of the best websites to ever roam the internet: Vine. In case you have been living under a rock since 2013, Vine was -(sad face)- a website and app that took the internet and the app store by storm in Winter 2013. It contained 6-second videos that were mostly comedy- but there were other genres including music, sports, cool tricks and different trends. Vine stars would get together and plan out a vine and film it till they got it right.

It was owned by Twitter and it was shut down because of so many reasons; the viners were leaving and making money from Youtube, there was simply no money in it and Twitter wanted us to suffer.

There's been a ton of threads on Twitter of everyone's favorite vines so I thought I'd jump in and share some of my favorites. So without further ado, here are some quotes of vines that most vine fanatics would know.

1. "AHH...Stahhp. I coulda dropped mah croissant"

2. "Nate how are those chicken strips?" "F%#K YA CHICKEN STRIPS.....F%#K ya chicken strips!"

3. "Road work ahead? Uh Yea, I sure hope it does"

4. "Happy Crimus...." "It's crismun..." "Merry crisis" "Merry chrysler"

5. "...Hi Welcome to Chili's"

6. "HoW dO yOu kNoW wHaT's gOoD fOr mE?" "THAT'S MY OPINIONNN!!!.."

7."Welcome to Bible Study. We're all children of Jesus... Kumbaya my looordd"

8. Hi my name's Trey, I have a basketball game tomorrow. Well I'm a point guard, I got shoe game..."

9. "It's a avocadooo...thanks"

10. "Yo how much money do you have?" "69 cents" "AYE you know what that means?" "I don't have enough money for chicken nuggets"

11. "Hurricane Katrina? More like Hurricane Tortilla."

12. "Hey Tara you want some?" "This b*%th empty. YEET!"

13. "Get to Del Taco. They got a new thing called Freesha-- Free-- Freeshavaca do"

14. "Mothertrucker dude that hurt like a buttcheek on a stick"

15. "Two brooss chillin in a hot tub 5 feet apart cuz they're not gay"

16. "Jared can you read number 23 for the class?" "No I cannot.... What up I'm Jared, I'm 19 and I never f#@%in learned how to read."

17. "Not to be racist or anything but Asian people SSUUGHHH"

18. 18. "I wanna be a cowboy baby... I wanna be a cowboy baby"

19. "Hey, I'm lesbian" "I thought you were American"

20. "I spilled lipstick in your Valentino bag" "you spilled- whaghwhha- lipstick in my Valentino White bag?"

21. "What's better than this? Guys bein dudes"

22. "How'd you get these bumps? ya got eggzma?" "I got what?" "You got eggzma?"

23. "WHAT ARE THOSEEEEE?" "THEY are my crocs!"

24. "Can I get a waffle? Can I please get a waffle?"

25. "HAPPY BIRTHDAY RAVEN!" "I can't sweem"

26. "Say Coloradoo" "I'M A GIRAFFE!!"

27. "How much did you pay for that taco?" Aight yo you know this boys got his free tacoo"

28. *Birds chirping* "Tweekle Tweekle"

29. "Girl, you're thicker than a bowl of oatmeal"

30. "I brought you Frankincense" "Thank you" "I brought you Myrrh" "Thank you" "Mur-dur" "huh...Judas..no"

31. "Sleep? I don't know about sleep...it's summertime" "You ain't go to bed?" "Oh she caught me"

32. "All I wanna tell you is school's not important... Be whatever you wanna be. If you wanna be a dog...RUFF. You know?"33. "Oh I like ya accent where you from?" "I'm Liberian" "Oh, my bad *whispering* I like your accent..."

34. "Next Please" "Hello" "Sir, this is a mug shot" "A mug shot? I don't even drink coffee"


35. "Hey did you happen to go to class last week?" "I have never missed a class"

36. "Go ahead and introduce yourselves" "My name is Michael with a B and I've been afraid of insects my entire-" "Stop, stop, stop. Where?" "Hmm?" "Where's the B?" "There's a bee?"

37. "There's only one thing worse than a rapist...Boom" "A child" "No"

38. "Later mom. What's up me and my boys are going to see Uncle Kracker...GIVE ME MY HAT BACK JORDAN! DO YOU WANNA SEE UNCLE KRACKER OR NO?


39. "Dad look, it's the good kush." This is the dollar store, how good can it be?"

40. "Zach stop...Zach stop...You're gonna get in trouble. Zach"

41. "CHRIS! Is that a weed? "No this is a crayon-" I'm calling the police" *puts 911 into microwave* "911 what's your emergency"

42. "WHY? WHY? WHY? WHY? WHY? "

43. *Blowing vape on table* * cameraman blows it away* "ADAM"

44. "Would you like the spider in your hand?" "Yea" "Say please" "Please" *puts spider in hand* *screams*

45. "Oh hi, thanks for checking in I'm still a piece of garrbaagge"

46. *girl blows vape* "...WoW"

47. *running* "...Daddy?" "Do I look like-?"

48. *Pours water onto girl's face" "Hello?"

49. "Wait oh yes wait a minute Mr. Postman" "HaaaAHH"

50. "...And they were roommates" "Mah God they were roommates"


I could literally go on forever because I just reference vines on a daily basis. Rest in peace Vine

Cover Image Credit: Vine

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'A Quiet Place' Packs On The Thrills But Not The Noise

This week I finally got around to watching 'A Quiet Place' although the environment in which I watched it impacted my experience of it.

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I made my long journey back to America this week, which means I watched a good amount of in-flight entertainment. To start off my 8 hour flight I decided, upon my sister's suggestion, to FINALLY watch A Quiet Place and boy am I glad I did.

For starters, because I watched it on a flight, the audio wasn't the best to begin with. After 'tuning' my headphone jack just right, I was able to get 75% audio and only 25% static. Which for the film I was watching ended up working to my benefit.

A Quiet Place takes place in a post-apocalyptic world, taken over by monsters with supernatural hearing abilities. This means that our protagonists, a family of 5, must live life in silence if they want to survive. Although how the world came to be like this is never explained, that curiosity quickly goes away as the viewer quickly becomes fascinated by all the little adjustments they make to survive.

Lead by the patriarch of the family, played by John Krasinski who also directed the film, the family 'monster' proofs or in this case, 'sound' proofs their home. They have set paths covered in sand to reduced noise when walking, they eat on leaves instead of plates, and in case of a sound emergency, they have fireworks on standby in a nearby field.

The most terrifying/breath catching sequence of the film by far is when the matriarch, played by Emily Blunt, goes into labor with a monster looming and stalking her throughout the house. With the rest of her family out gathering food, she is left alone and must remain noiseless in order for her and her coming child to survive.

This sequence strongly demonstrates the strengths of this film, as throughout it, the audience feels the pressure to be quiet as well. Unlike other horror flicks which rely on jump scares, and decades old tropes. This film relies on the audiences involvement, even though it of course has no impact on the film. This is the perfect film to watch home alone at night if that is your thing as the intimate sounds the film do have get heightened from a more personally experience, which was not the case for me as every 15 minutes or so there was an announcement from a stewardess.

Because I had the experience of watching it on a plane, every sudden noise of stream of AC had me shiver in my seat. This to me proved that this film and its lack of noise narrative worked. After all, who isn't afraid of things that go bump in the night or in this case plane?

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