Every Clash Album, Ranked

Every Clash Album, Ranked

The only band that mattered.
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The Clash were, without question one of the best acts of the 20th century. They’re more widely regarded as a punk band, though; their new wave output, less recognized, deserves as much attention as “White Riot.” I ranked their albums, with this in mind.

6. Cut the Crap

I don’t have to explain this. It’s bad, objectively bad. Next album.

5. Give ‘Em Enough Rope

There’s a significant increase in quality from Cut the Crap to this. This is by no means a bad album - it’s just their most middle-of-the-road. Save for “Safe European Home,” one of their best pre-London Calling rockers, everything here suffers from normalcy. Normalcy is much better than mediocrity, though; it’s all worth listening to. “All the Young Punks (New Boots and Contracts)” remains a scathing indictment of punk-poseurs, and “Julie’s Been Working for the Drug Squad” is a great dry run of the strutting rockabilly sound that Joe Strummer loved so much (and would later perfect).

4. The Clash

Remember John Cusack’s protagonist from High Fidelity and all of his meticulously crafted music lists? He may have been a narcissistic asshole, yeah, but he had some good taste. His favorite track one, side one was the Clash’s “Janie Jones,” off their self-titled debut. Great choice - not only is it a straight-up two-minute British punk classic, it’s a perfect exemplar for the rest of the album and all of its shouty working class anthems of boredom and discontent. Joe Strummer’s love for straight-from-Kingston reggae and rocksteady also began here, with the laid-back take on legend Junior Murvin’s “Police and Thieves.” The US version is even better, with its inclusion of a generous handful of their best early singles; “(White Man) in Hammersmith Palais” is a masterful blend of reggae and punk, and “Complete Control” is to 70’s punk what “Louie Louie” is to 60’s garage rock.

3. Combat Rock

I’ll be damned if this isn’t the most outright fun new wave record to come out of the early 80’s. After the polygenre adventure the group undertook with Sandinista!, they (thankfully) decided to continue down the path formed in the ground by the mutant disco of “Ivan Meets G.I. Joe” and the jangly, funk-tinged post-punk of “The Call Up.” The result was this, a much more slimmed down and focused effort than its predecessor, with an emphasis on danceable grooves and aural oddities. You’ve undoubtedly heard its two biggest hits before; “Should I Stay or Should I Go” has long been a staple of 80’s new wave radio (and has recently enjoyed a resurgence in popularity to due its inclusion in Stranger Things). “Rock the Casbah” is arguably just as iconic; it’s damn near impossible to hear its chorus of “Sharif don’t like it / rockin’ the casbah, rock the casbah” and not belt it out along with Mick and Paul. There’s much to be found beyond these two singles, though - “Know Your Rights” is a zealous, acerbic 3-minute piece of anti-totalitarian satire, and “Red Angel Dragnet” is memorable for its spirited recitations of dialogue from Taxi Driver over an earworm bassline. Dig even deeper and you’ll hear beat poet Allen Ginsberg reading poetry.

2. Sandinista!

At almost two and a half hours with 36 (!) tracks, this record (or, rather, three records) is daunting, to say the least; best described as a beautiful mess. It's also very much unfairly maligned. Amid the genre experimentation of their American new wave contemporaries Blondie (who were playing with reggae on “The Tide is High” and with funk rap on “Rapture” the same year), the band decided to go out on a limb and toy around with everything - there’s gospel, rap, waltz, dub, calypso, country, musique concrète. It’s ridiculously indulgent, but I mean, they earned the right to be indulgent. Their approach of “throw everything at the wall and see what sticks” obviously doesn’t always work (“Mensforth Hill,” “The Sound of Sinners,” most of the last two sides) but when it does, it’s wonderful; look at “The Call Up” and “Lightning Strikes (Not Once but Twice).”

1. London Calling

No surprises here - what were you expecting? I think everyone who clicked on this article knew what the bottom and top spots would be. This is the obvious, undebatable #1 for so many reasons. All of these reasons have been defined before, by countless people, for decades since its release, all singing its praises - I’m just another voice. First of all, don’t listen to anyone that calls this a punk album - it’s not. They left that behind after Give ‘Em Enough Rope. Much like Sandinista! (though admittedly to a lesser extent), this album can’t be pigeonholed into a single genre. Whereas Sandinista! was host to a number of stylistic failures, though, this album succeeds at every genre it tries. White reggae (admittedly a dubious niche genre thanks to the likes of culture vultures UB40 and Snow) has never sounded better than Paul Simonon’s brooding “The Guns of Brixton” and the jubilant cover of Danny Ray’s “Revolution Rock.”Their take on Vince Taylor’s (think Danny Zuko but slightly less caricatured) “Brand New Cadillac” gives new life to a tune that was already an established classic. Joe, Mick, and Paul sing of apocalypse, remnants of the Spanish Civil War, police violence, gambling, drug abuse - all lurid themes seemingly pulled right out of a pulp novel. It’s all counter to the upbeat, brassy production on every track - like the wailing sax and jaunty guitar upstrokes on “Wrong ‘Em Boyo,” a cheery song about the dangers of trying to pull a fast one on the wrong crowd at a poker table, or the handclaps-and-footstomps spirit of “Hateful,” a peppy tune about uninhibited addiction. It all works, all of it. There’s not a single misstep, not a single sour note, throughout the hour-plus record. It’s truly all killer, no filler - all 19 tracks.
Cover Image Credit: http://www.npr.org/artists/15394716/the-clash

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To The Girl Struggling With Her Body Image

It's not about the size of your jeans, but the size of your heart, soul, and spirit.

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To the girl struggling with her body image,

You are more than the number on the scale. You are more than the number on your jeans and dresses. You are way more than the number of pounds you've gained or lost in whatever amount of time.

Weight is defined as the quantity of matter contained by a body or object. Weight does not define your self-worth, ambition or potential.

So many girls strive for validation through the various numbers associated with body image and it's really so sad seeing such beautiful, incredible women become discouraged over a few numbers that don't measure anything of true significance.

Yes, it is important to live a healthy lifestyle. Yes, it is important to take care of yourself. However, taking care of yourself includes your mental health as well. Neglecting either your mental or physical health will inflict problems on the other. It's very easy to get caught up in the idea that you're too heavy or too thin, which results in you possibly mistreating your body in some way.

Your body is your special, beautiful temple. It harbors all of your thoughts, feelings, characteristics, and ideas. Without it, you wouldn't be you. If you so wish to change it in a healthy way, then, by all means, go ahead. With that being said, don't make changes to impress or please someone else. You are the only person who is in charge of your body. No one else has the right to tell you whether or not your body is good enough. If you don't satisfy their standards, then you don't need that sort of negative influence in your life. That sort of manipulation and control is extremely unhealthy in its own regard.

Do not hold back on things you love or want to do because of how you interpret your body. You are enough. You are more than enough. You are more than your exterior. You are your inner being, your spirit. A smile and confidence are the most beautiful things you can wear.

It's not about the size of your jeans. It's about the size of your mind and heart. Embrace your body, observe and adore every curve, bone and stretch mark. Wear what makes you feel happy and comfortable in your own skin. Do your hair and makeup (or don't do either) to your heart's desire. Wear the crop top you've been eyeing up in that store window. Want a bikini body? Put a bikini on your body, simple.

So, as hard as it may seem sometimes, understand that the number on the scale doesn't measure the amount or significance of your contributions to this world. Just because that dress doesn't fit you like you had hoped doesn't mean that you're any less of a person.

Love your body, and your body will love you right back.

Cover Image Credit: Lauren Margliotti

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The Football World Loses One Of Its Finest Players

Bart Starr passed away and NFL players, coaches, and fans all mourn the loss of the Packer legend, but his life and career will live on in hearts of Packer nation forever.

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Bart Starr passed away at the age of 85 in Birmingham, Alabama. The NFL lost a great player. The Green Bay Packers lost a hero. And, the world lost a true gentleman. Starr's legacy has surpassed his accomplishments on the gridiron. He inspired not only his peers but the generations that have come after him. He is — and always — will be remembered as a Hall of Famer, a champion, and a Packer.


Bart Starr was a Packers legend. Starr led Green Bay to six division titles and five world championships. As the quarterback of Vince Lombardi's offense, he kept the machine going and executed the plays like no other. His mastery of the position was a large part of the Packers success in the 1960s. Starr was also the perfect teammate for the perfect team. His leadership put him in command of the Packers. Starr's time in Green Bay will not be forgotten by former players, coaches, and the fans.

Bart Starr's resume is rivaled by few in NFL history. He played in 10 postseason games and won 9 of them. He led the Packers to victory in Super Bowls I and II and won the MVP award in both games. He was the MVP of the league in 1966 and was named to the NFL All-Decade Team of the 1960s. The Packers retired his number 15 and Starr has been inducted into the Packers and Pro Football Hall of Fame.


After his playing days, Starr would become the head coach of the Packers. He could not repeat the success he had on the field from the 1960s teams. His coaching years do not take away from his legacy as one of the all-time great Packers. Starr was inducted into the Pro Football Hall of Fame in 1977.

One of Starr's last visits to Lambeau field was on a cold November night in 2015. Starr and his wife attended a ceremony in which the Packers retired Brett Favre's jersey number. Starr was the perfect personification of what it meant to be a Packer. His most heroic moment came in the 1967 NFL Championship Game. The Ice Bowl came down to a third and goal in Lambeau Field's south endzone against the Dallas Cowboys. Starr came to the sidelines and bravely told Vince Lombardi that he can sneak it in for a game-winning touchdown. Lombardi then replied, "Run it, and let's get the hell out of here." Starr ran a quarterback sneak for the game-winner and the Packers were off to Super Bowl II. Without Starr, Green Bay would not have won a second straight Super Bowl. His leadership in big game moments will live with Packers fans for a lifetime.

Vince Lombardi: A Football Life - The Ice Bowl

Starr leaves behind his wife Cherry, his son, and three granddaughters. Packers fans will have a tight grip on the memories Bart Starr and the 60s teams created. Starr left behind a template for being a Green Bay Packer. He also left a template for being a good man and a gentleman of the game of football. He was a competitor and a leader. Packer nation mourns for the loss of one of the finest human beings the game has seen.

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