Every Clash Album, Ranked

Every Clash Album, Ranked

The only band that mattered.
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The Clash were, without question one of the best acts of the 20th century. They’re more widely regarded as a punk band, though; their new wave output, less recognized, deserves as much attention as “White Riot.” I ranked their albums, with this in mind.

6. Cut the Crap

I don’t have to explain this. It’s bad, objectively bad. Next album.

5. Give ‘Em Enough Rope

There’s a significant increase in quality from Cut the Crap to this. This is by no means a bad album - it’s just their most middle-of-the-road. Save for “Safe European Home,” one of their best pre-London Calling rockers, everything here suffers from normalcy. Normalcy is much better than mediocrity, though; it’s all worth listening to. “All the Young Punks (New Boots and Contracts)” remains a scathing indictment of punk-poseurs, and “Julie’s Been Working for the Drug Squad” is a great dry run of the strutting rockabilly sound that Joe Strummer loved so much (and would later perfect).

4. The Clash

Remember John Cusack’s protagonist from High Fidelity and all of his meticulously crafted music lists? He may have been a narcissistic asshole, yeah, but he had some good taste. His favorite track one, side one was the Clash’s “Janie Jones,” off their self-titled debut. Great choice - not only is it a straight-up two-minute British punk classic, it’s a perfect exemplar for the rest of the album and all of its shouty working class anthems of boredom and discontent. Joe Strummer’s love for straight-from-Kingston reggae and rocksteady also began here, with the laid-back take on legend Junior Murvin’s “Police and Thieves.” The US version is even better, with its inclusion of a generous handful of their best early singles; “(White Man) in Hammersmith Palais” is a masterful blend of reggae and punk, and “Complete Control” is to 70’s punk what “Louie Louie” is to 60’s garage rock.

3. Combat Rock

I’ll be damned if this isn’t the most outright fun new wave record to come out of the early 80’s. After the polygenre adventure the group undertook with Sandinista!, they (thankfully) decided to continue down the path formed in the ground by the mutant disco of “Ivan Meets G.I. Joe” and the jangly, funk-tinged post-punk of “The Call Up.” The result was this, a much more slimmed down and focused effort than its predecessor, with an emphasis on danceable grooves and aural oddities. You’ve undoubtedly heard its two biggest hits before; “Should I Stay or Should I Go” has long been a staple of 80’s new wave radio (and has recently enjoyed a resurgence in popularity to due its inclusion in Stranger Things). “Rock the Casbah” is arguably just as iconic; it’s damn near impossible to hear its chorus of “Sharif don’t like it / rockin’ the casbah, rock the casbah” and not belt it out along with Mick and Paul. There’s much to be found beyond these two singles, though - “Know Your Rights” is a zealous, acerbic 3-minute piece of anti-totalitarian satire, and “Red Angel Dragnet” is memorable for its spirited recitations of dialogue from Taxi Driver over an earworm bassline. Dig even deeper and you’ll hear beat poet Allen Ginsberg reading poetry.

2. Sandinista!

At almost two and a half hours with 36 (!) tracks, this record (or, rather, three records) is daunting, to say the least; best described as a beautiful mess. It's also very much unfairly maligned. Amid the genre experimentation of their American new wave contemporaries Blondie (who were playing with reggae on “The Tide is High” and with funk rap on “Rapture” the same year), the band decided to go out on a limb and toy around with everything - there’s gospel, rap, waltz, dub, calypso, country, musique concrète. It’s ridiculously indulgent, but I mean, they earned the right to be indulgent. Their approach of “throw everything at the wall and see what sticks” obviously doesn’t always work (“Mensforth Hill,” “The Sound of Sinners,” most of the last two sides) but when it does, it’s wonderful; look at “The Call Up” and “Lightning Strikes (Not Once but Twice).”

1. London Calling

No surprises here - what were you expecting? I think everyone who clicked on this article knew what the bottom and top spots would be. This is the obvious, undebatable #1 for so many reasons. All of these reasons have been defined before, by countless people, for decades since its release, all singing its praises - I’m just another voice. First of all, don’t listen to anyone that calls this a punk album - it’s not. They left that behind after Give ‘Em Enough Rope. Much like Sandinista! (though admittedly to a lesser extent), this album can’t be pigeonholed into a single genre. Whereas Sandinista! was host to a number of stylistic failures, though, this album succeeds at every genre it tries. White reggae (admittedly a dubious niche genre thanks to the likes of culture vultures UB40 and Snow) has never sounded better than Paul Simonon’s brooding “The Guns of Brixton” and the jubilant cover of Danny Ray’s “Revolution Rock.”Their take on Vince Taylor’s (think Danny Zuko but slightly less caricatured) “Brand New Cadillac” gives new life to a tune that was already an established classic. Joe, Mick, and Paul sing of apocalypse, remnants of the Spanish Civil War, police violence, gambling, drug abuse - all lurid themes seemingly pulled right out of a pulp novel. It’s all counter to the upbeat, brassy production on every track - like the wailing sax and jaunty guitar upstrokes on “Wrong ‘Em Boyo,” a cheery song about the dangers of trying to pull a fast one on the wrong crowd at a poker table, or the handclaps-and-footstomps spirit of “Hateful,” a peppy tune about uninhibited addiction. It all works, all of it. There’s not a single misstep, not a single sour note, throughout the hour-plus record. It’s truly all killer, no filler - all 19 tracks.
Cover Image Credit: http://www.npr.org/artists/15394716/the-clash

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​An Open Letter To The People Who Don’t Tip Their Servers

This one's for you.
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Dear Person Who Has No Idea How Much The 0 In The “Tip:" Line Matters,

I want to by asking you a simple question: Why?

Is it because you can't afford it? Is it because you are blind to the fact that the tip you leave is how the waiter/waitress serving you is making their living? Is it because you're just lazy and you “don't feel like it"?

Is it because you think that, while taking care of not only your table but at least three to five others, they took too long bringing you that side of ranch dressing? Or is it just because you're unaware that as a server these people make $2.85 an hour plus TIPS?

The average waiter/waitress is only supposed to be paid $2.13 an hour plus tips according to the U.S. Department of Labor.

That then leaves the waiter/waitress with a paycheck with the numbers **$0.00** and the words “Not a real paycheck." stamped on it. Therefore these men and women completely rely on the tips they make during the week to pay their bills.

So, with that being said, I have a few words for those of you who are ignorant enough to leave without leaving a few dollars in the “tip:" line.

Imagine if you go to work, the night starts off slow, then almost like a bomb went off the entire workplace is chaotic and you can't seem to find a minute to stop and breathe, let alone think about what to do next.

Imagine that you are helping a total of six different groups of people at one time, with each group containing two to 10 people.

Imagine that you are working your ass off to make sure that these customers have the best experience possible. Then you cash them out, you hand them a pen and a receipt, say “Thank you so much! It was a pleasure serving you, have a great day!"

Imagine you walk away to attempt to start one of the 17 other things you need to complete, watch as the group you just thanked leaves, and maybe even wave goodbye.

Imagine you are cleaning up the mess that they have so kindly left behind, you look down at the receipt and realize there's a sad face on the tip line of a $24.83 bill.

Imagine how devastated you feel knowing that you helped these people as much as you could just to have them throw water on the fire you need to complete the night.

Now, realize that whenever you decide not to tip your waitress, this is nine out of 10 times what they go through. I cannot stress enough how important it is for people to realize that this is someone's profession — whether they are a college student, a single mother working their second job of the day, a new dad who needs to pay off the loan he needed to take out to get a safer car for his child, your friend, your mom, your dad, your sister, your brother, you.

If you cannot afford to tip, do not come out to eat. If you cannot afford the three alcoholic drinks you gulped down, plus your food and a tip do not come out to eat.

If you cannot afford the $10 wings that become half-off on Tuesdays plus that water you asked for, do not come out to eat.

If you cannot see that the person in front of you is working their best to accommodate you, while trying to do the same for the other five tables around you, do not come out to eat. If you cannot realize that the man or woman in front of you is a real person, with their own personal lives and problems and that maybe these problems have led them to be the reason they are standing in front of you, then do not come out to eat.

As a server myself, it kills me to see the people around me being deprived of the money that they were supposed to earn. It kills me to see the three dollars you left on a $40 bill. It kills me that you cannot stand to put yourself in our shoes — as if you're better than us. I wonder if you realize that you single-handedly ruined part of our nights.

I wonder if maybe one day you will be in our shoes, and I hope to God no one treats you how you have treated us. But if they do, then maybe you'll realize how we felt when you left no tip after we gave you our time.

Cover Image Credit: Hailea Shallock

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10 TV Shows You Need To Watch On Hulu

Hulu is slept on

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I have recently moved to watch shows and movies on Hulu and Netflix. Hulu has a lot of great shows and movies to offer that aren't on Netflix. While Netflix is still great, Hulu is definitely starting to grow on me. Here are some shows that I have watched or have started watching on Hulu that I think are pretty great!

1. 11.22.63

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If you love James Franco and Stephen King, you'll love this show. The first episode is a bit long, but all the other episodes are only 45 minutes. The plot line is pretty interesting. I also like that it doesn't tell you everything, it shows it to you and you piece things together.

2. The Act

The fact that this show is based on a true story is just insane. The acting is really great, especially if you watch actual videos of Gypsy, Joey King does a great job.

3. Castle Rock

Another Stephen King masterpiece. This show is riveting and really makes you think about what the truth is in the context of the story, and brings in some ethical questions.

4. Future Man

I've only recently started this but it's pretty interesting and funny.

5. The O.C.

The O.C. (TV Series 2003–2007) - IMDb

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This show was great. Sometimes it was a bit annoying, but it is a classic show from the early 2000s. You really become invested in all the characters and your opinion may change on some characters because they grow and develop throughout the show.

6. The Handmaid's Tale

If you've read the book, you should definitely watch the show.

7. Obsession: Dark Desires

https://www.hulu.com/

I just love true crime stories and this really dives deep into crime stories and the darkest parts of humanity.

8. Intervention

This show can be really sad or frustrating, but I think it's good for people to see the reality of addiction.

9. Smallville

Smallville (2001-2011)

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I also started this one very recently and I've always wanted to watch it. It can be cheesy but it's pretty entertaining.

10. Brooklyn Nine-Nine

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This is a great show if you want to laugh. I love all of the characters and everything they bring to the table.

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