The Original DC and Marvel Media Universes

The Original DC and Marvel Media Universes

In the 1990s, DC Comics and Marvel both had successful television universes for their respective cartoons - long before the MCU
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I've written a lot of articles on the Marvel Cinematic Universe, and how it was unexpected and how they took their time developing these movies into the cultural phenomenon they are today. And trust me, I'll write even more as time goes on. However, these movies are not the first time there was a shared universe of comic book media. Of course there's always been actors reprising roles across different projects, but in the 1990s and early 2000s, both Marvel and DC had their own universes in animation. The DC Animated Universe (DCAU) and the untitled but still great Marvel animated universe defined superhero cartoons, certain aspects of both still being a major part of the comic book fandom. With that in mind, let's take a look at the cartoons that revitalized the animation market.

Following the success of the 1989 Tim Burton Batman film and to help keep the character in the mindset of children after Batman Returns, Warner Brothers partnered with Fox Kids to produce a television series based on the Batman mythos. Bruce Timm and Paul Dini came onboard as writers and designers, coming up with a unique style and tone – the show would be aired in a timeslot for kids, but would be darker and even more adult-targeted than most other cartoons at the time. Actor Kevin Conroy was signed on as Batman, and after a recasting following a mutual agreement with Tim Curry, Mark Hamill was cast as the Joker. The show was an instant hit, with critics praising the voice talent, the writing, the animation, and the gritty tone to the series overall. It was followed up by Superman: The Animated Series in 1996, and Conroy reprised his role in several episodes. Characters crossed over back and forth, and on Superman, heroes such as the Flash and Green Lantern were introduced to the small but growing universe. In 1999, after Batman: The Animated Series was canceled, Dini and Timm moved on to creating their own original DC series, this one being about a new person taking up the Batman mantle in the far future, titled Batman Beyond. Another huge hit, the show once again saw Conroy's Batman, now an elderly, retired Bruce Wayne. Just as this show was ending in 2001, the DCAU was still popular, and considering they had several characters already established in some way, Justice League was produced, and became one of the most famous and praised comic book cartoons of all time. The show was always adding new heroes to the mix, from icons like Wonder Woman and Green Arrow to more obscure ones like Red Tornado and Hawkgirl. Yet another show that tied into Justice League was put on air – Static Shock, based on the 1990s comic series. This show even had episodes on racism and gun violence, making it stand out against the rest of the DCAU. By 2006, however, the shows had ran their course, and Justice League, now titled Justice League Unlimited, was canceled, ending the fourteen year production on the universe.

In the 1990s, Marvel was going bankrupt. To get some extra cash, they sold off film rights to most of their characters, and started working on television programs to try and drive up merchandising money. Also working with Fox Kids, a series based on the X-Men was put to air in 1992, and much like BTAS, the series was darker than most other shows, but still kept a comic book feel to it. With this hit on their hands, Marvel looked to other characters they had to work with, and ordered another couple of shows to be made – Iron Man, Fantastic Four, and The Incredible Hulk. Unlike X-Men, however, none of these cartoons were huge successes, but still got a couple of seasons. Here, characters began crossing over – such as Hulk being on an episode of Fantastic Four, with their respective voice actors carrying over into the other show. In 1994, Marvel premiered the famous Spider-Man: The Animated Series. The show is also infamous for restrictions Fox Kids and Canon Films put on the writers – no realistic guns, no punches, words like “kill” and “death” were banned, no origin story, and villains Sandman and Electro were off-limits. Despite these, the series was rivaling Batman as a superhero cartoon. While Spider-Man himself never appeared on other shows, characters would cross into this regularly. As Spider-Man was wrapping up a few years later, the idea of doing a loose sequel series came to mind, and a new cartoon was commissioned. Spider-Man: Unlimited was a very strange take on the character – he was sent to a parallel universe and had to fight to get his way back home. It didn't work out all that much, nor did Silver Surfer, a cartoon that had little connection to the Fantastic Four series on which the Surfer appeared. In 2000, after the less-than-stellar Avengers: United They Stand series that was Avengers-in-name-only, the Marvel television universe was ended, and production moved to different shows, including X-Men Evolution. Unlike DC, Marvel's universe was very loosely connected, existing mostly because actors were playing the same characters in single episodes of shows, whereas DC was crossing over villains and heroes pretty regularly. It should be noted that Mark Hamill also portrayed the Hobgoblin on Spider-Man: The Animated Series, being one of the few actors to play both a major Marvel and a major DC character at the same time.

So what effect did these franchises have? For one, the DCAU introduced Harley Quinn, who has since become one of DC's most popular characters. It also started the continuing run of Conroy and Hamill in their respective roles. The influence of the DCAU in the comics cannot be overstated – the origin story for Mr. Freeze was changed in the comics to reflect the origin from Batman: The Animated Series. Batman Beyond has a cult following and a currently-publishing comic series. On the other hand, the Marvel animated universe popularized the X-Men in the early 1990s, after the comics had lost some of their appeal in the late 80s. In turn, this caused Fox to look into making an X-Men film, creating the movie saga that is still being released now (though we'll have to see what happens when the Disney sale goes through.) Venom, a relatively new villain, was given mass exposure outside of comic fandom because of the Spider-Man cartoon. Justice League Unlimited had a similar effect, introducing the mainstream audience to more unknown and obscure heroes and villains. Marvel's own Spider-Man Unlimited has a similar following as Batman Beyond, but not to the same extent – mostly the costume just shows up in video games. The DCAU is much more influential, but the Marvel universe was what kept the company going during their financial troubles.

I like both companies' shows – they defined my childhood superhero fandom. Now, of course I prefer Batman: The Animated Series over The Incredible Hulk, but that doesn't mean one is worse than the other. As of right now, DC doesn't really have their own cartoon saga, though the Arrowverse does have some animated components, whereas Marvel has a fully-developed and established universe on Disney XD. The influence of the 1990s/2000s era will continue to be seen in comics and related media, and rumors are going around about a possible revival of the DCAU. Until then, well, it's not like we don't have access to the originals. X-Men defined the team for almost a decade, and the DCAU defined their respective characters for that time as well. There's new cartoons, new interpretations, but none as iconic as these were.

Cover Image Credit: DC Comics/Warner Bros.

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Why High School Musicals Should Be As Respected As Sports Programs Are

The arts are important, too.
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When I was in middle school and high school, I felt like I lived for the musicals that my school orchestrated.

For those of you who don't know, a musical is an onstage performance wherein actors take on roles that involve singing, and often dancing, to progress the plot of the story. While it may sound a little bit nerdy to get up in front of an audience to perform in this manner, this is something you cannot knock until you try it.

For some reason, though, many public schools have de-funded arts programs that would allow these musicals to occur, while increasing the funding for sports teams. There are a few things that are being forgotten when sports are valued more than musical programs in high schools.

Much like athletic hobbies, an actor must try-out, or audition, to participate in a musical. Those best suited for each role will be cast, and those who would not fit well are not given a part. While this may sound similar to trying out for say, basketball, it is an apples to oranges comparison.

At a basketball try-out, those who have the most experience doing a lay-up or shooting a foul shot will be more likely to succeed, no questions asked. However, for an audition, it is common to have to learn a piece of choreography upon walking in, and a potential cast member will be required to sing a selected piece with only a few days of preparation.

There are many more variables involved with an audition that makes it that much more nerve-racking.

The cast of a school musical will often rehearse for several months to perfect their roles, with only several nights of performance at the end. Many sports practice for three or four days between each of their respective competitions. While this may seem to make sports more grueling, this is not always the case.

Musicals have very little pay-off for a large amount of effort, while athletic activities have more frequent displays of their efforts.

Athletes are not encouraged to but are allowed to make mistakes. This is simply not allowed for someone in a musical, because certain lines or entrances may be integral to the plot.

Sometimes, because of all the quick changes and the sweat from big dance numbers, the stage makeup just starts to smear. Despite this, an actor must smile through it all. This is the part of musicals that no sport has: introspection.

An actor must think about how he or she would respond in a given situation, be it saddening, maddening, frightening, or delightful. There is no sport that requires the knowledge of human emotion, and there is especially no sport that requires an athlete to mimic such emotion. This type of emotional exercise helps with communications and relationships.

Sports are great, don't get me wrong. I loved playing volleyball, basketball, track, and swimming, but there were no experiences quite like those from a musical. Sports challenge the body with slight amounts of tactic, while musicals require much physical and mental endurance.

The next time you hear someone say that it's “just a musical," just remember that musicals deserve as much respect as sports, since they are just as, if not more demanding.

Cover Image Credit: Cincinnati Arts

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10 Shows To Watch If You're Sick Of 'The Office'

You can only watch it so many times...

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"The Office" is a great show, and is super easy to binge watch over and over again! But if you're like me and you're looking for something new to binge, why not give some of these a try? These comedies (or unintentional comedies) are a great way to branch out and watch something new.

1. "New Girl"

A show about a group of friends living in an apartment in a big city? Sound familiar? But seriously, this show is original and fresh, and Nick Miller is an icon.

2. "Crazy Ex-Girlfriend"

Ya'll have been sleeping on this show. It's a musical comedy about a girl that follows her ex boyfriend across the country. I thought it sounded horrible so I put it off for WAY too long, but then I realized how incredible the cast, music, writing, and just EVERYTHING. It really brings important issues to light, and I can't say too much without spoiling it. Rachel Bloom (the creator of the show) is a woman ahead of her time.

3. "Jane the Virgin"

I know... another CW show. But both are so incredible! Jane The Virgin is a tongue-in-cheek comedy and parody of telenovelas. It has so many twists and turns, but somehow you find yourself laughing with the family.

4. "Brooklyn Nine-Nine"

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Brooklyn Nine-Nine has been in popular news lately since its cancellation by Fox and sequential pickup by NBC. It's an amazing show about cops in, you guessed it, Brooklyn. Created by the amazing Michael Schur, it's a safe bet that if you loved "The Office" you'll also love his series "Brooklyn Nine-Nine".

5. "The Good Place"

Another series created by the talented Micael Schur, it's safe to say you've probably already heard about this fantasy-comedy series. With a wonderful cast and writing that will keep you on your toes, the show is another safe bet.

6. "Fresh Off The Boat"

Seriously, I don't know why more people don't watch this show. "Fresh Off The Boat" focuses on an Asian family living in Orlando in the mid 90s. Randall Parks plays a character who is the polar opposite of his character in "The Interview" (Yeah, remember that horrifying movie?) and Constance Wu is wonderful as always.

7. "Full House"

Why not go back to the basics? If you're looking for a nostalgic comedy, go back all the way to the early days of Full House. If you're a '98-'00 baby like me, you probably grew up watching the Tanner family on Nick at Night. The entire series is available on Hulu, so if all else fails just watch Uncle Jesse and Rebecca fall in love again or Michelle fall off a horse and somehow lose her memory.

8. "Secret Life of the American Teenager"

Okay, this show is not a comedy, but I have never laughed so hard in my life. It's off Netflix but it's still on Hulu, so you can watch this masterpiece there. Watch the terrible acting and nonsense plot twists drive this show into the ground. Somehow everyone in this school dates each other? And also has a baby? You just have to watch. It might be my favorite show of all time.

9. "Scrubs"

Another old show that is worth watching. If you ignore the last season, Scrubs is a worthwhile medical comedy about doctors in both their personal and medical life. JD and Turk's relationship is one to be jealous of, and one hilarious to watch. Emotional at times, this medical drama is superior to any medical drama that's out now.

10. "Superstore"

I was resistant to watch this one at first, because it looked cheesy. But once I started watching I loved it! The show is a workplace comedy, one you're sure to love if you can relate to working in retail. If you liked the Office, you'll like Superstore!

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