How Chanting "No Sex" Can Bring About Change

How Chanting "No Sex" Can Bring About Change

According to statistics released by the Ghana Health Service, over 35,000 cases of teenage pregnancy had been recorded in the country during the year 2015.
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ACCRA, Ghana— Under Samuel Lamptey’s guidance, his team doesn’t ask for much. If it were too much, it wouldn’t have been openly publicized. If he weren’t looking for the benefit of the entire community, Collins Seymah Smith would have kept his permanent job. The least the onlookers can do to make this endeavor successful is to abstain from sex.

A bald girl, maybe seven-years-old, clutches the ends of her denim frock while still keeping her eyes fixated on the character that stormed through the middle of the crowd. Another woman, maybe in her thirties, stops her mid-day sales of smoked fish - the basket still toppling over her head- to watch the narrative unfold. The hero is obviously the female character that doesn’t end up getting pregnant.

The flash mob culminates with Susuka by Kofi Kinaata still playing in the backdrop, while all the actors converge in the middle to end in the one final dance step that involves dramatic hand gestures simply translating to, “No sex.”

Adorned in occasional giggles and bright colors that perfectly accentuate their skin tone, the crowd of about fifty, mainly comprised of teenagers and young adults, who may or may not be attending school, but are Lamptey’s potential targets. Teenage pregnancy is not just a major concern in the Shama region, where Lamptey was performing, but it spans across poor neighborhoods throughout Ghana, one of the fastest developing countries in West Africa.

According to statistics released by the Ghana Health Service, over 35,000 cases of teenage pregnancy had been recorded in the country during the year 2015. Mr. Eric Cobbina, the district chief executive of the Shama District, addressing the issue one year later, said, “Meaning one out of every five reported pregnancy case is a teenager.”

According to an article in Ghana News Agency, “He described the situation as unacceptable and called for concerted efforts and commitment to tackling the concern.” Lamptey and Smith seemed to be the only ones obligated.

About 130 miles from the Shama Region, Smith and Lamptey have occupied an old colonial building in Jamestown- donated by the Accra Metropolitan assembly- that they now call “Jamestown Community Theatre Center.” “Theatre is our flagship,” says Collins Seymah Smith, 37, the director of the theatre group that is “initiated and sustained by the young people of the deprived community of Jamestown.” The group that registered itself as an NGO in 2011 now has about 50 volunteers across the country and a few from abroad. Using interactive theatre as a medium to focus on everyday issues, the volunteers work to tackle problems that seem to haunt their community.

Remnants of Accra’s colonial history and a distressed fishermen community make up the crux of Jamestown, the oldest and poorest neighborhood in the fast developing capital city, Accra. Compared to the modern infrastructure of the city center and the ever-expanding posh residential areas of the suburbs, Jamestown remains a filthy pig that the officials refuse to domesticate.

Teenage pregnancy, alcohol and drug abuse, unemployment, and sanitary issues, are as much a part of this vicinity as are the dramatic graffiti on broken roadside houses. Bursting loudspeakers are as randomly positioned on the sidewalks, as are the strolling goats, enjoying just as much space inside houses, as do the citizens of this neighborhood. Residences are either dated a hundred years or newly built after a night of heavy rainfall.

A group of teenagers aged nine to fifteen occupy one of the colonial buildings that might easily pass off as a huge pile of unused stones and rocks to any ignorant tourist eye. Inside the enclosed space, clothes dry on a synthetic rope that stretches from one crack on the wall to another. From behind the clothes, loud giggles and foot taps are clearly audible. Anyone living in Jamestown, can easily match-up to the steps and sing along the tune.

“It’s the hand-wash dance!” said Emmanuel Markhansen, a 30-year-old artist from Jamestown community, who boasts of himself as the “co-coordinator and guide of the whole community,” to tourists who wander in search of ruins from the colonial era.

Markhansen, along with other community members has now learned the hard rule, “They said when you are washing your hands, the water shouldn’t be in bowl; the water should be flowing. They came into my house and taught me. They even made a song for it and we all dance to it.”

One of the many tactics that Smith and Lamptey’s team adopts is barging into open household doors and demonstrating newly acquired sanitary regimes. What mainly drives them, according to Smith is their “passion for theatre.”

“I was first introduced to drama in elementary school. It was almost Christmas and the play we performed was about Mary and Joseph. I was Joseph,” said Smith, who decades later, would ultimately be approached by the UK based NGO, Theatre for Change in 2009.

An organization maintained by a strong partnership between the United Kingdom and Malawi, Theatre for Change has been working with vulnerable and marginalized groups in Ghana since 2003. In Jamestown, they initiated behavior change workshops about sexual and reproductive health, human rights, and women-centric issues.

“After training with them, we were introduced to a new form of theatre called interactive theatre. We were all happy about it and we got hooked to it,” Smith said while scanning the theatre.

“We believe interactive theatre is rehearsal from real life. Sometimes when people are sitting behind and watching, they say ‘Oh! I would have done this or I would have done that if it were I,’ that’s simple to say but now we are encouraging people to come and do it on the stage,” said Lamptey, 27, who is also the programs director for Act For Change (AFC).

Initially, Smith worked as a community development officer and later on as a monetary officer for Theatre for Change. But by the end of 2010, Theatre for Change had to relocate to another region and focus on different issues. “That’s where Samuel and others, who were trained, came in. The interest and funds Theatre for Change provided died up. But we had a lot of issues in Jamestown and somebody needed to tell the stories of people here,” he said.

“Whatever money we got, we used it to register Act For Change in 2011.” In 2013, Smith and Lamptey finally quit the government jobs they had taken up “which is when the organization was having a retreat,” said Smith who believes that he was able to “do a lot more by dedicating all his time to the cause.” To increase community participation, AFC makes it a point to often approach playwrights from the community itself but the plays are mostly written and directed by the volunteers themselves.

“Because it is in our local dialect (Ga), we write our own dialogues. For child marriage or unwanted pregnancies, for instance, we all sit together and brainstorm ideas. We try to think about stories and real instances from within the community and then turn it into a narrative,” Lamptey added.

Ask Smith or Lamptey about the results or the aftereffects of the work they do and they would find it difficult to come up with quantitative data. Smith, however, remaining optimistic, smiles and folds his hands, “The kind of work we are doing, you can’t see it right there in short-term or quantify it right away. But whenever people see us for example, they sometimes ask for condoms. It means, they got it!”

One woman, who certainly agrees with Smith, is Susana Dartey, 31, who is not just an active member of AFC, but started her own NGO called “Women of Dignity Alliance.” Working for the welfare of female sex workers in poor communities such as Jamestown, Dartey remembered cutting her hair, putting on long earrings and changing her wardrobe to dress like she is “one of them (the sex workers).”

Citing her own example she said, “I got pregnant at the age of 23, which is something that never happens in Jamestown. By the time you are 15, you are already pregnant.”

Dartey who in 2014 was one of the participants in the Ghanaian Women Leadership Program, understands Jamestown as though it were her bible. She credited most of her success to engagement in theatre activities, “I dedicated my entire time to Act For Change: attending behavior change workshops, writing plays, and working for community members. This kept me away from the dangers.” Addressing key issues faced by AFC, Dartey explains, “They need more support.”

Most of the volunteers still pay for their own transport and hardly receive any money for their work. The theatre lacks a reliable supply of electricity, and the volunteers purchase laptops used for research.

Even though the government recognizes and appreciates their work, AFC has never received any kind of monetary support from them. “Last year, the tourism minister came and visited us at the Jamestown Art Festival we put up every year. She thanked us for all our work. But that’s about it,” said a disheartened Smith.

Daniel Tagoe, 27, an unemployed youth living in Jamestown believes that AFC can easily bring about more changes in the society, “Unemployment is a big issue. They do employ people and I hope they can employ more but I understand funding is an issue.”

Sitting in the theatre without any electricity, Smith whose vest is mostly drenched in sweat, smiles and explains, “In five years, Act For Change will be a house with a name not just in Jamestown but all over the world. Act for change should have offices in some big-big regions where we can employ a lot of youth while making change all over the world, and saving lives- teenage lives.”

Cover Image Credit: Facebook

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50 Quotes from the Best Vines

If you're picturing the vines in your head, you're doing it right
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In 2017 we had to say goodbye to one of the best websites to ever roam the internet: Vine. In case you have been living under a rock since 2013, Vine was -(sad face)- a website and app that took the internet and the app store by storm in Winter 2013. It contained 6-second videos that were mostly comedy- but there were other genres including music, sports, cool tricks and different trends. Vine stars would get together and plan out a vine and film it till they got it right.

It was owned by Twitter and it was shut down because of so many reasons; the viners were leaving and making money from Youtube, there was simply no money in it and Twitter wanted us to suffer.

There's been a ton of threads on Twitter of everyone's favorite vines so I thought I'd jump in and share some of my favorites. So without further ado, here are some quotes of vines that most vine fanatics would know.

1. "AHH...Stahhp. I coulda dropped mah croissant"

2. "Nate how are those chicken strips?" "F%#K YA CHICKEN STRIPS.....F%#K ya chicken strips!"

3. "Road work ahead? Uh Yea, I sure hope it does"

4. "Happy Crimus...." "It's crismun..." "Merry crisis" "Merry chrysler"

5. "...Hi Welcome to Chili's"

6. "HoW dO yOu kNoW wHaT's gOoD fOr mE?" "THAT'S MY OPINIONNN!!!.."

7."Welcome to Bible Study. We're all children of Jesus... Kumbaya my looordd"

8. Hi my name's Trey, I have a basketball game tomorrow. Well I'm a point guard, I got shoe game..."

9. "It's a avocadooo...thanks"

10. "Yo how much money do you have?" "69 cents" "AYE you know what that means?" "I don't have enough money for chicken nuggets"

11. "Hurricane Katrina? More like Hurricane Tortilla."

12. "Hey Tara you want some?" "This b*%th empty. YEET!"

13. "Get to Del Taco. They got a new thing called Freesha-- Free-- Freeshavaca do"

14. "Mothertrucker dude that hurt like a buttcheek on a stick"

15. "Two brooss chillin in a hot tub 5 feet apart cuz they're not gay"

16. "Jared can you read number 23 for the class?" "No I cannot.... What up I'm Jared, I'm 19 and I never f#@%in learned how to read."

17. "Not to be racist or anything but Asian people SSUUGHHH"

18. 18. "I wanna be a cowboy baby... I wanna be a cowboy baby"

19. "Hey, I'm lesbian" "I thought you were American"

20. "I spilled lipstick in your Valentino bag" "you spilled- whaghwhha- lipstick in my Valentino White bag?"

21. "What's better than this? Guys bein dudes"

22. "How'd you get these bumps? ya got eggzma?" "I got what?" "You got eggzma?"

23. "WHAT ARE THOSEEEEE?" "THEY are my crocs!"

24. "Can I get a waffle? Can I please get a waffle?"

25. "HAPPY BIRTHDAY RAVEN!" "I can't sweem"

26. "Say Coloradoo" "I'M A GIRAFFE!!"

27. "How much did you pay for that taco?" Aight yo you know this boys got his free tacoo"

28. *Birds chirping* "Tweekle Tweekle"

29. "Girl, you're thicker than a bowl of oatmeal"

30. "I brought you Frankincense" "Thank you" "I brought you Myrrh" "Thank you" "Mur-dur" "huh...Judas..no"

31. "Sleep? I don't know about sleep...it's summertime" "You ain't go to bed?" "Oh she caught me"

32. "All I wanna tell you is school's not important... Be whatever you wanna be. If you wanna be a dog...RUFF. You know?"33. "Oh I like ya accent where you from?" "I'm Liberian" "Oh, my bad *whispering* I like your accent..."

34. "Next Please" "Hello" "Sir, this is a mug shot" "A mug shot? I don't even drink coffee"


35. "Hey did you happen to go to class last week?" "I have never missed a class"

36. "Go ahead and introduce yourselves" "My name is Michael with a B and I've been afraid of insects my entire-" "Stop, stop, stop. Where?" "Hmm?" "Where's the B?" "There's a bee?"

37. "There's only one thing worse than a rapist...Boom" "A child" "No"

38. "Later mom. What's up me and my boys are going to see Uncle Kracker...GIVE ME MY HAT BACK JORDAN! DO YOU WANNA SEE UNCLE KRACKER OR NO?


39. "Dad look, it's the good kush." This is the dollar store, how good can it be?"

40. "Zach stop...Zach stop...You're gonna get in trouble. Zach"

41. "CHRIS! Is that a weed? "No this is a crayon-" I'm calling the police" *puts 911 into microwave* "911 what's your emergency"

42. "WHY? WHY? WHY? WHY? WHY? "

43. *Blowing vape on table* * cameraman blows it away* "ADAM"

44. "Would you like the spider in your hand?" "Yea" "Say please" "Please" *puts spider in hand* *screams*

45. "Oh hi, thanks for checking in I'm still a piece of garrbaagge"

46. *girl blows vape* "...WoW"

47. *running* "...Daddy?" "Do I look like-?"

48. *Pours water onto girl's face" "Hello?"

49. "Wait oh yes wait a minute Mr. Postman" "HaaaAHH"

50. "...And they were roommates" "Mah God they were roommates"


I could literally go on forever because I just reference vines on a daily basis. Rest in peace Vine

Cover Image Credit: Vine

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The Johns Creek International Festival Showed That It Should Happen Every Year Across The Nation

The two parts of our community are unity and diversity and the Johns Creek International Festival showed both with flying colors!
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Diversity, unity and equality are three traits that are very prominent in the community we all live in. These traits help signify who we all are as individuals and groups of people and they determine how we act towards other people. This year, here in Johns Creek, Georgia there was an International Festival on April 21, and it had everything planned to perfection.

There were tents from local restaurants and companies, live music from performers by locals and so much more to enjoy. This was the very first annual festival that happened here, and it showed me that a festival like this should happen everywhere nationwide because of the number of people who come out and enjoy seeing other cultures.

Other cultures are sometimes hard to come by depending on the community you live in, but at this festival, there were cultures from all over the place. There were performances from China to India to even American Rock. All the performances were once in a lifetime because the performers were nothing less.

In addition to all of these professional performances, there were also performances from local schools. These include the River Trail Yo-Yo club and the Taylor Road Middle School Jazz Band. There were even Northview High School performances that killed it on stage.

These types of performances were from different parts of the world which made me realize that the rest of the world has performances just as cool and amazing as ours, but we do not see them much.

The only thing that was amazing was not only the performances, of course, but also the plethora of food trucks that were present throughout the festival. These food trucks were from all over the world as well, from Mexican to Indian to even food from Honduras! There was even rolled ice cream which I must say was to die for.

Now do not get me wrong; there were other things there besides food and performances like the tents. There were rows of tents selling their beauties from around the world. There were also tents that were playing games that are native to their motherland like at the India tent, there were people playing cricket. Lastly, there was a kids' tent that was doing crafts from all around the world, like an African face mask.

These are only a few of the fascinations that were present at this one of a kind festival, but even with these few things, thousands of people came out and supported and enjoyed the day. I know I learned a lot and I hope to see another one soon and somewhere around the nation because let us be honest, we do not know much about other cultures, and this is a fun way to learn about them. It is a step in the diverse and unified direction!

Cover Image Credit: Wikimedia Commons

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