Movie Review: Ant-Man and the Wasp (2018)

Movie Review: Ant-Man and the Wasp (2018)

Can Paul Rudd survive this dud?

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With "Ant-Man and the Wasp", Marvel has finally recreated the experience of the comics, at least in the sense that loyal fans must begrudgingly watch a stopgap sequel in order to keep up with the main story. Marvel Comics has a storied tradition of releasing annual crossover events in which various standalone series are drawn into the fold, forcing readers to pick up issues of series they may not otherwise be interested in so that they can follow the story. Such is the case for "Ant-Man and the Wasp". I doubt anyone was clamoring for a sequel to "Ant-Man", but here we are. The only real draw is the opportunity to see how the inevitable post-credits scene will tie the characters into the events of "Avengers: Infinity War", from which Ant-Man and the Wasp were absent. While marginally better than the first "Ant-Man" film, this sequel fails to generate anything resembling genuine interest or excitement.

Picking up shortly before the events of "Infinity War", the movie finds Scott "Ant-Man" Lang (Paul Rudd) drawn back into the fold of superheroism just as his house arrest sentence is coming to a close. Hank Pym (Michael Douglas) and his daughter Hope Van Dyne (Evangeline Lilly) believe they can rescue Janet Van Dyne (Michelle Pfeiffer), the wife and mother of the Pym family, from the subatomic quantum realm. Lang's time in the quantum realm during the climax of the first "Ant-Man" has left him with a sort of psychic connection to Janet, so Hank and Hope forcibly recruit the ex-con to assist in locating her.

This being a superhero film there is, of course, a supervillain. This time the antagonist is Ghost (Hannah John-Kamen), a molecularly unstable baddie who is out to steal Pym's quantum technology. Aside from some interesting visual effects work with Ghost's phasing powers, she joins the large pile of forgettable MCU villains. Most of the movie is a back-and-forth as Ghost steals the technology from the protagonists and vice versa. There are additional pursuers, too, including the FBI and an evil black market tech dealer. The various parties run around in circles for the remainder of the movie, which makes little pretense of being nothing more than a series of chase scenes.

It seems like it would be pretty easy to get an audience to care about rescuing someone's family member, but the movie never gives the rescue operation any emotional weight. It feels like the Disney higher-ups felt Janet's status as a wife and mother would be enough to care whether or not she is saved. As a result, the movie strangely treats rescuing Janet Van Dyne as if she were some object to be retrieved, rather than a human being the other characters care about. This leaves a vacuum in the middle of the movie that is never filled. There is constant scurrying around in all sorts of action scenes, but it is hard to care about any of it.

"Ant-Man and the Wasp" is a dull sequel to an already dull film about a character that Marvel cannot seem to make interesting. The "big things get small, small things get big" concept should be more fun than it is here. There is little in the way of ingenuity or creativity. There is nothing here that hasn't already been done in other Marvel films. I have been growing increasingly bored with Marvel's output over the past few years, and this does not make it any better. I should have just rewatched "Phase IV" instead.

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A Letter To My Dancers

Everything your dance teacher wants you to know.
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When anyone (especially a child) chooses to invest their time, talent, and passion into dancing, it's nothing to take lightly. These kids spend more time with me at the studio than they do at home with their parents. Before long, they're my "kids," too. When I only have an hour to lead a warm-up, teach choreography, and rehearse a number, there isn't much time to express the thoughts and feelings I'd necessarily like to. Being a dance teacher is the most spectacular and rewarding job - and I want my students to know that. Between the great rehearsals and the frustrating ones, the competitions and recitals, and the endless hours we spend together each week, there are just a few reminders I need to share with them.

Dear Dancers,

Please love yourself and love what you do with every ounce of your being. Do it with so much passion that your heart wants to burst. Dance is the most special thing; it's something we are privileged and lucky to have, so don't take it for granted.

Please believe in yourself. You are worthy. You are talented. You are strong and capable of everything you set your mind to. Strive to be the best version of yourself every day, not the reflection of the girl next to you. Dance like you. Move like you. Experiment and find what makes you, you. Be an individual. Trust me when I say I don't want 20 carbon-copied robots. I want you.

Trust that I have your best interest in mind. Sometimes my choices and decisions won't make sense, you might be confused, hurt or frustrated, but keep the faith that I'm on your side. I don't want to see you fail, and I'll do everything in my power to help you find the success you're looking for.

I want you to succeed, but for me to do that, you need to tell me what you need. Do you need the counts again? Do you need me to review the transition to floor one more time? If you understand, tell me. If you don't, tell me that, too. Be vocal, be present, be smart, and be prepared. Practice on the sides. Pay attention to the small details. Ask questions. Don't be late, and definitely don't forget your choreography. Take responsibility for your responsibilities and lead by example. Do you have any remote idea how many children look up to you? Who want to be just like you someday? Dance just like you? Kids watch, listen, and copy. Make sure the behaviors you're teaching them are behaviors you're proud of.

Make memories with your dance family while you still can. Cherish every 9 a.m. Saturday morning rehearsal, every competition you attend, every fundraising event, and every team sleepover. It'll be gone so fast. You're going to miss these days. Please, enjoy them.

Don't compare yourself to other dancers. You are you, and nobody can do "you" better than yourself. Don't wish away your abilities by secretly wishing you had Suzie's feet, Betsy's port de bras, or Charlie's center. The only thing you need to worry about is being a better version of yourself than you were the day before. You are your only competition, so don't be too hard on yourself. Be kind to your mind and body. You work day in and day out to perfect your craft and artistry. You work to mold and create yourself. You'll be rewarded with time if you keep fighting and don't give up. Usually when you want to throw in the towel, it's after you don't get the part you wanted or you don't make the team you hoped to. What you need to understand is the answer isn't "No," the answer is "Not yet." You know you're trying and working hard, and those efforts don't go unnoticed -- even if it seems they are.

Please, remember that it's not going to always be fair. You're going to be let down, and you're going to feel disappointed from time to time. You're not always going to win the trophy. You're not always going to get the featured solo part, and not everyone can be the front row and center dancer. This doesn't mean you're "bad" and this doesn't mean you're not "meant" to dance either.

Quite frankly, it's just how it works, you guys. It doesn't mean I don't like you, and it doesn't mean the dancer who does have the solo is my favorite. The dancer just might be more talented. Yeah, I said it. They might have better lines, straighter knees, or stronger stage presence, and that is entirely okay. You're going to run into this for the rest of your adult life. Someone is going to be smarter, more qualified, more desirable for a particular job or position. So instead of despising and resenting these dancers (and especially me), try to learn from them instead. You'll learn more from each other than you could imagine. But if you take away one thing from this, know that you are still worthy of my best training, my best analogies, my best choreography -- whether you are featured, in the third row, or even off-stage for the turn section.

As your teacher, it's my job to teach. Learning (and learning correctly) requires close attention to detail, incredible focus, and a plethora of corrections on my part. Yes, I will go out of my way to critique you, and I will continually tell you what needs fixing until it's fixed. I might have to tell you over and over and over again. And you know, I might even get frustrated with you once in awhile because of it, but here's what you need to understand: This doesn't make me mean or a bad teacher. This doesn't mean I hate you. What it does mean is that I see potential in you and I want to help. I just have to ask, do you see what I see in you? Do you see the talent and abilities I see?

Corrections are good. Success is an incredibly long and never ending process that takes time, but the corrections I give you are helping you get one step closer. So next time you catch yourself getting upset about receiving the same critique week after week or you want to complain about how mean I am, please remember that my intent is not malicious. I'm doing my job.

It's also my job to instill perseverance, dedication, discipline, trust, humility, confidence, creativity, bravery, and strong work ethic into you. I want to push your limits. Test you. Challenge you. I want to mold you into the person you want to be. Even though you probably don't even know who that person is, I do.

There are so many possibilities, opportunities, and challenges that are out there once you enter the world of adulthood. The dance world is so much bigger than your studio, competition routines, and conventions. At the end of the day, no one remembers or cares (especially your future employers) if you won a quadruple diamond platinum plus on your lyrical solo in 2016. They don't care about your first place overall at Showbiz. They don't care if you're Teen Miss Winner of the World. They don't care. What people do care about is your character, your heart, and how you made them feel.

Dancers, I will always support you. Whether you want to pursue a professional dance career in Los Angeles or New York City, in a company overseas, on your college dance team, I will support you. Whether you want to teach dance or choreograph locally in town, I will support you. Whether you don't want to dance at all and maybe be an engineer or a cosmetologist, I will support you. I will always fuel your dreams, goals, and desires, no matter where they'll take you.

I love you and I'm proud of you.

Sincerely,

Your Dance Teacher


Cover Image Credit: Pixabay

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