Why You Should Have a Diary

Why You Should Have a Diary

I don't mean a bullet journal but a real diary - you know, the one you used to write about your crushes in.

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I used to write in my diary all the time. It would be about whatever: stories, ideas of stories, day-to-day happenings, movies I watched, etc. Sometimes, I would write in it every single day, every couple of hours. Other times, I would crack it open every few months, wracking my brain to scribble down even a few words.

Whatever the reason for writing in it and no matter how often you did write in it, a diary can be useful in not only your mental capabilities but also your emotional ones.

According to a Nov. 2018 Psychologies article, a diary - and writing in it - can act as a "therapist and a dear friend." Sometimes, we can be stuck in our own feelings, and it may feel like either you don't need to let them out or that there is no one to listen. Either way, a diary will always be there for you to vent.

From personal experience, I find that when I am feeling angry, lonely, or sad, I use my diary the most. Having the outlet to scratch your thoughts is immensely therapeutic. Moreover, no one will probably ever read your diary, so it is like an extension of your mind.

Also, a diary doesn't need to be expensive: you don't need any fancy materials, and in fact, just sheets of paper stapled together can act as your diary. Diaries are accessible and can mold to your own needs whether they are big or small.

According to July 2016 HelloGiggles article, you can write in your diary to "preserve your brightest memories." Even if you never write in it again, who knows that several years later, you will find it in the depths of your moving cardboard boxes; you sit down and flip it open, and suddenly, you are transported into a world that you can have the pleasure of revisiting. In a sense, a diary is a place that you can reflect in freely.

Writing in a diary can be stressful as it can be a harbinger of unnecessary pressure. For that, I will say that I don't write in my diary every day. Heck, there are times when I don't even open it up for weeks on end. However, that is okay. The best thing about a diary is that even if you never touch it for years on end, you can always find it waiting for you to write in it.

If you don't have a diary, trust me: it is the best. I can write about anything and everything and nothing at all in it; there are no limitations to writing in a diary. When you do write in it though, it is therapeutic, fun, and nostalgic all at once.

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My Best Original Screenplay Oscar Predictions Based Solely On The Writing, As It Should Be

Let's focus on the writing, not the politics.

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The Oscars are almost here, so it's time to make predictions.

Except, if you're like me, you probably haven't seen all the nominated movies. This year, I realized I had not seen any of the films up for Best Original Screenplay. This was a bit of a failure moment for me as a hopeful future screenwriter, but I took the opportunity to do something everyone always says to do when you're learning—read scripts.

I decided to read these scripts and make my predictions based solely on the writing, as it should be. I read each script, then watched the trailer and read a few articles about the movies to answer any questions.

And here's what I decided.

"The Favourite"

I'd heard great things about this movie before reading it, so I was excited to study this screenplay. It was well written, I will be honest, so bravo to Deborah Davis and Tony McNamara. But, it still left some to be desired. It definitely has its good qualities and is justified in its being a, well, fan favorite.

Except, the script relied heavily on subtext for commentary. Any narrative, no matter what time period it takes place in, will be held against the current societal environment regardless of intentions. However, it was clear that this film's intentions were to place a female voice in history and in current outlets. Which, of course, is not a bad thing. However, this film does so with disregard for true equality. The female focus is at the men's expense, which is not true equality (but that's an argument for another time).

I actually found the story predictable. The story tried to build suspense around the war, but even that seemed like a second priority to the writers after the love triangle. The script didn't explicitly tell the reader "how to feel," but it was strongly implied by the end.

"First Reformed"

This was a solid film written by Paul Schrader. Each scene really does move the plot forward which is story 101 but still important to note sometimes. Even the scenes that seemed like they would be time fillers allowed for the voice-over narration of Toller's journal.

This voice over was a nice touch of characterization and introduced well in the first scenes. This introduction was so well written, I could see exactly how it would play out, which is textbook screenwriting. The dialogue was believable. The setting description was a good balance and told part of the story too.

But there was that ambiguous, "La La Land"-dream-sequence-ish ending though.

"Green Book"

Okay, this one. This film is important and was skillfully written, so definitely a bravo to Peter Farrelly, Brian Currie, and Nick Vallelonga.

This film spoke to racial equality in the sense of true equality—meeting on the same level. It took place in one of America's shameful times and followed a white man realizing how things really are for those different from him and learning how to use his privilege in a way that helps and not harms. Like Dr. Shirley said, "You never win with violence." And as far as movies nominated in this category based on true stories, this did the best at maintaining the integrity of the original.

The writing was phenomenal. There was a personality in the action. The characterization was shown, not told. This was done through the actions, letters, reactions, how the characters treat others and how other characters treat the main characters. There was evident development in growth in the two main characters Lip and Dr. Shirley. It ended nicely, and the scenes were paced well.

"Roma"

This story would be better as a novel, in my opinion. The descriptions were beautifully written, so much so that every time there was dialogue or a scene change, I was roughly drawn out of the story. For a script, the action was almost too artsy and I could tell that it would be better visually than in writing. There were a few inconsistencies, like how Pepe calls Cleo "mom" in the beginning when Señora Sofia is actually his mom. Of course, this was probably meant to be just a kid crying for his mom when he was tired, but it leads to some confusion going forward when introducing characters.

This film was artfully written by Alfonso Cuarón. Most of the time, there was a good balance between detailed and vague descriptions (except that one part that described the color of the sky even though this is a black and white movie). I was struck by the impactful use of sound descriptions woven into the script, such as the car horn or the plane flying overhead. This was something that was present in the other scripts but didn't make as much of an impact, in my opinion, as it did in "Roma"

"Vice"

Oh goodness, where to begin? Adam McKay begins this script with an indignant tone in the superimposed text saying they "did their f***ing best" to tell a true story. But did they? No. If this Best Original Screenplay award is based on the writing, then "Vice" is shockingly nominated. If it's based on political people-pleasing, then I guess the nomination makes sense. The film is riddled with a bias to the left. It assumes the viewers agree with the flat narrative of the film and that we all see the characters as the one-dimensional people they movie portrays. The film even addressed this bias at the end, but the way they did didn't level the playing field at all, but just pandered to that bias, trying to pick a fight. Well, they shouldn't be dignified with a response, in my opinion.

But I digress. The writing. That's what we're here for.

Unfortunately, even the writing was objectively bad compared to the other scripts. And I don't say that lightly. It read like a school project that was completed the night before it was due. There were typos everywhere (notably, "due" was spelled "do"). The story and scenes seemed willy-nilly thrown together with the only goal of pushing an opinion. The framework and organization were centered around how best to convince the viewer of McKay's views, not tell the story. It's a very serious subject that's covered here and could've been handled better instead of this script that reads like a comedy with political propaganda tendencies.

And now, my predictions for best original screenplay go to...

I'll break this down into categories.

My favorite: "Green Book."

What should win: "Green Book."

What will probably win: "The Favourite."

They all have a chance, but if "Vice" wins, then what are we all here for? The writing, or politics?

The other films all had their stance in politics without taking away from the story being told. "The Favourite" was female-driven with LGBT aspects and classist themes while telling the story of Queen Anne and her ladies. "First Reformed" critiqued megachurch culture, environmental activism, and big business while telling Toller's story of grief. "Green Book" also had some classist themes and attacked racist tendencies in a way that can educate and change minds by telling a historical story. "Roma" was the story of a family set in cultural and political context. But "Vice" was just about politics and not the story.

Let's focus on the stories. Let's focus on the writing.

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Everything You Need To Know About The Government Shutdown

The longest government shutdown in history will impact every American.

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In the early morning hours of December 22, the longest government shutdown in United States history began. At this writing, the government has been shut down for 24 days -- and counting.

The current shutdown revolves around President Trump's request for over five billion dollars to fund a U.S.-Mexico border wall, which he sees as a necessary response to the "massive Humanitarian Crisis" taking place at the southern border -- the flow of migrants from Central America. Democrats in Congress, who fervently deny the severity of the situation, refuse to allocate funds towards a wall, instead looking to negotiate other measures for border security. Unable to pass bipartisan spending legislation, the government remains closed.But what exactly is a shutdown, and what does it mean for ordinary Americans?

A government shutdown occurs when the annual appropriations bills that fund several government agencies and programs fail to reach passage by both Congress and the president. Congress is in charge of creating these bills, and each year the president must sign them into law in order to fund the government for a new fiscal period. In October, at the beginning of the current fiscal year, only a few of the necessary appropriations bills were enacted, and Congress had until December 21 to enact the rest. However, due to congressional infighting and the President's incessant demands for a wall, the government failed to reach a spending agreement by the deadline, and a shutdown ensued.

Without appropriated funds, any departments or agencies deemed "non-essential" are put on hold under a government shutdown. This means that many federal workers, including those within the Food and Drug Administration and National Park Service, are furloughed, or put on temporary leave without pay. The remaining employees, who work in departments or agencies considered "essential," are forced to work without pay until appropriations are made by Congress and the President. Once the government is open again, they will receive their missed checks in back pay.

Put simply, the 800,000 Americans who work for departments affected by the shutdown have been without a paycheck for almost an entire month now. In past weeks, several of these workers have taken to Washington to protest the shutdown and have appeared on television to voice their frustrations. Forced to deplete their savings to make ends meet, they worry about how they'll make their next mortgage payment and keep their families fed. Paying for daycare services for infants, or college tuition for young adults, has become almost impossible for some.

And government employees aren't the only Americans affected by the shutdown. Though social security checks are sent out and Medicare is paid for, the issuance of insurance cards could cease, meaning that those newly eligible for Medicare could be turned away. Hundreds of sites with hazardous waste or polluted drinking water will go uninspected by the EPA. The Supplemental Nutrition Assistance Program, or food stamps, responsible for feeding thousands of impoverished families, cannot last another two months without funding.

Perhaps the scariest effect of the shutdown is its impact on the Transportation Security Administration (TSA), responsible for screening passengers at airports. Since the shutdown began, airports across the country have dealt with a shortage of staff, causing long lines and massive travel delays. George Bush Intercontinental Airport in Texas and Miami International Airport in Florida have both been forced to close entire terminals in response to a staffing shortage. On January 14, TSA spokesman Michael Biello tweeted that TSA "experienced a national rate of 7.6 percent unscheduled absences compared to a 3.2 percent rate one year ago, Monday, January 15, 2018." Although the agency claims that security has not been compromised during the shutdown, the lack of workers leaves many travellers skeptical.

As President Trump continues to exploit the "crisis" at the border (see the televised address) and top Democrats defend the merits of legal immigration, it is unclear just how long the shutdown will continue. In the House, Democrats have passed spending bills supporting the immediate re-opening of affected federal departments, but such bills have not yet been brought to the Republican-controlled Senate. There have been no meetings scheduled between the White House and congressional staff, and Trump has abandoned his idea of declaring a national emergency. It seems the only thing left to do is wait.

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