How To Have Proper Movie Theater Etiquette

Talking, Crying, Chewing, What Ever Happened To Movie Theater Etiquette?

The unofficial rules you should follow if you go to the theater.

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Dear Moviegoers,

Movies are often made to be viewed on the big screen, which is why we go to the movies. I personally like the experience. The loud sounds, the big screens, the popcorn and candy, the darkroom. I pay a lot for that experience.

That's why, at the risk of sounding petty, I have to ask: Please, stop going to the movies if you're just going to be annoying.

I mean, whatever happened to movie theater etiquette?

It's like people have forgotten how to behave in a movie theater!

I know it might seem silly, but I pay too much for tickets and snacks to have my seat kicked and listen to other people whisper. I don't know when it happened, but people seem to be disregarding the societal rules we've established to make going to the movies fun. In case you're one of those people who've forgotten how to act, let me remind you.

Please, for the love of god, arrive on time. It's distracting when someone shows up late and is awkwardly maneuvering around people to find a seat. At the very least, sit on the ends of the rows instead of climbing over other people to sit in the middle of the row.

Along with that, please remember that there is limited space in the theater. Whether you're finding your seat or simply readjusting during a long movie, be mindful of the space you have. I don't want my chair kicked repeatedly because you can't get comfortable. If you're sitting in the middle of the row, don't get up repeatedly. Keep your elbows in if you're sitting next to someone. Respect others' personal space.

Turning your phone off is another way to show respect for your fellow moviegoers. I don't want to hear your cell phone ring. If, for whatever reason, you really need it on, please silence it. If you're expecting an emergency call from your sister in labor or you're worried about the babysitter, maybe you shouldn't be at the theater.

Since you're expected to keep your phone quiet, you should be quiet, too. I don't want to hear you and your friends whispering behind me for two hours, and no one in the theater wants to hear your commentary. If something funny happens, feel free to laugh. If something terrifying happens, you can gasp. If you're at the theater solely to get attention, please take your over-the-top reactions to a sporting event or something.

If I go to see the newest Disney-Pixar film, I expect to see children there and it doesn't bother me. I don't care if you bring your toddler to a children's movie, especially since it was made for them. I do not, however, expect children to be in the audience if I go to see the newest slasher film. In that case, I will be annoyed. I mean, come on — who takes their young children to see an R-rated in the theater?

And, like, I would expect anywhere else, you should be eating and drinking quietly. Wait till a loud scene to open that candy wrapper (or be smart and sneak your own candy in — you can buy it at Target and put it into Ziploc baggies that don't make noise and can hold lots of candy). Don't suck on the straw when you're clearly out of soda. Chew with your mouth close.

Please, have some respect for other people.

I don't want to come off as a snob, but there are certain rules for seeing a movie in the theater that people seem to disregard nowadays. It might not be a big deal to you, but it is to me. I go because I'm interested in the film being shown and because I want to see it on the big screen with popcorn and a slushie. The cost of going to movies is expensive, but it's worth every penny when I can actually enjoy it.

Sincerely,

One Frustrated Moviegoer

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The 9 Eras Of Disney Animation

The evolution of Disney animation over the years
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As a kid I always loved movies, and no movies did it quite for me like Disney movies did. Whether they were old or new, there was something about Disney movies that just spoke to me. The music the characters, the stories-- they all helped to shape some of my fondest childhood memories and are responsible for many of my interests and beliefs today. But what I always found most interesting is the history behind these films, how the time they came out influenced their themes and meanings. So today I’ll be exploring just that-- the nine eras of Disney animations.

1923-1928: The Silent Era and the Origins of Disney

The history of Disney begins with the Silent Era. In 1923, Walt Disney, working for Laugh-O-Gram studios out of Kansas City, Missouri, created a short film called Alice’s Wonderland, which would serve as the first of the Alice Comedies. After the company declared bankruptcy, Walt moved to Hollywood, where he and his brother Roy formed Disney Brothers Cartoon Studios. They worked out a deal with Winkler Productions to produce the Alice Comedies and eventually, in 1926, moved their company to Hyperion Street, where it was renamed Walt Disney Studios. After the decline of the Alice Comedies, Walt created his first ever original character, Oswald the Lucky Rabbit, and produced 26 short comedies starring the character before a falling out with Charles Mintz, who had by 1928 taken over Winkler Productions. Legally, Oswald belonged to Mintz and his company, so he took the character and four of Disney’s animators and started a new animation company, Snappy Comedies.

1928-1937: Pre-Golden Age and Mickey Mouse

The Pre-Golden Age saw Walt recovering from the loss of Oswald and also set the stage for Disney as we know it today. In 1928, Walt, in collaboration with Ub Iwerks, created a new character that he originally named Mortimer Mouse. However, his wife didn’t like the name, so he renamed him Mickey (I think we can all agree this name is much better). Mickey made his first appearance in 1928 in a test screening of the short film called Plane Crazy. However, the film failed to pick up a distributor, so Walt went back to the drawing board and created Steamboat Willie, which was released in 1928. The film was an immediate success due to the fact that it was the first cartoon to feature synchronized sound and established Mickey as the mascot of Disney. After this, a series of Mickey Mouse cartoons were released. This series also saw the introduction of many Disney staple characters, such as Minnie Mouse, Pluto, and Goofy. Donald Duck, another iconic Disney character, first appeared in Disney’s Silly Symphonies, a series of animated short films that were popular for their innovative use of Technicolor. With this, Walt had successfully bounced back from the hardships of the Silent Era and set the stage for the Golden Age of Disney.

1937-1942: The Golden Age

The Golden Age of Disney began in 1937 with the release of Snow White and the Seven Dwarfs. The film was the first full-length feature film to use traditional animation and was an immediate commercial success, establishing Disney as one of the leaders of animated filmmaking. Other films that were released during this time include Pinocchio, Fantasia, Dumbo, and Bambi. Although all of these films would go on to become considered classics, at the time of their release only Snow White and Dumbo were commercially successful. What made this time considered the Golden Age wasn’t the commercial success of these films though, but rather the trends they created in terms of Disney filmmaking. Snow White was the first of the fairytale-based movies that Disney is known for and established the “Disney Princesses,” Pinocchio started the concept of taking well-known literature and turning it into a child-friendly film and Bambi explored the possibilities of making a movie through the eyes of a non-human character. Other Disney staples such as exaggerated villains, the use of music and prominent, comedic sidekicks were first introduced during this time as well. Another key characteristic of the films of this time was the inclusion of many dark scenes, which were usually sandwiched between upbeat and light scenes in order to create a mood shift. A similar, toned down version of this techniques would also be used in later films.

1943-1949: The Wartime Era

With the U.S.’s entry into World War II, Disney Studios faced lower budgets and a smaller team of animators as it entered the Wartime Era. Also known as the Package Era, the films of this time included Saludos Amigos, The Three Caballeros, Make Mine Music, Fun and Fancy Free, Melody Time, and The Adventures of Icabod and Mr. Toad. What made these films distinct from the Golden Age films is that instead of telling a single, continuous story, these films consisted of multiple short films within each. These films are largely ignored and widely unpopular, with fans criticizing them due to their lack of consistency and tone in each short. The Wartime Era also Disney Studios producing wartime propaganda, which included anti-Nazi commercials and flyers encouraging Americans to support the war.

1950-1967: The Silver Age and the Death of Walt Disney

Disney’s Silver Age, also known as the Restoration Age saw the return of many of the trends set forth by the Golden Age of Disney. Films released during this time include Cinderella, Alice in Wonderland, Peter Pan, Lady and the Tramp, Sleeping Beauty, One Hundred and One Dalmatians, The Sword in the Stone, and The Jungle Book. What made these films distinct from its predecessors was the use of more ornate backgrounds and softer colors. Furthermore, the Silver Age also saw the use of lighter themes balanced with more complex characters, creating many of the well-known characters that are still considered fan-favorites today. The Jungle Book was the last film that Walt himself worked on before his death in 1966, and the movie’s release marked the end of the Silver Age

1970-1988: The Dark Age and the Decline of Disney

Hope you guys have a flashlight ‘cos we’re about to enter a dark place, or rather a dark age (see what I did there?). The Dark Age of Disney, also known as the Bronze Age, saw Disney Studios struggle to find their footing without Walt there to hold the reins. This was a time of trial-and-error in which the animators shied away from traditional storytelling tropes seen in the Golden and Silver Ages and instead shifted toward darker and more secular stories. Films released during this time include The Aristocats, Robin Hood, The Many Adventures of Winnie the Pooh, The Rescuers, The Fox and the Hound, The Black Cauldron, The Great Mouse Detective, and Oliver and Company. With the exception of The Great Mouse Detective, which was both critically and commercially successful, most of these films only received little success, with The Black Cauldron being a box office flop. These films lacked Walt’s imagination and were criticized for only being intended to bring in money. The greatest criticism of these films was their departure from traditional animation and their use xerography. This saved both time and money, allowing animators to directly print their drawings onto cells. However, this process did have its limits and initially only black lines were possible using this method. As a result, films during this era are known as “Scratchy Films” because of the heavy black lines in their animation. While these films weren’t initially successful upon release, many have gone on to become cult classics. Also, the Disney Dark Age helped set the foundation for the pinnacle of Disney animation

1989-199: The Disney Renaissance and Birth of the Millennials

If you’re a millennial like me, then most of your favorite Disney moments and films likely come from the Disney Renaissance. The Disney Renaissance saw a return to the musical fairy-tale storytelling seen in the Golden and Silver Age while at the same time expanding on many of the themes and techniques introduced in the Bronze Age. Films released during this time include The Little Mermaid, The Rescuers Down Under, Beauty and the Beast, Aladdin, The Lion King, Pocahontas, The Hunchback of Notre Dame, Hercules, Mulan, and Tarzan. These films were also the first films that Howard Ashman and Alan Menken worked on, both of whom are key elements to Disney’s musical success. The films during this time also had many important themes that would influence the current views of millennials; Beauty and the Beast and The Hunchback of Notre Dame taught us not to judge people by their appearances; Mulan and Hercules taught us the importance of making sacrifices; and Aladdin taught us that there’s nothing wrong with being ourselves and that the circumstances of our birth don’t have to dictate who we grow up to be.

2000-2009: Post-Renaissance Era

Also known as the Second Dark Age, the Post-Renaissance Era was unique in that whereas previous eras were marked with having a common theme about them, this era was defined as a time in which Disney tried their hands at new methods in storytelling, similar to the Bronze Age. Films from this time include Fantasia 2000, Dinosaur, The Emperor's New Groove, Atlantis: The Lost Empire, Lilo and Stitch, Treasure Planet, Brother Bear, Home on the Range, Chicken Little, Meet the Robinsons, and Bolt. These films explored new storytelling elements marketed towards kids and more mature themes marketed towards the kids that had grown up during the Disney Renaissance that were now teenagers and young adults. While Lilo and Stitch was a commercial success, spawning several sequels and a T.V. show, most of the other films released during this time only received moderate success. This was in part due to the fact that they also had to contend with huge movie franchises like Harry Potter and Lord of the Rings. Despite not doing as well as their predecessors, the films released during the Second Dark Age are well known for their innovation. Dinosaur was the first Disney film that used CGI animation, which would become a popular element of this era’s successor.

2010-present: Marvel, Star Wars, and the Second Disney Renaissance

Just as a Renaissance followed the first Disney Dark Age, a Second Disney Renaissance followed this Second Dark Age. Also known as the Revival Era, this era marked a return to the fairy-tale storytelling seen in the Gold and Silver Ages as well as the first Disney Renaissance. During this time, Disney bought the rights to Marvel and Lucasfilm, meaning they no longer had to worry about trying to market their films toward older audiences since the MCU and Star Wars did that for them. Films released during this time include Princess and the Frog, Tangled, Winnie the Pooh, Wreck it Ralph, Frozen, and Big Hero 6. Like the first Disney Renaissance, the Second Disney Renaissance built off several things introduced by its predecessor. Tangled, for example, used the CGI techniques first used by Dinosaur. Most of the films of this era have been met with great popularity, with Frozen being the highest grossing animated film of all time and Big Hero 6 being the highest audience-rated film of this time period.

And there you have it, the nine eras of Disney animations. I hope you guys enjoyed reading about the history of Disney and its growth through the years. I personally loved writing this article and look forward to writing more like this one.

Cover Image Credit: Travel and Leisure

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I Went To My First Broadway Show And It Was Tony-Worthy

To be clear, this was my first Broadway show on Broadway, and I loved almost every minute of it.

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Let me just make the clarification now that this wasn't my first Broadway show I've seen. I've seen several at the Arizona Broadway Theater and also recently saw Wicked at ASU Gammage. However, this was my first ever Broadway show that I actually saw on Broadway. I was excited, to say the least. I knew it was at one of the smaller theaters on Broadway, but I was just as excited as I would have been for any of the other performances. It really all about the experience, and overall mine was great.

Deciding which show I was going to see was no small feat. I had a mini list that included Aladdin, Waitress, and Chicago. Deep down I really wanted to see Hamilton, but as a broke college student who recently started to make payments on their new car, Hamilton tickets were not even an idea. It really came down to what I could afford and what I would regret the most not seeing. So I chose Chicago. The ticket that I bought was relatively inexpensive since I sat in the far back of the theatre and would still have enough money left over for a commemorative t-shirt.

I was originally planning on going with one of my cousins that lives in New York, but her plans changed and I ended up going by myself. Some of you reading this are probably thinking, "aww that's so sad, going to the theatre by herself." Let me just squash that thought by saying how much I prefer going to things like that alone. I go to the movies alone more times than I go with someone else. That could be a whole other story on why I prefer my alone time, but in short: I'm an introvert. So I was fine seeing the musical by myself. My dad and I walked around Time Square before showtime. He dropped me off, and then we both went our separate ways for a few hours.

Like I said earlier, this was one of the smaller theaters on Broadway so it wasn't hard to find my seat. I bought my shirt before I went to my seat because I assumed there was going to be a line after the show. There wasn't, but I was still happy I got it earlier because then I could just leave after the show. My seat was literally four rows away from where the back wall of the theater was. Which was fine. I have great eyesight and I could see all of the stage clearly. That was until the large group of teenage girls sat directly in front of me and completely blocked my view of center stage.

During the first half of the musical, I was swaying side to side to get a view of the stage. I didn't want to yell at the girl and tell her to sit properly so the people behind her could see. Mainly because her mom was sitting next to her, and I didn't want that drama in the middle of the play. So during intermission, I moved seats. To my right, there were several empty rows of seats with no one for a few rows ahead of them so I thought "might as well." I made the decision to move because someone came and sat behind me about two songs into the music and started to complain that she couldn't see as well. So I took the liberty for both of us to have an experience and moved out of the way. The rest of the time was marvelous. I was able to see clearly. I sang along without having an older lady next to me judging my ability. It was fantastic.

The only thing that I wish would have happened, but I guess that only happens in lesser productions is when the audience gets to meet the cast and get an autograph. Of course, I didn't have a pen or sharpie with me so it was honestly for the best, but that would have been the cherry on top. Hopefully the next time I am in New York I have enough money to see another Broadway show. Maybe if I save up it could be Hamilton.

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