5 Marvel Team-Ups Waiting To Happen In Phase 4

5 Marvel Team-Ups Waiting To Happen In Phase 4

Character interactions may be irrelevant in other films, but in Marvel, they're everything.

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The Marvel Universe is a huge smorgasbord of heroes, villains, aliens, monsters, and spies. One of the main reasons Marvel Studios remains successful to this day is the connectivity of the universe.

Like the comics, all of the superheroes in the Marvel Cinematic Universe operate in the same world and occasionally team up. Through the first three phases of the MCU, audiences have seen characters that would never get along interact with each other, and that needs to continue.

As Iron Man, Captain America, and Thor exit, new heroes and villains will be introduced and thus create opportunities for even more fun team-ups.

5. Spider-Man and Shuri

What's better than seeing two genius superheroes share the same screen together? Two genius teenage superheroes who are evenly matched in the quips they throw at people. After Tony Stark's departure, Peter Parker may be in need of a new wealthy benefactor, and while it would fit for someone like Black Panther to fit that role, Panther's younger sister, Shuri, would be even better.

Shuri, like Peter, has an Einstein-level genius for someone her age, but she is still not a mature adult. Not only does Shuri have the resources to give Spider-Man new suits and upgrades, it gives Spidey an outlet to share superhero experiences with a fellow hero his own age bracket whereas the majority of MCU heroes are comprised of adults.

Shuri popping into Peter's school for a "Ted Talks"-styled lecture on Vibranium would be a logical introduction for her to make a great first impression on Peter and his classmates. Midtown High is a science school after all.

4. Doctor Strange and Scarlet Witch

When it comes to magic in the MCU, Doctor Strange and Scarlet Witch are the figureheads of that department. It would be odd not to have arguably two of the most powerful characters in the Marvel Universe ever sharing a scene together.

Scarlet Witch is a character that has made a huge impact in the comics, and aside from starting the MCU Civil War, she has been more of a supporting character in the films. As evidenced from "Civil War" and "Infinity War", Scarlet Witch is still learning to control her mystic powers, and who better to teach her how to hone her powers than the "Master of the Mystic Arts" himself.

Doctor Strange has experience with all kinds of magic and sorcery, and it could give us an opportunity to see Doctor Strange become more integrated into the wider superhero community as much as he tries to stay to himself.

3. Black Widow and Winter Soldier

Black Widow and Bucky Barnes a.k.a. The Winter Soldier have one of the most complicated relationships in the comics that is not straightforward romantic or colorful. It is just as volatile and mysterious as their characters. The two master assassins were on opposing sides in "The Winter Soldier" and most of "Civil War", but it was hinted in the earlier film that they have a fairly violent past history.

Now, fans could be left to fill in the blanks themselves, but the history that could be explored in flashbacks or even present adventures seems too enticing of an idea for Marvel to pass up. There is still plenty of ground to be covered between both Widow and Barnes, seeing as they fought together in "Infinity War" but did not have time to converse with the world ending situation at hand.A

"Black Widow" film is in development for a 2020 release, and the Winter Soldier himself, actor Sebastian Stan, has made it known that he would love to appear in the film, so there is definitely potential for this relationship to be explored further.

2. Spider-Man and Wolverine

Spider-Man is on the list again, but Spidey, especially Tom Holland's version, is such a dynamic character that he can share the screen with almost anyone and make it entertaining. Hugh Jackman truly defined the role of Wolverine on screen for years, but the mutant with the adamantium skeleton will likely be recast along with the rest of the X-Men once introduced into the MCU.

Wolverine will have the chance to interact with the wider Marvel universe for the first time once the Disney-Fox merger is finalized. In a way, Spider-Man and Wolverine are complete pendulum swings from each other, but that is why it is such a great dynamic in the comics.

Spider-Man is the young and quippy science nerd who wants to do good without having to resort to murder, while Wolverine is the extremely aggressive rage machine who wants to murder everything that could be a threat. Under the surface, though, both Peter and Logan are loners at heart who have both gone through a series of tremendous loss and do not really know how to operate on a team.

A big departure from the near father son Tony Stark / Peter Parker relationship, but a relationship that would be a lot of fun to see play out.

1. The Sinister Six

Who has ever said team-ups were exclusive to the heroes? One of the most famous teams in Marvel are the "Sinister Six", comprised of six of Spider-Man's most dangerous villains. The MCU has already introduced audiences to Michael Keaton's Vulture, Bokeem Woodbine's Shocker, and Michael Mando's Mac Gargan a.k.a. The Scorpion, all members of the Sinister Six in the comics.

This summer will introduce two other members of the six with Jake Gyllenhaal's Mysterio and Numan Acar as The Chameleon, making the chances of an on-screen version that much greater. It's the opposite to the Avengers dynamic; they are villains already established from previous other films and coming together for a common goal: destroying the spider.

The comics would usually play out as, not only will Spider-Man have his hands full with high school graduation, but six of his villains as well. A Sinister Six vs. Spider-Man film would be instant money in the bank for Disney and Sony.

The Marvel Cinematic Universe is a big place that is only going to get bigger following the release of "Avengers Endgame". Even though crossovers and team-ups are not necessary to make a good film, it is always fun for the audiences and fans to see characters they grow to love to interact with other favorites and build relationships.

The comics have been doing it for decades, so it is only natural the films follow it as well. It makes the universe actually feel lived in as opposed to its own separate corner.

In a world as big as Marvel, everyone is bound to run into each other at some point.

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The 9 Eras Of Disney Animation

The evolution of Disney animation over the years
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As a kid I always loved movies, and no movies did it quite for me like Disney movies did. Whether they were old or new, there was something about Disney movies that just spoke to me. The music the characters, the stories-- they all helped to shape some of my fondest childhood memories and are responsible for many of my interests and beliefs today. But what I always found most interesting is the history behind these films, how the time they came out influenced their themes and meanings. So today I’ll be exploring just that-- the nine eras of Disney animations.

1923-1928: The Silent Era and the Origins of Disney

The history of Disney begins with the Silent Era. In 1923, Walt Disney, working for Laugh-O-Gram studios out of Kansas City, Missouri, created a short film called Alice’s Wonderland, which would serve as the first of the Alice Comedies. After the company declared bankruptcy, Walt moved to Hollywood, where he and his brother Roy formed Disney Brothers Cartoon Studios. They worked out a deal with Winkler Productions to produce the Alice Comedies and eventually, in 1926, moved their company to Hyperion Street, where it was renamed Walt Disney Studios. After the decline of the Alice Comedies, Walt created his first ever original character, Oswald the Lucky Rabbit, and produced 26 short comedies starring the character before a falling out with Charles Mintz, who had by 1928 taken over Winkler Productions. Legally, Oswald belonged to Mintz and his company, so he took the character and four of Disney’s animators and started a new animation company, Snappy Comedies.

1928-1937: Pre-Golden Age and Mickey Mouse

The Pre-Golden Age saw Walt recovering from the loss of Oswald and also set the stage for Disney as we know it today. In 1928, Walt, in collaboration with Ub Iwerks, created a new character that he originally named Mortimer Mouse. However, his wife didn’t like the name, so he renamed him Mickey (I think we can all agree this name is much better). Mickey made his first appearance in 1928 in a test screening of the short film called Plane Crazy. However, the film failed to pick up a distributor, so Walt went back to the drawing board and created Steamboat Willie, which was released in 1928. The film was an immediate success due to the fact that it was the first cartoon to feature synchronized sound and established Mickey as the mascot of Disney. After this, a series of Mickey Mouse cartoons were released. This series also saw the introduction of many Disney staple characters, such as Minnie Mouse, Pluto, and Goofy. Donald Duck, another iconic Disney character, first appeared in Disney’s Silly Symphonies, a series of animated short films that were popular for their innovative use of Technicolor. With this, Walt had successfully bounced back from the hardships of the Silent Era and set the stage for the Golden Age of Disney.

1937-1942: The Golden Age

The Golden Age of Disney began in 1937 with the release of Snow White and the Seven Dwarfs. The film was the first full-length feature film to use traditional animation and was an immediate commercial success, establishing Disney as one of the leaders of animated filmmaking. Other films that were released during this time include Pinocchio, Fantasia, Dumbo, and Bambi. Although all of these films would go on to become considered classics, at the time of their release only Snow White and Dumbo were commercially successful. What made this time considered the Golden Age wasn’t the commercial success of these films though, but rather the trends they created in terms of Disney filmmaking. Snow White was the first of the fairytale-based movies that Disney is known for and established the “Disney Princesses,” Pinocchio started the concept of taking well-known literature and turning it into a child-friendly film and Bambi explored the possibilities of making a movie through the eyes of a non-human character. Other Disney staples such as exaggerated villains, the use of music and prominent, comedic sidekicks were first introduced during this time as well. Another key characteristic of the films of this time was the inclusion of many dark scenes, which were usually sandwiched between upbeat and light scenes in order to create a mood shift. A similar, toned down version of this techniques would also be used in later films.

1943-1949: The Wartime Era

With the U.S.’s entry into World War II, Disney Studios faced lower budgets and a smaller team of animators as it entered the Wartime Era. Also known as the Package Era, the films of this time included Saludos Amigos, The Three Caballeros, Make Mine Music, Fun and Fancy Free, Melody Time, and The Adventures of Icabod and Mr. Toad. What made these films distinct from the Golden Age films is that instead of telling a single, continuous story, these films consisted of multiple short films within each. These films are largely ignored and widely unpopular, with fans criticizing them due to their lack of consistency and tone in each short. The Wartime Era also Disney Studios producing wartime propaganda, which included anti-Nazi commercials and flyers encouraging Americans to support the war.

1950-1967: The Silver Age and the Death of Walt Disney

Disney’s Silver Age, also known as the Restoration Age saw the return of many of the trends set forth by the Golden Age of Disney. Films released during this time include Cinderella, Alice in Wonderland, Peter Pan, Lady and the Tramp, Sleeping Beauty, One Hundred and One Dalmatians, The Sword in the Stone, and The Jungle Book. What made these films distinct from its predecessors was the use of more ornate backgrounds and softer colors. Furthermore, the Silver Age also saw the use of lighter themes balanced with more complex characters, creating many of the well-known characters that are still considered fan-favorites today. The Jungle Book was the last film that Walt himself worked on before his death in 1966, and the movie’s release marked the end of the Silver Age

1970-1988: The Dark Age and the Decline of Disney

Hope you guys have a flashlight ‘cos we’re about to enter a dark place, or rather a dark age (see what I did there?). The Dark Age of Disney, also known as the Bronze Age, saw Disney Studios struggle to find their footing without Walt there to hold the reins. This was a time of trial-and-error in which the animators shied away from traditional storytelling tropes seen in the Golden and Silver Ages and instead shifted toward darker and more secular stories. Films released during this time include The Aristocats, Robin Hood, The Many Adventures of Winnie the Pooh, The Rescuers, The Fox and the Hound, The Black Cauldron, The Great Mouse Detective, and Oliver and Company. With the exception of The Great Mouse Detective, which was both critically and commercially successful, most of these films only received little success, with The Black Cauldron being a box office flop. These films lacked Walt’s imagination and were criticized for only being intended to bring in money. The greatest criticism of these films was their departure from traditional animation and their use xerography. This saved both time and money, allowing animators to directly print their drawings onto cells. However, this process did have its limits and initially only black lines were possible using this method. As a result, films during this era are known as “Scratchy Films” because of the heavy black lines in their animation. While these films weren’t initially successful upon release, many have gone on to become cult classics. Also, the Disney Dark Age helped set the foundation for the pinnacle of Disney animation

1989-199: The Disney Renaissance and Birth of the Millennials

If you’re a millennial like me, then most of your favorite Disney moments and films likely come from the Disney Renaissance. The Disney Renaissance saw a return to the musical fairy-tale storytelling seen in the Golden and Silver Age while at the same time expanding on many of the themes and techniques introduced in the Bronze Age. Films released during this time include The Little Mermaid, The Rescuers Down Under, Beauty and the Beast, Aladdin, The Lion King, Pocahontas, The Hunchback of Notre Dame, Hercules, Mulan, and Tarzan. These films were also the first films that Howard Ashman and Alan Menken worked on, both of whom are key elements to Disney’s musical success. The films during this time also had many important themes that would influence the current views of millennials; Beauty and the Beast and The Hunchback of Notre Dame taught us not to judge people by their appearances; Mulan and Hercules taught us the importance of making sacrifices; and Aladdin taught us that there’s nothing wrong with being ourselves and that the circumstances of our birth don’t have to dictate who we grow up to be.

2000-2009: Post-Renaissance Era

Also known as the Second Dark Age, the Post-Renaissance Era was unique in that whereas previous eras were marked with having a common theme about them, this era was defined as a time in which Disney tried their hands at new methods in storytelling, similar to the Bronze Age. Films from this time include Fantasia 2000, Dinosaur, The Emperor's New Groove, Atlantis: The Lost Empire, Lilo and Stitch, Treasure Planet, Brother Bear, Home on the Range, Chicken Little, Meet the Robinsons, and Bolt. These films explored new storytelling elements marketed towards kids and more mature themes marketed towards the kids that had grown up during the Disney Renaissance that were now teenagers and young adults. While Lilo and Stitch was a commercial success, spawning several sequels and a T.V. show, most of the other films released during this time only received moderate success. This was in part due to the fact that they also had to contend with huge movie franchises like Harry Potter and Lord of the Rings. Despite not doing as well as their predecessors, the films released during the Second Dark Age are well known for their innovation. Dinosaur was the first Disney film that used CGI animation, which would become a popular element of this era’s successor.

2010-present: Marvel, Star Wars, and the Second Disney Renaissance

Just as a Renaissance followed the first Disney Dark Age, a Second Disney Renaissance followed this Second Dark Age. Also known as the Revival Era, this era marked a return to the fairy-tale storytelling seen in the Gold and Silver Ages as well as the first Disney Renaissance. During this time, Disney bought the rights to Marvel and Lucasfilm, meaning they no longer had to worry about trying to market their films toward older audiences since the MCU and Star Wars did that for them. Films released during this time include Princess and the Frog, Tangled, Winnie the Pooh, Wreck it Ralph, Frozen, and Big Hero 6. Like the first Disney Renaissance, the Second Disney Renaissance built off several things introduced by its predecessor. Tangled, for example, used the CGI techniques first used by Dinosaur. Most of the films of this era have been met with great popularity, with Frozen being the highest grossing animated film of all time and Big Hero 6 being the highest audience-rated film of this time period.

And there you have it, the nine eras of Disney animations. I hope you guys enjoyed reading about the history of Disney and its growth through the years. I personally loved writing this article and look forward to writing more like this one.

Cover Image Credit: Travel and Leisure

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The Original Disney Princesses Are Just As Important To Young Children As The New Ones Are

The animated princesses have paved the way for children in ways the live-action films sometimes can't.

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Disney Princesses, particularly the animated ones, have somewhat of a stereotype built around them.

When people think of Disney Princesses, they usually think of the classic princesses from the 1930s through the 1950s, the Golden Age of Disney. They think of Snow White's high-pitched voice, Cinderella's passive nature, and Aurora's tendency to waltz through the woods singing a pretty little song. These were the original princesses, and they definitely started a trend of delicate characters who aren't entirely helpless, but they also aren't too willing to advocate for themselves and fight for what they want.

The Disney Renaissance, however, brought about a whole new world (yes, that was intended) of Disney Princesses.

In 1989, Disney kicked off their animation Renaissance with the release of The Little Mermaid, a film which introduced an entirely new Disney Princess. Ariel was stubborn, got into serious trouble at times, was endlessly curious and amazed by the world around (and above) her, and was more than willing to fight for what she wanted. She still maintained her status as a princess, but that wasn't her only personality trait.

And the stereotypes kept breaking more and more with the introduction of two new princesses, Belle and Jasmine. They both followed Ariel's example of being more than just a pretty face in their own ways. Belle was the most beautiful girl in her village, but she didn't allow that to define her. She was well-read, confident, loyal, and desired nothing more than adventure. Jasmine, on the other hand, was the daughter of a Sultan and was forced to choose a prince to marry. But she wanted no part in this, and she set out to find herself and married the man she chose for herself. She was fiercely independent and didn't let anyone stand in her way.

I recently read an article about how the live-action remakes of Disney films are giving Disney princesses like Belle and Jasmine entirely new roles and how they're better role models for girls than ever before. While I do agree that young girls who go to see the remakes of Aladdin and Beauty and the Beast in theaters will definitely have good role models to look up to, we really shouldn't be dismissing the original princesses, either.

These new Disney princesses are not replacements for the old ones. Just because the old princesses don't have as much of a "strong independent woman" complex about them doesn't mean they still can't teach important lessons to young children. Yes, the original Belle and Jasmine may not have been as outspoken as they are in the new remakes, but they always had a quiet strength about them and a certainty in who they were. This is just as good of a lesson to teach young children.

One of the most important lessons a child can learn is to be themselves in all parts of life, no matter how many people may think they're strange. Both versions of Belle and Jasmine teach this lesson, but as we start to move into an era where children may grow up with the remakes instead of the originals, it's also extremely important that they learn the lessons the original Belle and Jasmine taught us in the first place. Sometimes, a person doesn't need to be incredibly outspoken in order to be who they are. Sometimes, all they need is a good head on their shoulders, a joyful heart, and quiet confidence in themselves to live the life they've always dreamt of.

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