You Should Credit Your Photographers Before Posting Their Photos

You Should Credit Your Photographers Before Posting Their Photos

Let 2019 be the year of giving credit where credit is due.


Cosplay photography has become a major hit amongst cosplayers in recent years. Nothing feels better than getting professional photos done of the cosplays you put blood, sweat, and tears into. You want to look your best, and these photographers know how to make you shine in front of the camera.

These photographers are willing to often spend countless hours at conventions and outside of conventions capturing a wide range of cosplayers to grow their own portfolio as well as to bring joy to their client. They capture the cosplayer in a single still image and bring it to life. Some use amazing real-life techniques from smoke machines to real fire. Others use the power of editing to whisk the cosplayer from a normal setting to a setting that fits perfectly to the characters aesthetic.

When the cosplayer receives the photos back, there are shouts of glee. They quickly post it to their pages, thanking the photographer for the amazing pictures. Letting others know that this is a photographer who they should work with, in the future.

However, some clients, but mostly large pages who repost these photos, do not always accurately credit the photographer.

This seemed to be a common trend with cosplayers several years ago. Photographers and even commissioners work went without notice. Sometimes the photographer's watermarks were removed so there was no hope in people finding the photographer that captured the perfect moment.

In recent years though, many cosplayers have gotten much better at crediting their photographers (and other artists like commissioners), but there are those who in a sense steal the photographer's work and repost it without any links or credit. These people still often go as far as cropping out the photographer's watermark. These watermarks often help those wanting to find the source material when no other links are found. Once that watermark has been removed, there is little to no chance of finding that photographer.

Some may think, "Oh well, that photographer is still getting exposure." But how can they get so-called "exposure" if a person cannot determine who took the picture and the watermark is removed? That photographer is not losing potential future clients and reach for their page. Even the cosplayer is losing social media traffic they would have had too. Social media already creates algorithms that work against those who refuse to pay for likes, but now pages are reposting pictures that tend to receive more traffic than the photographer's and the cosplayer's original post combined. The only person who normally benefits are those behind the page that essentially stole that photo.

It is not hard to credit a photographer or the cosplayer, or anyone that had a hand in it, it is pure laziness. It is as easy as putting "Photo credit: Momo Clicks Photography" at the end of your post. It took all of five seconds to credit the photographer who supplied the cover photo for this article. There should be no excuses for those people who continuously not credit the photographers who aided in the creation of a now-viral picture.

Cosplay photographers work extremely hard at their craft. They spend hours staring at a computer screen, going over each detail, just like cosplayer goes over the details of their costume before the big day. Credit each other, because let's face it, most social media algorithms are against us. Let 2019 be the year of giving credit where credit is due because nothing feels better than knowing that your work feels appreciated by others.

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10 VSCO Presets That Make You Look Tan As All Heck

Because come on, we can't all be sun kissed while also working 40 hours a week.


I don't know about you, but I cannot seem to get to the golden shade that I so desperately want. Think I'm silly all you want, but being tan makes me more confident. Now, working 40 hours a week, during prime sun hours doesn't exactly help this dilemma, so I have taken the matter into my own hands. These are a few of the VSCO Filter pre-sets that make me feel just as sun-kissed and stunning as I aspire to be, from the comfort of my cubicle.

1. E8 +8, Contrast +1, Temperature -1, Saturation -1, H. Tint Magenta +3

2. HB2 +7, Contrast -1, Exposure -1, Temperature +0.5, Saturation +1, Fade +1.5, Grain +4

3. C8 +12, Exposure -2, Saturation -2/+2, Grain +3 (Optional)

4. C1 +12, Fade +4, Contrast +2, Exposure +2, Saturation -2, Tint +3

5. A4 +7, Exposure -2, Contrast +1.7, Temperature +1.7, Tint +1.0, Saturation -2.0, Skin tone -1.0

6. M3 +12, Temperature -1, Contrast +2, Saturation -1/+1

7. E3 +12, Temperature -1, Saturation -2, Skin -2

8. HB1 +8, Exposure -1, Temperature -1

9. C1 +12, Exposure -1, Contrast +2, Temperature +2, Saturation -2, Skin Tone -3

10. G1 +8, Exposure -2, Contrast +2, Saturation +2, Temperature -1, Fade +2

Cover Image Credit:

Erika Glover

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Analog Photography: Salem, Massachusetts

Photographing Salem on gritty black and white film.


A couple months ago, I took a trip out to the east coast (my second favorite coast) to do some shooting around Boston and Salem. Here I'll be sharing the finished black and white film shots from my time in Salem. I shot mainly Lomography Lady Gray 400 speed film, and I was pleased with the way the shots turned out.

Michael Neal

In this shot, I liked the leading line of the houses up into the corner of the frame, and the texture of the film really shows.

Michael Neal

I liked the framing of this shot, and I liked the almost 3d feel of the plate on the street.

Michael Neal

The classic witch shot.

Michael Neal

Another classic witch shot.

Michael Neal

I liked the detail of this shot, and the door had a nice texture that was accented with film.

Michael Neal

This was an interesting statue that I found in downtown Salem, so I wanted to shoot it. I also liked the old style houses in the shot.

Michael Neal

Here is a little street shot that showcases the Salem Newspaper.

Michael Neal

I liked this shot of two of my friends walking down the street. The framing is nice, and I thought the whole frame was balanced.

Michael Neal

This is a simple shot, and I liked how the light fell on the fence.

Michael Neal

I liked the way the fence bends here, and I liked the bokeh of the gravestones in the background.

Michael Neal

I liked the extreme contrast here and the silhouette that was painted on this statue.

Michael Neal

This is just a classic street shot, but I like it because it helps to sum up Salem in downtown. These last two shots are texture shots, so I'll end the article with those. I hope you enjoyed seeing Salem, and I highly recommend visiting if you ever get the chance!

Michael Neal

Michael Neal

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