Alanis Morissette’s Jagged Little Pill: Track by Track | The Odyssey Online
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Alanis Morissette’s Jagged Little Pill: Track by Track

The Grammy Award-winning album just turned 20 not too long ago.

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Alanis Morissette’s Jagged Little Pill: Track by Track
The Atlantic
  • All I Really Want I enjoy this song for many reasons, but the one that stands out the most is her literary references. In one verse she says “I’m like Estella, I like to reel them in and then spit them out, I’m frustrated by your apathy.” She is identifying with Charles Dickens’ character in Great Expectations, a woman who used men that in turn used her as well. It’s a complex introspection from Alanis, who in previous incarnations, never shared such personal anecdotes. The heavy guitar use is also a welcome change of pace, indeed.
  • You Oughta Know Not before, or since, has an alt-rock pop song captured raw anger as much as this one does. The sharp electric guitar sound provided by Dave Navarro add another layer of angst to this already heavy track. The lyrics are strong and abrasive, spoken in yelps by a woman scorned. It’s a standout track for Jagged Little Pill and it, no doubt, represented a changing point in Morissette’s career. People began to take her seriously with this record and it won her two Grammy awards in the process. A gem, undoubtedly, that got the recognition it deserves.
  • Perfect Alanis’ always knows which chords to hit to get the response she wants. It’s one of the reasons why she appeals to so many. With “Perfect,” Alanis takes a slower approach in the beginning to make the punches in the end become even more resonant. Throughout the song, she expresses her anger towards her upbringing and how it’s affected her love life in the process. Another great introspective piece right at home on this album.
  • Hand In My Pocket The message I get from this song is that she’s a walking contradiction and she’s at peace with her fate. An essential component of this album is its balance. Like many failed relationships, it has its up and its downs. “Hand In My Pocket” offsets the angry and somber tones of the first three tracks and introduces us to the next phase of the album. With its mellow production, well written lyrics and effective tone, this track is another valiant effort by Morissette.
  • Right Through You It’s the shortest track on Pill, coming in at just under three minutes, but damn if it isn’t sweet. Short and sweet. “Right Through You” is an often overlooked track amongst all of the others surrounding it, but in my opinion, it deserves more attention. If not only for the line “Took me out to wine, dine, 69 me and didn’t hear a damn word I said.” Every lyric and every sound is executed to perfection.
  • Forgiven The shortest track on the album is immediately followed by the longest, coming in right at five minutes. “Forgiven” harks back to her early childhood and catholic upbringing. Perhaps, the suppression of her sexuality by the religion that was forced on her. Whatever the case, it’s a boisterous self-expressive journey. Certainly enjoyable.
  • You Learn There’s always a lesson to be learned and it’s always worth the pain. Perhaps the most enjoyable part of this song is not only Alanis’ vocals but the miraculous guitar playing behind her voice. Interestingly, Jagged Little Pill also derives its name from a line in this song. Placed right in the middle of it all, “You Learn” is certainly a highlight.
  • Head Over Feet What makes this song so loved among her fans is its sweetness, and the sharp contrast among the other songs on this album. In all honesty, “Head Over Feet” is a love song, steeped in regret, rather than anger. At its core, it’s about a guy she took too long to appreciate and when she did, it was too late. “What took me so long?” Beautifully written, harrowingly upbeat and really well produced.
  • Mary Jane Even on her previous albums, it could easily be seen that Alanis shines best on her ballads. “Mary Jane” is the most glowing example. It’s the slowest song on Jagged Little Pill, but the most raw and introspective as well. In my opinion, it’s the best song on the album. Hands down. It was a little too slow for the radio at the time, understandably, but it’s criminal that twenty years later, it still hasn’t been released as a single.
  • Ironic Out of all of the songs in her catalogue, this is probably her most recognized. It was Alanis’ breakout hit and to date, her highest charting single. Mid-90’s alt rock angst can be heard with each delivery and it isn’t hard to relate to. It’s a lyrical journey and a humorous one at that. Who said she couldn’t be humorous? After all, she is a “white chick singer.”
  • Not The Doctor The song, lyrically, is engaging. But in all honesty, I’m not that interested or impressed with it. Maybe it’s just the slow pace, I’m not sure. But it just doesn’t click for me like the other tracks on this album do. Oh well.
  • Wake Up Now, this is an improvement. It mirrors the track heard earlier, “Hand In My Pocket,” in that it reflects her lover’s contradictions rather than hers. It’s dark and almost sinister, as well as sexy. Alanis’ vocals are sharp and breathy, almost hinting at an unfillable lust. It shows the unseen side of the album, or at least, the side that hasn’t made itself known that much. Interesting.
  • Your House (Bonus Track) Now, this is a song that’s almost always missed when listening to Jagged Little Pill. If you haven’t heard it yet, I strongly suggest that you do. It’s a bonus track attached to the end of a bonus track, the alternative take of “You Oughta Know.” The song is entirely acoustic, with no band and no backing instrumental, produced and written entirely by Alanis herself. It’s the perfect ending to an album seeped in heartbreak, triumph and bittersweet catharsis.
I give Alanis Morissette’s Jagged Little Pill an A. This album kick-started Alanis’ international career and cemented her place in the 90’s alt-rock scene, as well as pop culture in general. It goes without saying that it’s a major improvement from Alanis and Now Is The Time. Each song opens and closes on a high note. This is the album that artists should aspire to create. With the necessary reinvention of her sound to alternative rock, it’s downright impossible to deny that Jagged Little Pill is one of the greatest albums of the 1990s, if not all time.
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This article has not been reviewed by Odyssey HQ and solely reflects the ideas and opinions of the creator.
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