The Last Jedi Theories

The Last Jedi Theories

Rey, Finn, and Jar Jar Binks too- but which one of these is true?

With the newest Star Wars film coming out, The Last Jedi, it's time for new fan theories to surface. I asked some of the biggest Star Wars fans I know* about their theories, which will be put to the test when we attend the December 14th showing of the film.

*These are real theories from friends of mine. This does not contain spoilers, but don't be surprised if these theories prove to be true.

My buddy Clayton is adamant about his two theories. "In one of them, Kylo Ren is going to die and Rey is going to go to the Dark Side," he stated confidently, "and Rey will become the first female Sith Lord." Although Kylo Ren has only been featured in one film, Clayton thinks he's sure to die in The Last Jedi. "And my second theory, Finn is going to become a Jedi and Kylo Ren will join the Rebellion."

Finn becoming a Jedi is an interesting theory because he uses Luke Skywalker's lightsaber twice: the first is against a Storm Trooper, the second in a duel against Kylo Ren. The only other non-Jedi to use a lightsaber was Han Solo in Episode V, The Empire Strikes Back, when he cuts open a tauntaun to hide inside of during the blizzard. But we know Han isn't a Jedi, nor will he be in this new film. So maybe Clayton is onto something.

My boyfriend Brandon shared his theory with me, which took a different turn. "Luke Skywalker is going to go to the Dark Side and become a Sith," he told me, "or Luke will become a Gray Jedi." He believes the movie poster is a foreshadow of what's happening. "Luke is pictured in the back of the movie poster, behind everyone else. That's typically reserved for "the bad guys" or Siths."

There's a lot of missing information and quite some time has passed since Episode VI. Luke trained Ben Solo, who ultimately turned to the Dark Side, which leaves the question, did Luke help Ben turn into Kylo Ren? Did he tell him about Darth Vader? And if so, is Luke going to turn to the Dark Side himself?

Two of my friends, Jeff and Travis, believe that Jar Jar Binks, who we last see in the beginning of Episode III, Revenge of the Sith, is a Sith lord. Although not entirely relevant to Episode VII, this is one of the more interesting theories. "It's not the most practical, but a lot of people seem to really believe that Jar Jar can be, and is, a Sith Lord," Jeff told me.

Jeff and Travis are not alone on this theory. Some people believe that Jar Jar was a trained Force user, and an unknown Sith Lord. Hard to think that a clumsy Gungan like Jar Jar would be powerful enough to be a Sith. But there are some small details to back that, like the fact that Jar Jar's eyes resemble those of past Sith Lords, like Maul and Anakin.

My theory, however, is that Rey and Kylo Ren are cousins. Rey is Luke's daughter. Kylo knows about her, either through his memories or her presence in the force, which is why he desperately wants to look into her mind or destroying her.

The only way to find out which one of these theories, if any at all, prove to be true: watching Star Wars Episode VII The Last Jedi.

May the Force be with you.

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The Neighbourhood Adds Some Color With "To Imagine EP"

Who spilled paint on this album?

Why is there color on my The Neighborhood album art? You used to refuse to even let color photos of them circulate by major media companies, but now you guys hit us with this?

I know it might sound like I'm mad, but I'm actually super happy. This EP is going to make a lot of fans angry, but I'm going to go on record by fully supporting this move, even if it replaces my downbeat sad music with upbeat sad music.

Enough with vague gushing about the album's departure from The Neighbourhood we grew up in, though. Let me walk you through this new synth-filled melancholy hill.

1. "Dust"

With that weird synth bass building at the beginning, the semi-chanting of "No more water in the lake...," I knew something was up. When the heavily-autotuned vocals of the pre-chorus and chorus came in alongside the uncharacteristic dance-like melody, I realized everything was about to change.

"Dust" sounds almost like an 80s synth-pop track and I am almost completely onboard. The music fits well with the theme of ignorance of others' thoughts, making sure you aren't listening to the lyrics to demonstrate the fact that no one wants to listen to what anyone else is actually saying, we just like what sounds good.

The only thing I'm not a huge fan of is the ending. I get what they were trying to do, and they did a good job with the song slowing down like a tape spilling out of its cassette, but I felt like it could've been saved for the very end of the EP or, at the very least, replaced with a better end.

Overall, this is a great opener and left me wanting more!

My favorite lyric: "Didn't want to listen to nobody so everybody went out of control."

2. "Scary Love"

Another dance track, but this one takes more cues from (what sounds like) The Weeknd and other dance/R&B artists before breaking out into a pop chorus that's super catchy. It sounds like driving too fast down a highway at night feels.

This one preys on the insecurities people often feel when starting a serious relationship after being heartbroken countless times. It also focuses on the feeling of moving too fast in a relationship and the anxieties that come with that.

As the song goes on, it moves from a place of fear to a place of longing, moving from fear of moving too fast to a fear of caring too deeply.

It's super fun to dance around to and easy to sing along with, but it's not as complex as other songs on the EP. There's nothing really wrong with it. It's a solid single, but it's also pretty boring in comparison to the rest of the EP.

My favorite lyric: "You're too pretty for me, baby, I know."

3. "Heaven"

This one is pretty eerie when it starts out, almost sounding like one of Kyle Dixon's tracks for "Stranger Things" with some high-pitched synth chimes and then the bubbling arpeggios of the bass.

The verses also have some rap influences, like a lot of The Neighbourhood tracks have, but it's a bit more like Drake or other radio-friendly rappers than songs in the past (like "$ting.") The chorus is also sickly-sweet, clearly coming from an infatuated guy.

I love this track, from the mixture of synth-horror themes and rap with alternative rock to the traditionally emo-reminiscence lyricism The Neighbourhood is known for, I think this track is the perfect fusion of new and old The Neighbourhood.

My favorite lyric: "No mistaking that I need ya. There's something 'bout you, baby."

4. "Compass"

This one is, I think, the most traditional of the entire EP. It almost sounds like a normal The Neighbourhood song, save for the dance synths and falsetto. The lyrics are a little bit less like traditional The Neighbourhood, a little bit more sweet than sad, but that's not a bad thing.

It's definitely one of the slower songs on the EP, but that's not a bad thing. It comes right towards the end, right when the listener needs a break, following the slowing of each track down until the final one.

I like this one, but similar to "Scary Love," it's not super-impressive in comparison to the rest.

My favorite lyric: "You're always there to help me when I'm down. I'm lucky you've been keeping me around."

5. "Stuck With Me"

These lyrics are the most like a traditional The Neighbourhood song, but the song itself has a much happier beat than old The Neighbourhood, though it is still relatively slow.

It actually delves into a little bit of nihilism before the chorus hits with disjointed harmonies that don't make much sense. They are a little off-putting, and though I still enjoyed them, some fans or other listeners will really dislike this part.

Definitely not the strongest track on the EP, but still a good addition, this is a great closer, leaving listeners wanting more for when the next album finally comes.

My favorite lyric: "I'm not tellin' you for any certain reason but now I'm feeling guilty for it."


I recommend this EP for fans of synth-pop, artists like The Weeknd, or even all of your fans of the old The Neighbourhood. Change isn't always a bad thing and The Neighbourhood proves it with the "To Imagine EP."

Of course, some songs are better than others, and I have to say that "Heaven" is the best track, with "Dust" coming in close at second best, followed by "Scary Love," "Compass," and, finally, "Stuck With Me."

The change in direction of The Neighbourhood makes me excited to see how they do in the future. Give them a listen!

Cover Image Credit: Google Play Music

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Dream Theater: 'Images and Words' Album Review

Dream Theater made an incredible leap in song writing that would result in one of the most impressive progressive metal albums of all time


James LaBrie - vocals

Kevin Moore - keyboards

John Petrucci - guitars, backing vocals

Mike Portnoy - drums, backing vocals

John Myung - bass

Additional info:

Produced by David Prater

Images and Words is the second studio album by American progressive metal band Dream Theater, released on July 7, 1992 through ATCO Records. Its total length is 57:04. It is the first Dream Theater release to feature James LaBrie on vocals. This album was not only a huge success when it comes to the band's massive amount of progression in song writing, but also the commercial success that the album had.

Images and Words demonstrates the band at their finest thanks to improved vocals and impressive instrumental elements throughout. I really enjoyed the soulful elements as well that made Dream Theater's technical mastery be balanced with emotion and lyricism that make their brand of progressive metal special. Their are no glaring weaknesses on the album.

Top Tracks:

1. "Under a Glass Moon"

2. "Metropolis—Part I: 'The Miracle and the Sleeper' "

3. "Take the Time"

4. "Pull Me Under"

Grading Scale:

1-1.5: Garbage

2-2.5: Awful

3-3.5: Bad

4-4.5: Disappointing

5-5.5: Mediocre

6-6.5: Satisfactory

7-7.5: Good

8-8.5: Great

9-9.5: Excellent

10: Perfect

My Verdict:

Images and Words is an amazing album that I have loved since I first listened to it. The album is full of Dream Theater classics and features Labrie's finest vocal performance as well. John Petrucci is also fantastic throughout this entire album as well. Images and Words is a perfect album from start to finish.

Grade: 10/10

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