11 Supernatural Episodes You Need To Rewatch

11 Supernatural Episodes You Need To Rewatch

There are a lot of phenomenal episodes you've probably forgotten and should revisit.

With the second-half of Supernatural's #13th season rolling back onto the CW, it got me thinking about some of the show's past episodes; there have been a lot of truly iconic originals that the SPN Fandom will never forget: Ghostfacers, The Monster at the End of this Book, It's A Terrible Life, The French Mistake, Changing Channels, After School Special... not to mention almost every season premiere and finale in the show's history.

Still, there are a lot of phenomenal episodes that you've probably forgotten about and need to revisit. This article will only cover episodes in seasons #1-#5 for the sake of brevity and because the first #5 seasons are still the heart of the show. So, without further ado:

Season One:

Provenance - When a spirit living inside an antique painting begins slitting the throats of anyone who buys the portrait, Sam and Dean crash an art auction in New York to check it out. This episode has a few genuinely funny moments and also contains the real first heart-to-heart Dean and Sam have about Sam's deceased girlfriend, Jessica. Up to this point, we haven't seen Sam with any potential love interests, so seeing him stumble through dates and awkward encounters with the auctioneer's art-savvy daughter was a lot of fun.

Dead Man's Blood - When a vampire hunter is murdered, Sam and Dean investigate and are surprised to find that their father is already on the case. This is the first episode where the elusive John Winchester actually stays to help the boys work on a case, and it's the first episode that the audience learns of the infamous Colt, the only weapon that can kill the first season's main antagonist, Azazel, the yellow-eyed demon. Not only that, but we finally get to see how strained John and Sam's relationship truly is when they get into a huge yelling match.

Season Two:

Simon Said - Sam has a vision that leads him and Dean to another psychic named Andy who uses mind control to gain favors from people. Andy is an all-around fun character - he lives in a giant van and seems to just smoke weed and read in his spare time; that is when he's not entertaining himself with his psychic powers. Although Andy brings a lightness to this episode, we see Sam and Dean's nerves continue to fray on account of Sam's visions.

Playthings - When people start dying at a bankrupt hotel run by a single mother, Sam and Dean check-in and discover that it's being haunted by the ghost of a young girl that died there many years ago. It's a classic case with some unforgettable moments; especially the heart-breaking scene where Sam gets drunk and makes Dean promise to kill him if his psychic powers ever get out of control.

Season Three:

The Kids Are Alright - With only one year left to live, Dean convinces Sam to take a potential case in Cicero, Indiana so that he can meet up with an old flame: Lisa Braeden (the only Dean OTP I will ever ship). While he's there, Dean meets Lisa's adorable kid Ben (who is basically a Dean-mini-me) and envisions the life he might've been able to live if he hadn't been a hunter. Also, the child changelings are freaky as heck and balance out the cute with for-real creepiness.

Sin City - Sam and Dean investigate a sleepy Ohio town that has suddenly been enveloped in drugs, alcohol, gambling, and sex. Dean spends some quality time trapped in a basement with a demon that clues him in on the role that Azazel had hoped Sam would play in the upcoming war between demons and hunters. This is the first time that we see Dean verbally question whether Sam is truly himself, truly 100% good, when he asks Bobby at the end of the episode, "Do you think there's somethin' wrong with my brother?"

Bonus Episode: Time Is On My Side - With Dean's time running out, Sam investigates an alchemist who's been stealing organs from people in order to maintain his immortality, while Dean attempts to reclaim the Colt from British thieving extraordinaire, Bela Talbot. This episode ends with a chilling foreshadow of Dean's upcoming death when Bela, who had also made a demon deal ten years earlier, gets attacked by Hell Hounds when the clock strikes midnight on the anniversary of the making of her deal.

Season Four:

It's The Great Pumpkin, Sam Winchester - Sam and Dean suspect that a witch is sacrificing people to raise a powerful demon named Samuel Haynes on Halloween; the very holiday inspired by him. This is a quintessential horror story, and we also get to see Sam exorcise a bad-ass demon with his powers and the tension that creates between the brothers.

I Know What You Did Last Summer - Alistair the demon and the angels Castiel and Uriel race to obtain a girl named Anna Milton, who claims she can hear angels speaking. Ruby shows up and creates drama, and Sam finally confesses to Dean what he went through the four months that Dean was in Hell.

Season Five:

Free To Be You And Me - Sam and Dean go their separate ways after they both decide that Sam's instincts as a hunter can't be trusted. Dean helps Castiel track down powerful Archangel Raphael, and poor Sam gets beat up by some hunters that want to abuse his addiction to demon blood.

Sam, Interrupted - Sam and Dean check themselves into a mental hospital to track down a monster that's attacking patients while slowly going insane themselves. Their deep-seeded fears and insecurities come to light, and seeing the pair so vulnerable tugs at any fan's heartstrings.

Cover Image Credit: flickr

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A Letter To My Dancers

Everything your dance teacher wants you to know.

When anyone (especially a child) chooses to invest their time, talent, and passion into dancing, it's nothing to take lightly. These kids spend more time with me at the studio than they do at home with their parents. Before long, they're my "kids," too. When I only have an hour to lead a warm-up, teach choreography, and rehearse a number, there isn't much time to express the thoughts and feelings I'd necessarily like to. Being a dance teacher is the most spectacular and rewarding job - and I want my students to know that. Between the great rehearsals and the frustrating ones, the competitions and recitals, and the endless hours we spend together each week, there are just a few reminders I need to share with them.

Dear Dancers,

Please love yourself and love what you do with every ounce of your being. Do it with so much passion that your heart wants to burst. Dance is the most special thing; it's something we are privileged and lucky to have, so don't take it for granted.

Please believe in yourself. You are worthy. You are talented. You are strong and capable of everything you set your mind to. Strive to be the best version of yourself every day, not the reflection of the girl next to you. Dance like you. Move like you. Experiment and find what makes you, you. Be an individual. Trust me when I say I don't want 20 carbon-copied robots. I want you.

Trust that I have your best interest in mind. Sometimes my choices and decisions won't make sense, you might be confused, hurt or frustrated, but keep the faith that I'm on your side. I don't want to see you fail, and I'll do everything in my power to help you find the success you're looking for.

I want you to succeed, but for me to do that, you need to tell me what you need. Do you need the counts again? Do you need me to review the transition to floor one more time? If you understand, tell me. If you don't, tell me that, too. Be vocal, be present, be smart, and be prepared. Practice on the sides. Pay attention to the small details. Ask questions. Don't be late, and definitely don't forget your choreography. Take responsibility for your responsibilities and lead by example. Do you have any remote idea how many children look up to you? Who want to be just like you someday? Dance just like you? Kids watch, listen, and copy. Make sure the behaviors you're teaching them are behaviors you're proud of.

Make memories with your dance family while you still can. Cherish every 9 a.m. Saturday morning rehearsal, every competition you attend, every fundraising event, and every team sleepover. It'll be gone so fast. You're going to miss these days. Please, enjoy them.

Don't compare yourself to other dancers. You are you, and nobody can do "you" better than yourself. Don't wish away your abilities by secretly wishing you had Suzie's feet, Betsy's port de bras, or Charlie's center. The only thing you need to worry about is being a better version of yourself than you were the day before. You are your only competition, so don't be too hard on yourself. Be kind to your mind and body. You work day in and day out to perfect your craft and artistry. You work to mold and create yourself. You'll be rewarded with time if you keep fighting and don't give up. Usually when you want to throw in the towel, it's after you don't get the part you wanted or you don't make the team you hoped to. What you need to understand is the answer isn't "No," the answer is "Not yet." You know you're trying and working hard, and those efforts don't go unnoticed -- even if it seems they are.

Please, remember that it's not going to always be fair. You're going to be let down, and you're going to feel disappointed from time to time. You're not always going to win the trophy. You're not always going to get the featured solo part, and not everyone can be the front row and center dancer. This doesn't mean you're "bad" and this doesn't mean you're not "meant" to dance either.

Quite frankly, it's just how it works, you guys. It doesn't mean I don't like you, and it doesn't mean the dancer who does have the solo is my favorite. The dancer just might be more talented. Yeah, I said it. They might have better lines, straighter knees, or stronger stage presence, and that is entirely okay. You're going to run into this for the rest of your adult life. Someone is going to be smarter, more qualified, more desirable for a particular job or position. So instead of despising and resenting these dancers (and especially me), try to learn from them instead. You'll learn more from each other than you could imagine. But if you take away one thing from this, know that you are still worthy of my best training, my best analogies, my best choreography -- whether you are featured, in the third row, or even off-stage for the turn section.

As your teacher, it's my job to teach. Learning (and learning correctly) requires close attention to detail, incredible focus, and a plethora of corrections on my part. Yes, I will go out of my way to critique you, and I will continually tell you what needs fixing until it's fixed. I might have to tell you over and over and over again. And you know, I might even get frustrated with you once in awhile because of it, but here's what you need to understand: This doesn't make me mean or a bad teacher. This doesn't mean I hate you. What it does mean is that I see potential in you and I want to help. I just have to ask, do you see what I see in you? Do you see the talent and abilities I see?

Corrections are good. Success is an incredibly long and never ending process that takes time, but the corrections I give you are helping you get one step closer. So next time you catch yourself getting upset about receiving the same critique week after week or you want to complain about how mean I am, please remember that my intent is not malicious. I'm doing my job.

It's also my job to instill perseverance, dedication, discipline, trust, humility, confidence, creativity, bravery, and strong work ethic into you. I want to push your limits. Test you. Challenge you. I want to mold you into the person you want to be. Even though you probably don't even know who that person is, I do.

There are so many possibilities, opportunities, and challenges that are out there once you enter the world of adulthood. The dance world is so much bigger than your studio, competition routines, and conventions. At the end of the day, no one remembers or cares (especially your future employers) if you won a quadruple diamond platinum plus on your lyrical solo in 2016. They don't care about your first place overall at Showbiz. They don't care if you're Teen Miss Winner of the World. They don't care. What people do care about is your character, your heart, and how you made them feel.

Dancers, I will always support you. Whether you want to pursue a professional dance career in Los Angeles or New York City, in a company overseas, on your college dance team, I will support you. Whether you want to teach dance or choreograph locally in town, I will support you. Whether you don't want to dance at all and maybe be an engineer or a cosmetologist, I will support you. I will always fuel your dreams, goals, and desires, no matter where they'll take you.

I love you and I'm proud of you.


Your Dance Teacher

Cover Image Credit: Pixabay

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