The 2018 Oscar nominations are in and on everyone’s minds. Although we’re all itching to discuss the nomination magnets like “The Shape of Water”, “Three Billboards Outside Ebbing, Missouri”, and “Get Out”, there’s a category that can’t afford to go overlooked this year: Best Animated Short Film.
Of the ten nominees, two- “Lost Property Office” and “Negative Space”- are beautiful and unique works of stop-motion animation. “Lost Property Office” gives a noir spin on the genre, telling the story of a man lost in his work. “Negative Space” has a distinct Wes Anderson-esque quality to it.
“Dear Basketball” transforms Kobe Bryant’s ode to the sport into a masterpiece boasting a more realistic, sketched style and music by the legendary John Williams. “In A Heartbeat” woos with its heartwarming examination of young love between a closeted boy and the boy he pines after through a zippy and undeniably loveable protagonist. "Revolting Rhymes" embodies the quirky whimsy of Roald Dahl with polished ease. "Life Smartphone" is a scathing commentary on technology addiction in a very "pen and paper" medium, evoking discomfort through its incessant honesty.
Beyond these, however, are the four nominees that make my personal “short list” for the coveted title.
1. “Garden Party”
Who knew one could become completely enamored with a gang of frogs wreaking havoc in a rich, yet oddly abandoned villa? Through endearing anthropomorphic expressions, insatiable curiosity, and a bit of darker humor, “Garden Party” encaptures the viewer with its gorgeous style from the first seconds of the trailer. The film is clever, compelling, and nothing short of stunning. I can comfortably say I’ve never wanted to watch a film about frogs more.
2. “Fox and the Whale”
The sheer artistry of this film alone is enough to make a viewer fall in love. The lighting and color elements create a sort of ethereal dream setting in which to follow a lively little fox on a mission. Although the overall style evokes childlike emotions of wonder, the deeper themes of longing and chasing something just out of reach connect with audiences on an adult level. In watching “Fox and the Whale”, the viewer feels a little wiser, but a little smaller, as it reminds us of the vast journey that is not only real life but the life we live in our dreams. The scene transitions and unique sense of non-closure brought about by the resolution are what, in the end, won me over.
3. “Lou”
When you see a work belongs to Pixar, something deep inside simply knows it will be good. “Lou” is no exception, taking audiences on a wonderful, wacky, and weird adventure with a protagonist that reminds me a little of this long-forgotten Disney treasure. Every moment is vibrant and heartfelt, with a sort of energy only captured on the playground. Although not necessarily the most surprising of plots, “Lou” is a “feel-good, do-good” sort of film: by the end of it, you’re reminded that the thing connecting us all is kindness, plain and simple. If you ask me, that’s something we could all use a little more of as we move forward in 2018.
4. "Cradle"
Last but certainly not least! With its crayon-like texture, the animation style of “Cradle” creates a sort of softness that lends the piece a kind of gentle power. Juxtaposed against the weight of the story itself. the film allows for an honest investigation of the adjustment to civilian life, phantom limb syndrome, depression, and life with a disability. Moments of joy and discomfort are painted by strong color and line elements, then elevated by simple dialogue. Overall, the film masterfully tells a story of the power of love and persistence after trauma that taps into the soul on a molecular level. You’re going to need tissues.
Now the hard part: waiting until March 4th to see which film wins!